Thank you, Brad Wheeler, for finding video of the show!
“Memories remind us that every moment of our lives, even the most tragic, have contributed to your strength. We’ve gotten through. We’re still here.
I’m thankful that I’m still here. By the time you read this, I’ll be eighty-two, and I’m pleased to tell you that since turning eighty, I’ve written a couple of dozen new songs, recorded five new albums, and performed over three hundred live concerts. I don’t say that to boast but only to reassert by belief that the essence of my work as a songwriter, singer, and performer is based on the simple task of telling stories. Telling those stories has kept me alive.”
— Willie Nelson
“It’s a Long Story: My Life”
with David Ritz
FLORIDA — Willie Nelson and Jimmy Sturr and his orchestra have just released a brand new CD called “Forget Me Never” on The Starr Record Label.
The CD features 15 “Sturr-style” songs. Nelson sings several tunes, including his smash hit, “Blue Eyes Crying In The Rain,” polka-style. He Also sings a Bob Wills tune called “Stay All Night.”
This is the fifth CD Nelson has recorded with Sturr and his band, who will be performing at Farm Aid, the concert organized by Nelson, Neil Young and other musicians to benefit farmers.
Sturr grew up in the Village of Florida, where he still lives.
Get your copy at: www.JimmySturr.com
1. Let the Bells Keep Ringing Polka
2. Forget Me Never Polka
3. Blue Eyes Crying in the Rain Polka
4. Crystal Inn Polka
5. Onions Polka
6. Polish Traditions Waltz
7. I Don’t Love You Anymore Polka
8. Soldiers Oberek
9. Polish Fiddler Polka
10. In My Garden Polka
11. Hasta La Vista Polka
12. Stay All Night Polka
13. When I Stop Dreaming Waltz
14. Suliko Polka
15. Tzena Tzena Polka
photo: Jim Bennett
Willie Nelson’s website is selling limited edition tee designed by Micah Nelson in celebration of the recent announcement of Willie’s personal brand of marijuana.
Get yours here: http://bit.ly/1EpulNq
photos: Janis Tillerson
Janis Tillerson took this photo, in Luck, Texas
Janis took this picture of Micah and his big brother, at Red Rocks.
Micah Nelson: When It Comes to Willie Nelson’s Youngest Son, expect the unexpected
by Steve Uhler
Micah Nelson has been screwing with everyone’s expectations since before he was even born.
His dad originally wanted to name him Jake — a “cowboy name” — but the still-gestating prodigy had other ideas. “Apparently, when my mother was pregnant with me, she had a dream in which I came to her and said, “Hey, listen. I’m gonna be showing up soon, so I want to let you know ahead of time. My name is Micah. You can call me whatever you want, but that’s my name. Micah. OK, great — see you soon.” Then she woke up and turned to my dad and said, ‘Hey, uh… so his name is Micah, apparently.”
“That wasn’t enough convincing, however. “They settled on Jacob, Jake for short,” he continues. “But then I showed up and said my name is Micah. Only doctors and cops and people at the DMV call me Jacob.”
Anyone expecting Willie Nelson’s youngest son to reflect the spitting image of his iconic father is likely to be simultaneously disappointed and amazed. Flying in the face of preconceptions — ore -re-anything — is a lifelong motif for the 24-year-old musician. his music is as similar to his dad’s as John Cage is to Johnny Cash. Same canvas, wildly different colors. “Micah has never followed the herd in anything he odes,” says his older brother, Lukas. “To follow any formula would limit him, which he knows. He’s as unique as he is creative.”
Even as a toddler, Nelson was messing with people’s heads. “I started playing harmonica in my dad’s band when I was about three,” he recalls. “I thought I was just getting harmonica lessons. I was oblivious to the thousands of people watching. My Aunt Robyn asked me if I was nervous in front of all those people? I said, “If I don’t see them, they can’t see me.’ Eventually I got pretty decent at the harmonica, and my dad would throw me the nod to take a solo or two.”
Like his iconoclastic father, Nelson does things his own way — and he does a lot of things. In addition to being a full-time musician, both with his band, Insects vs Robots, and as a solo artist, he’s an accomplished painter, photographer, filmmaker and animator. Imagine H.R. Giger channeling John Audobon at a seance with David Lynch, and you’ll get some idea of Nelson’s vision.
As a musician, he eschews the formulaic and polished in favor of the ragged, unformed and spontaneous. As such a conduit as a creator, Nelson conjures “found sounds” into complex musical works of astonishing depth, imagery and surprising humor. An intuitive sonic forager, he finds inspiration in serendipitous places: the rhythm drip of a leaky faucet, the arthritic, groan of an old rocking chair, the distant howl of hungry coyotes in the night. “When I was in high school, every morning on Maui I’d wake up to the most psychedelic bird calls right outside my window,” he recalls. “the weirdest riffs. A human couldn’t write those melodies. I had a growing suspicion that all birds were just musical robots flying around with little tape decks built into them with old warped tapes that would loop the strangest, tweekiest sounds.”
So do inanimate objects, “I know a guy named Lewellyn with an old creaky rusty cat,” he continues. “Every time he opens his door it sings the strangest creaky melodies. I”ve ripped his car’s riffs off countless times. Sometimes I see music as this mysterious forest to be explored. Or like archeaology. You never know what treasures and artifacts you might find, but you can’t know unless you start digging.”
Nelson meticulously builds layers of tracks, weaving a tapestry of songs that are often otherworldly. Anyone expecting echoes of his dad’s distinctive voice and mainstream op sensibilities will find Nelson’s oeuvre disorienting. It’s a beguiling mash-up of traditional folk, psychedelia and world beat, peppered with guileless vocals, dissonant chordings and shifting time signatures. It’s musical Chaos Theory.
“A lot of popular music is so safe, so predictable, like it was processed in a factory,” he explains. “You can literally go in and buy it at Target next to the Tupperware. Not that there’s anything wrong with that .. except that a lot of it tends to sound like Tupperware. Some folks want ot make a pop hit that sells deodorant and plays every five minutes at Walgreens and gets them a Super Bowl halftime show. I tend to get bored with that intention. It spooks my horse.” Perhaps the closest he’s ever come to a traditional love song is “Mosquito,” his bizarre ode to the pesky insect.
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October 14, 2003
by Chris Neal
Like a lot of great country music tales, this one begins with whiskey. Willie Nelson and Toby Keith were on Willie’s bus, passing the bottle back and forth — to be precise, a bottle of Willie’s own signature brand, Old Whiskey River. They were having fun, but Toby had a serious question for his hero.
“I’ve got a project I’d love to talk to you about,” he offered. “It’s singing the second verse on a song that I think fits you like a glove.”
“What’s the name of it?” asked Willie. “Whiskey for My Men; Beer for My Horses,” replied Toby.
“Hell, let’s go cut it!” Willie exclaimed with a laugh. “It’d be hard to have a bad song with a title that good.”
Many months later, Willie’s judgment turned out to be right on. “Beer for My Horses” shot to No. 1 and stayed there for six weeks.
“Johnny Cash said one time that all that’s wrong with any of us can be cured with a No. 1 song,” said Willie. “And I think he was about right. I’m almost cured of everything.”
The ride actually began many years ago, way back in mid-Sept. 1976. Toby, then 15, made his way backstage when Willie was appearing in concert at the Lloyd Noble Center in Norman, Okla., as part of an “Outlaws” tour with Waylon Jennings, Jessi Colter and Tompall Glaser.
At the time, Toby already idolized Willie, who was then riding high with the No. 1 Waylon duet “Good Hearted Woman” – a song Toby himself would sing with Willie months after Waylon’s death in 2002.
Toby still remembers meeting Willie that night, 27 years ago. “He was his usual polite self,” he smiles. “Willie is a real sweetheart. He takes care of everybody and wants everybody to have a piece of him.”
By the time they met again in the ‘90’s, Toby had followed in Willie’s footsteps to become a star himself. It happened that Toby’s guitarist, Joey Floyd, had played the part of Willie’s son in the 1980 movie Honeysuckle Rose, and still kept in touch. Joey made the introductions — and Toby and Willie’s friendship was off and running.
“I’d already heard his music before I met him,” recalls Willie. “I think he’s a great talent. He’s one of those guys coming along — well, I don’t know how young he is. Younger than me for damn sure.” (Toby is 42.)
“Probably the thing that ties us together most is the music,” says Toby. “But he’s got a great sense of humor, and so do I. We call each other all the time and tell our latest jokes, and we really have a good time when we’re hanging out.”
Perhaps the most notorious occasion the two spent “hanging out” was during this year’s ACM Awards. Tongues wagged after Toby was named entertainer of the Year at the evening’s end, but wasn’t around to accept it because he’d already left.
Where was he?
“I was up in my room, at the same hotel where the show was going on,” explains Willie. “I was watching it on TV. Next thing you know, there’s a knock on my door and there’s Toby. He said, “Hell, I ain’t gonna win.” I said, ‘OK, come in here and we’ll write a song or something.” So we got the whiskey bottle going around — again — and we were having some fun.”
“You can tell when it’s your night,” explains Toby, “And it didn’t feel like it was my night.”
So Toby figured that spending time with his friend and idol sounded better than waiting around to not win an award.
“That’s important to me, getting a chance to enjoy some of the stuff I grew up wanting to do,” he says. “But I did feel real bad when they said my name and “Entertainer of the Year.”
There’s always the upcoming CMAs, where “Beer for My Horses” is nominated for Single, Song, Vocal Event — and Music Video of the Year, for it’s imaginative clip featuring Willie and Toby as father and son police detectives chasing a killer.
The two are lining up tour dates together, including a New Year’s Eve show. Willie is currently making a new album with Toby’s producer, which will include at least one song Toby wrote. And both men say they’re reading and willing to duet again.
“I’ve had a lot of fun singing with Toby,” declares Willie. “He’s one of us.”
But one question remains: Do horses really like beer?
“Good God yeah” says Willie. “It’s got wheat, barley, corn — why wouldn’t a horse like it? It’s horse soup.”