Archive for the ‘Birthdays’ Category

Happy, happy birthday Rachel Fowler

Thursday, March 8th, 2018


Best wishes  for a happy birthday to Rachel Fowler.







Happy, happy birthday Susie Nelson

Saturday, January 20th, 2018

Best wishes to Susie Nelson for a great birthday.

Heartworn Memories” by Susie Nelson


Heartworn Memories
A daughter’s personal biography of Willie Nelson
by Susie Nelson

“I wouldn’t want anything to change his loyalty. He has an enormous capacity for being loyal and, as a consequence, people are loyal to him. Paul English stuck with Dad through the lean years, selling his rental property and going without pay in order to help Dad follow his dream. His loyalty and consideration for other extends to everyone around him.

He is almost apologetic whenever he asks anyone to do something for him. ‘It’s almost like he works for you,’ his pilot once told me. He’s still the same appreciative boy from Abbott who used to ask for a ride to the baseball game in West.

In a way, Dad has never left Abbott, never forgotten where he came from. He still drops in on his boyhood friends from Abbott, and he still remembera and keeps in touch with all of the folks who helped him on his way up.

Of course he has never lost his touch with the fans. He will sign autographs as long as there is anybody asking for one. He has said over and over again that he can’t understand performers who think they are bigger than their fans, who won’t sign autographs, who cut the shows short or don’t even show up. ‘I always figure that if my audience shows up, I ought to show up too,’ he says.

The size of the audience doesn’t make any difference. He’ll put on the same show for one person crowded around the bandstand as he will for 70,000 screaming fans.

Dad is an extraordinarily popular figure, a hero and an idol to millions around the world. Very few people in history have the kind of following that Dad has. For some people, going to one of Dad’s concert is like a religious experience.

I think the source of his great and enduring appeal is the fact that he truly believes that in the grand design of the universe, he is no more important, no more unique, no better than any other individual human being on the planet. He communicates a true belief in equality, in tolerance, that we are all in this together. That’s what his music is all about. And that sums Dad up about as well as any I’ve heard.

Paul English tells a story that sums Dad up about as well as any I’ve heard.

After a concert, a woman came up to Dad, ‘I met you in San Antonio five years ago,’ she told him, ‘but I don’t suppose you remember me.’

‘No, I’m sorry, but I don’t,’ he answered, ‘but I sure appreciate you remember me.’

That’s my dad. And I love him.”

– Susie Nelson

Grady Martin (January 17, 1929 – December 3, 2001

Wednesday, January 17th, 2018

Session guitarist Grady Martin was born on January 17, 1929, was born in Chapel Hill, Tennessee. Before he joined Willie Nelson & Family, Grady had played with Patsy Cline, Marty Robbins, Elvis Presley and Ray Price. He also wrote the song sung by Ronnie Milsap, “Snap Your Fingers.”


*Article originally printed in the August, 1984 edition of Country Song Roundup magazine.

Young country fans know Grady Martin as the lead guitarist in Willie Nelson’s band, but he is much, much more. His contributions to the development of the Nashville Sound as a studio musician in the 1950’s and 1960’s have been incalculable.

Put bluntly, there would be no Nashville music industry as we know it, were it not for Grady Martin. Country entrepreneur Tillman Franks thinks Grady belongs in the Country Music Hall of Fame. “There are five great musical geniuses that made Nashville Music City U.S.A.,” he says. “They are: recording studio innovator Owen Bradley, music publisher Fred Rose, Grand Ole Opry superstar Roy Acuff, and musicians Chet Atkins and Grady Martin. Of these five, Grady MArtin is the only one not in the Country Music Hall of Fame. As a charter member of the Country Music Association, I hereby nominate Grady Martin for the Hall of Fame in 1984.”

Franks said that in December 1983, at a tribute dinner held in Martin’s honor by the Nashville Music Association On that occasion, Grady was lauded by his peers and given the first Master Tribute Award, designed to honor the unsung heroes of music: the backup instrumentalists. On hand were Brenda Lee, Floyd Cramer, Chet Atkins, Jerry Reed, The Jordonaires, and a ballroom of other celebrities. Willie Nelson hosted the tribute to his friend and bandmember.

Studio musicians got their due at long last that night. Finally it was stated publicly that Grady Martin was the session leader for the hundreds of hit productions that put Nashville on the map. He was a chief architect in the building of Music City.

Grady Martin was born 55 years ago, Jan. 17, 1929, 50 miles south of Nashville on a farm between Lewisburg and Chapel Hill, Tennessee. He grew into a strapping six-footer, but he always preferred making music to doing his farm chores. “My dad played the jug,” he chuckles, remembering his musical youth. “And my mother played the piano. My brother had bought a guitar for eight dollars and he wouldn’t let me fool with it much. I had to slip away to get it.” Maybe that’s why he took up the fiddle at age 13. “There was an old fella down the road named John Davis who played his fiddle at night on his porch. He went down to all the local dances and played.”

He inspired Grady so much that the youngster was soon one of the most accomplished fiddlers in the area. When Nashville radio star Big Jeff Bess came south for a show, Martin was played for him backstage. Impressed, Bess offered the 15 year-old a job.

“We had an early-morning radio show, and just played schoolhouses and anywhere we could. Four or five dollars a night was a good night’s pay. This was during World War II.” Bess was the husband of the legendary Hattie Louise “Tootsie” Bess, later immortalized as the owner of Nashville’s Tootsie’s Orchid Lounge Bar, across the alley from the Ryman Auditorium downtown, mother church of the Grand Ole Opry.

“I went up to the Opry one Saturday night and met manager Jim Denny. I was just askin’ for a job with somebody on the show. And he turned me on to The Bailes Brothers. So I traveled and appeared with them for awhile.” At the time the group was riding the crest of a wave of hits that included Dust on the Bible, I Wanna Be Loved (But Only By You), and As Long As I Live.

Martin toured with such Opry headliners as Jamup & Honey and Uncle Dave Macon. When he began appearing with trick fiddler Curly Fox and “The Sophie Tucker of Cowgirl Singers,” Texas Ruby, he switched to guitar. Thus, on that instrument he made his recording debut when Fox took him into a studio in Chicago.

He joined the band of Red Foley then about to become the biggest star of his generation of country vocalists. [A] 1949 Nashville recording session produced Foley’s huge number-one hit Chattanoogie Shoe Shine Boy. It was the first of many million-sellers that were to feature Grady’s guitar. “We recorded that at the Old Castle Studio that was in the Tulane Hotel on Church Street in Nashville.”

Artists like Carl Smith, George Morgan, and Little Jimmy Dickens began using him on their sessions. Hall of Fame member credits Martin and guitarist Jabbo Arrington for developing his hit sounds= with their twin-guitar playing.

Martin even played (fiddle) on a Hank Williams session. He also accompanied Williams to “The Kate Smith Show” in New York in 1952, country music’s debut on prime-time, nationwide network TV.

As Red Foley’s airplane pilot and lead guitarist, Grady Martin accompanied Foley on his commutes to Springfield, Missouri. There he became the band leader on the Foley-hosted “Ozark Jubilee,” the first network TV country variety series.

He maintained his ties to the infant recording center in Nashville, however. Kitty Wells, Ernest Tubb, Webb Pierce, and dozens of other Nashville pioneers featured him on their hit records.

“I guess the person I played the most hit licks for was Marty Robbins,” says Martin wistfully of his old friend. That’s Grady’s Spanish-style picking embellishing El Paso, and on Don’t Worry he developed the electric fuzz-tone sound that was to influence an entire generation of psychedelic electric-guitar stylists.

He played vibes on Floyd Cramer’s timeless Last Date. He played dobro/guitar on Wilma Burgess’ lovely Tear Time. He banged tambourine and played the banjo lick on Wings Of A Dove by Ferlin Husky.

“On sessions that produced, like Johnny Horton’s Battle of New Orleans or Jimmy Dean’s Big John, I just went ahead and started it up without the producer. He trusted me and I loved it. When he’d come in later, we’d have a hit arrangement worked out.”

Grady also arranged (and wrote) Joe Henderson’s Snap Your Fingers (1962), perhaps Nashville’s first black top pop hit. The following year, he arranged and published Our Winter Love, one of Music City’s biggest ever pop instrumentals.

He played on all the hits of Patsy Cline and on all the worldwide million-sellers of Brenda Lee. He’s on Elvis Presley’s movie soundtracks. He’s on Gone (Ferlin Husky), Saginaw Michigan (Lefty Frizzell), Waterloo (Stonewall Jackson), Uncle Pen (Porter Wagoner, Grady’s last major session as a fiddler), Devil in Disguise (Elvis), Oh Pretty Woman (Orbison), I’m Sorry (Brenda) and For the Good Times (Ray Price).

Jim Reeves, Johnny Cash, Dottie West , Loretta Lynn, Conway Twitty, Larry Gatlin, and Kris Kristofferson records all feature Grady Martin. In fact, it would be easier to name the Nashville stars that he has not accompanied in the studios than it would be to list all he has.

“We worked round-the-clock back then. It was like being in a submarine. You’d ‘submerge’ and stay ‘down’ for hours, all night long and sometimes the next day, too. If you got tired you curled up under a piano for awhile and got up and played some more.”

Surrounded by such “A-Team” pickers as Bb Moore, Buddy Harman, Ray Edenton, Harold Bradley, Hank Garland, Pig Robbins, Pete Drake, Floyd Cramer, Tommy Jackson, The Anita Kerr Singers, The Jordonaires, and a handful of others, Grady Martin forged a sound and style. Never before or since in the annals of popular music have so few been so responsible for so many hits.

It was hard work, but what Grady remembers most are the good times the pickers shared in the good old days of Nashville recording. Today, he says those historic sessions are “all a blur to me. You can ask me anything except about dates and song titles.”

At his peak, his reputation spread to pop musicians like Perry Como, Al Hirt, Theresa Brewer, Bing Crosby, Rosemary Clooney, Henry Mancini, Tab Hunter and Burl Ives, all of whom used his talent on records, Martin’s own recording group, The Slewfoot Five, was a pop/jazz act.

As the 1970’s dawned , Grady MArtin returned to playing live on the road. He served a stint in Jerry Reed’s band before Reed made so many movie-making commitments. Requested by Willie Nelson to play on the soundtrack of the film Honeysuckle Rose in 1979, Martin wound up serving as the model for the Slim Pickens character in the movie. He has remained with Nelson in the 1980’s, both touring and recording with the superstar. Nelson remembers Grady from when he played on a then-green songwriter’s first album. Now Martin plays guitar on such huge Nelson hits as the Merle Haggard duet, Pancho & Lefty.

That the spotlight is finally falling on him after years in the darkness of recording studios won’t change good ole Grady a bit. He remains a Buddah-like, lovable, modest country character without a trace of pretense. “Chet’s a star. I’m not a star,” he says. “Makin’ a good record and havin’ it accepted, just bein’ part of havin’ a hit record, that’s what mattered to me.”

Martin’s modesty might be one reason he has received so little recognition before now. “I really don’t do interviews. I never saw why anybody would want to write anything about me. I’m just a factory worker in the studio.”

He’s wrong. He’s much more than a “factory worker.” He’s 0ne of the creative geniuses in the history of country music.

Happy birthday, Sister Bobbie

Monday, January 1st, 2018



Happy birthday, Lukas Autry Nelson

Monday, December 25th, 2017


This day in Willie Nelson History: Mickey Mouse Turns 50 Celebration (November 19, 1978)

Sunday, November 19th, 2017

On November 19, 1978, Willie Nelson joined others to wish Mickey Mouse Happy 50th birthday, on a televised special. Other guest appearance on the show were made by: Gerald Ford, Billy Graham, Lawrence Welk, Gene Kelly, Roy Rogers and Dale Evans, Edgar Bergen, Jodie Foster, Goldie Hawn, Eva Gabor, Anne Bancroft, Jo Anne Worley, and Burt Reynolds.

Happy birthday, Farm AId Board Member Neil Young

Sunday, November 12th, 2017

Farm Aid Board Members Dave Matthews, Willie Nelson, Neil Young, John Mellencamp.

photo:  Brian Bruner

Neil Young was born on November 12, 1945, in Toronto, Canada

Neil Young was born on November 12, 1945, in Toronto, Canada

Happy Birthday, John Selman

Sunday, November 12th, 2017


Happy happy birthday to John Selman, tour manager for Willie Nelson and Family.

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Happy birthday, Mickey Raphael

Tuesday, November 7th, 2017

photo:  Mary Francis Andrews

Happy birthday, Mickey Raphael! Thanks for the music.



Mickey Raphael, Joni Mitchell and the late Stephen Bruton shared a birthday — November 7th.  This is a picture taken in 1992 at their birthday dinner, in Los Angeles.

Happy Birthday, Poodie Locke (October 3, 1952)

Tuesday, October 3rd, 2017

Hard to believe, Poodie left us 8 years ago today. Still miss seeinghim at shows.





DSC_0192 by you.

Country Line Magazine
June 2002
PoodieLocke: Country Music’s Backstage Legend
by Sheryl Bucsanyi

Poodie Locke, Willie Nelson’s stage manager for almost 30 years has heard and seen it all. And, he doesn’t mind telling it the way it is or the way it was.

Poodie is a nickname he ws branded with since he was a kid. “I guess, because I was a mess. I don’t know,” Poodie says.

I ask Poodie to describe himself in three words. “Pretty f#%*@ lucky.” He stops laughing, thinks, and decides to say, “A gifted life.”

In his spare time he likes to play golf, drink tequila, and chase women, but not necessarily in that order. His motto for life is “a fartin’ horse never tires.” He also claims that a rolling stone gathers neither moss nor dirt.

His proudest accomplishment is getting a job with Willie andstill being alive. “We’re still here. We’re the oldest band and crew alive who still travels. “We’ve outlived outlived the Beatles. We got underwear older than most of those kids who are playing right now,” Poodie confesses.

Poodie was 12 years old when he met Willie in Waco. ” Who is Willie Nelson?”, Poodie says, “The king of the common man.”

I asked him if he could tell me something about Willie that no one else knows. “Yes, but I can’t put it in print.” Poodie tells me how Willie is a national treasure, but that he’s definitely had his lower moments. “He’s had five wives, hell what do you think?”

Riding on the road for about 275 days a year, Poodie says keeps him young. When Poodie first started out on the road he says that every day was a story. Their first bus was previously owned by Porter Wagner and Dolly Parton. It had 6 bunks in the back and three private cabins. “We were in hog heaven. We were bullet proof. We were young.”

Poodieexplains, “Willie got real hot real fast. We did eight shows in eight days. Blue Eyes Crying in the Rain went from member 70 to number one in two weeks. And then, we didn’t come back for eight months. We had to buy new underwear in Arizona.

In the words of Willie according to Poodie, ‘Indecision may or may not be our biggest problem. Strive to be mediocre and those who contribute must leave.’ We are like the most unorganized bunch andpeople try to organize us. One guy from the Rolling Stones lasted only one gig because he couldn’t findthe gig or the band.”

Poodiesays that the band wasn’t hired. “It was conceived. The people in this organization stay.”

Willie is 69 years old. He jogs five miles a day, plays 18 holes of golf, does 2 1/2 hour shows, and then signs autographs for 2 hours. “The man is an animal,” Poodie says. I ask him what was Willie’s secret. Poodie insists that it’s the road. It keeps you alive and it keeps you going. I go home and see people my age, ones I went to school with ahd they’re old.” They look old.” Born in 1952 in Waco, Poodie’s birthday is the same day as Stevie Ray Vaughan – October 3.

Surrounded by gifted women in show business, Poodie has had flings or relationps with legendary Emmy Lou Harris, Tanya Tucker and Bonnie Raitt. “I was married to Bonnie Rait once, until we got sober,” Poodie admits. He has also shopped with Dolly once when she was wearing a t-shirt and no wig or makeup.

Austin area country western singer Kevin Fowler walks up, “I’m trying to find something good to say about you, Poodie,” Kevin jokes. “Nah, he’s a true friend to Texas musicians.”

Poodie comments, “He (Kevin) used to have hair on his ass, now there ain’t none at all.”

Kevin says that Poodie gave him a gig at the Hilltop when no one else would. First Kevin would play for tips and$50. Then he got a band and was paid $100. “Then,” Poodie says, “He started selling thongs and it was all downhill from there.” Kevin offers me an onion ring. “Sample this.” This is what it’s all about, Kevin insists.

There are two memorable moments that stick out in Poodie’s mind. The first one was when they played for the 92nd Airborne in North Carolina for 25,000 soldiers. “It was during the IRS ordeal.” According to Poodie, the general placed his hand on Willie’s shoulder and said, “Let me tell you something Willie Nelson. We know you’ve had a little trouble with the government, and I know it wasn’t your fault. Everyone here at the 82ndAirborne will defend you and build a perimeter aound you to protect you anytime, anywhere. You are what America is all about.”

Poodie says that they paid their taxes to a guy in Connecticut who didn’t pay their taxes nor filed them causing Willie a two and half million-dollar debt. Poodie says that they ended up filing suit.

The second unforgettble experience was playing at the Olympics. Willie wore his cowboy hat and black jacket. “Willie’s presence was not advertised before hand. He sang Bridge Over Troubled Waterstalking through the chorus saying, “That will ease our mind.” Poodie says that Willie signed about 2,000 autographs to Russians, Chinese, everybody. “He’s like the grandfather of the world.” Somebody told Poodie, “Ya know they’re taking medals away from these athletes for doing drugs, but they bring Willie Nelson to close the damn Olympics. What’s up with that?”

Poodie believes that marijuana should be legalized. “Nobody is going to smoke a joint and go kill 10 kids at McDonald’s”, Poodie preaches. “I never smoked any pot like that. And I’ve smoked a lot of pot in many different places all over the world.”

Flashing back to the fairgrounds in Baton Rouge, Poodie remembers when Wille’s crew played with Jimmy Buffet, Jerry Jeff Walker and Asleep at the Wheel. Willie’s time to perform was supposed to be at 9 p.m. They didn’t go on until 1 a.m. “We did everything we could waiting ” drank five cases of beer. We were toast. And Bee Spears, the bass player, walked over to Willie and goes, tell ya what Willie boy, you don’t have a hair on your ass if you don’t play until the sun comes up. Willie goes (Poodie playing an imaginary guitar) dair, dair and dair for 7 1/2 hours. It started out 50 to 60,000 people. When the sun came up, there was still about 20,000 people there,” Poodie tells. “Willie never peed. I couldn’t believe it. Bee just went over and peed off the side of the stage and never stopped playing.

The Caesar’s Palace in Vegas is not known for entertainers wearing blue jeans. However, Willie played two shows a day for two weeks. Bee and Poodie met a couple of riggers at 4.a.m. in a bar. “Bee is the craziest human being next to Dennis Hopper who is dangerously crazy,” Poodie claims. “The worst thing Bee can say to you is hey, I got this great idea.” Bee asked one of the riggers, whose father used to rig for Mary Martin on Broadway’s Peter Pan, if he could fly.

Willie had written this song, Angels Flying Too Close to the Ground, for his wife at the time named Connie. “We’ve been up for about a week. Bee’s hair looked like a firecracker hit it. He took off his boots andhad a mouth full of water Bee was flying up and around behind Wilie. The crowd started going crazy. Willie thought it was cause he was rockin. Bee is hilarious. Then Willie saw Bee and Bee spit water on him. The whole place cracks up. Willie thought it was funny and then made Bee sing a song in his socked feet because Bee hates to sing. You could do a whole book on Bee.”

The most interesting person Poodie has ever met is Dennis Hopper because “He was the 60s, 70s,80s, and the 90s,” Poodie claims. “Dennis is a time bomb fixin to go off. He would eat five pounds of mushrooms, get naked and scale the Golden Gate Bridge. One time in Peru in the 70s, he ate a bunch of mushrooms and climbed a high line pole naked. Every one of his wives would catch him doing something always when he was naked, and he never could defend himself.”

Poodie’s favorite famous person whom he has met is Walter Cronkite. “The only autographs that I’ve ever got was him and John Wayne,” Poodie says.

Poodie grew up with people like Johnny Cash, Kris Krisstofferson, and Waylon Jennings. According to Poodie, Waylon was a wild and crazy guy who did a lot of drugs and chased a lot of women. Back in the older days, most of the musicians Poodie was around popped pills. Until one day when the crew stopped at a honky tonk and somebody gave Waylon some cocaine.

“Waylon called his road manager over and said, “hey Johnny, that was some good stuff. How much is it?” Johnny said about $2,000 an ounce. Waylon goes, cool get me a pound. Johnny said, I can’t get that for you. I’m not carrying a pound of blow around with me!” Poodie informs.

Poodie describes Waylon as the macho man. “I loved Waylon. He loved to play. He would play for  1/2 horus and if you didn’t like him, he’d play for another hour.”

Kris was very ‘military-oriented and very opinioned.” Poodie remembers how Kris and Waylon used to argue all the time about politics.

I asked Poodie if the story was true about the day Kris andWillie ran out of gas somewhere around Austin and nobody would pick them up. Poodie says, “Yea, they looked to scraggily.”

One time Poodie played golf with Kris in Australia. “Kris hates to lose,” Poodie says. “And he lost $2. He cussed at me for about a week.”

Kris is the “black experience” In the 1984 movie Songwriter, Kris’ character’s name was Blacky Buck. According to Poodie he could get along with Kris’ military-style personality, so he was Kris’ driver. “We would have a 4:30 a.m. call for a 7:30 a.m. shoot. Kris is outside standing on the curb. I get there at 4:45. Now Kris, I say, how many movies have you’ve been in? Ah, 30 or 40 why? What time you actually think we’re gong to do anythinhg? He goes, ah, 5:30 or 7. Then why are we going anywhere at 4:30 a.m.? I just got home!”

Every day, about 200 girls would line up outside of Kris’ trailer. “They wren’t getting autographs or photos.” Poodie announces.

Poodie’s favorite song Kris has written is Sunday Morning Coming Down. Poodie begins singing, “Well I woke up Sunday morning with no way to hold my head that didn’t hurt. And the beer I had for breakfast wasn’t bad, so I had one more for dessert.” Johnny Cash leased this song.

The man in balck, Johnny Cash, is real “Stoic, humble, big and strong.” Poodie demonstrates how Cash could be sitting down andfrom his lap, throws a pill andcatches it in his mouth. “He would take a Percadan from right here and throw it andcatch it in his mouth like a frog. Never missed,” Poodie says.

The Cowboys flew Willie down to play after the Superbowl in Miami in 1976. “I was in the Cowboys’ dressing room with Billy Graham watching Pittsburgh beat their ass when it was like the Lord walked in. Johnny Cash is a huge man. His hands are big like Dennis Rodman big,” Poodie describes.

Dallas lost the game (21-17) but they still had a party. I ask why Billy Graham was there. Poodie answers, “Because he was a big Cowboys fan and Tom Landry was one of his disciples.”

Being raised in a religous family, Poodie believes in a supreme being. “I believe that everybody should have something to believe in. Everybody can have their own God as long as you are on the same track. I was taught to read the Bible. I can even recite the books of the Bible.”

Poodie’s advice to new country artists is to have your own identity, and don’t sound like everybody else.

During this interview Poodie’sfriends surroundhim. One friend, Stiffy Williams decides to demonstrate his talent by singing his song he wrote when they all were in Amsterdam. He sings, “Hey, hey Willie, what’s going on? We’re out on the road and a long ways from home. Smokin lots of week, the girls are fine. I need $20 so I get back in line.  Hot damn I’m in Amsterdam. Hot damn I’m in Amsterdam. Ain’t no body knows who I am. Kept my zipper zipped up, ani’t done nothing wrong….” The circle laughs and applauds.

His mother, Gloria Lock, comes down to Austin to visit her son whenever he’s off the road. She describes him as outspoken, well loved, helpful, and busy. She says that she has met many famous people including James Gardner and that they all call her Momma Locke.

“When I’m here I cook the boys five pounds of butter beans, five pounds of fried okra, smothered pork chops, a special relish, hot water corn bread, and peach cobbler. Sometimes it’s meat loaf, another liver.” I loved the butter beans myself.”

“In 1952, Poodie was voted Most Beautiful Baby in Waco,” Momma Locke proudly boasts. “I never had any problems raising him. When I would go shopping, he would squat down right beside me.”

Poodie has owned the Hilltop Bar and Grill for four years. It is known for the best cheesburgers in the world and great music. You never know who might walk in the door like Tracy Byrd did the other day.  Also, Merle Haggard played there once for 3 1/2 hours for free.

Besides Willie, his favorite all time musician he laughs is Stiffy Williams. Then he says no, it has to be the Eagles.

If he weren’t working for WIllie, he says that he would probably be dead. You would lthink it would be the opposite.

Towards the end of May, Willie’s crew will fly overseas to do 28 shows in 34 days all over Europe. Willie says he plans to stop touring in 15 years, according to Poodie.

There is not going to be a Willie Nelson 4th of July picnic this year, however, Pat Green will be having one at Waterloo Park in Austin. Nice trade off. Bet Poodies there.

Sheryl Bucsanyi

Happy Birthday, President Jimmy Carter

Sunday, October 1st, 2017

Happy birthday to President Jimmy Carter, born in Plains, Georgia on October 1, 1924.

Photograph of President Jimmy Carter and First Lady Rosalynn Carter dancing at a White House Congressional Ball. Photographed by Marion S. Trikosko. Dated 1977. (Photo by: Universal History Archive/UIG via Getty Images)

Photograph of President Jimmy Carter and First Lady Rosalynn Carter dancing at a White House Congressional Ball. Photographed by Marion S. Trikosko. Dated 1977. (Photo by: Universal History Archive/UIG via Getty Images)



Happy happy birthday, Annie Nelson

Sunday, August 27th, 2017


Best wishes for a wonderful day.



Happy Birthday, Kenny Rogers

Monday, August 21st, 2017

Happy Birthday, Bill Clinton

Friday, August 18th, 2017

Happy Birthday, Billy Joe Shaver

Wednesday, August 16th, 2017


by: Carol Sidoran


Happy birthday to Billy Joe Shaver, born August 16, 1939, in Corsicana, Texas.


Billy Joe Shaver, Knuckleheads, Kansas City, Missouri (August 12, 2011)

Dallas Wayne and Billy Joe Shaver

Support Family Farmers! Save America! Support Farm Aid!

photo: Janis Tillerson


LB, Knuckleheads 8/12/11