Archive for the ‘Awards and Honors’ Category

This day in Willie Nelson history: “Red Headed Stranger” inducted to Library of Congress National Recording Registry (6/23/2010)

Saturday, June 23rd, 2018


www.Billboard.com
by Ann Donahue

Recordings by Tupac Shakur, Willie Nelson, R.E.M. and the 1959 original cast album of “Gypsy” are among the 25 eclectic inductees announced today (June 23) to the Library of Congress’s National Recording Registry.

Under the terms of 2000’s National Recording Preservation Act, the criteria for preservation by the Library of Congress are that the work be “culturally, historically, or aesthetically significant” and be at least 10 years old. Nominations were gathered from online submissions from the public and from members of the National Recording Preservation Board.

In its citation for Shakur’s “Dear Mama,” the NRPB calls the song a “moving and eloquent homage to both his own mother and all mothers struggling to maintain a family in the face of addiction, poverty and societal indifference.” Nelson’s album “Red Headed Stranger” is cited for its “uncommon elegance,” while R.E.M.’s “Radio Free Europe” is lauded for setting “the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio’s general indifference.”

According to Librarian of Congress James H. Billington, the Library of Congress’ Packard Campus for Audio Visual Conservation in Culpeper, Va. will preserve and maintain these recordings and henceforward make them available to the American public. There are now 300 recordings in the National Recording Registry.

Inductees for the 2009 National Recording Registry are:

1. Fon der Choope (From the Wedding) – Abe Elenkrig’s Yidishe Orchestra (April 4, 1913)
2. “Canal Street Blues,” King Oliver’s Creole Jazz Band (April 5, 1923)
3. “Tristan und Isolde,” Metropolitan Opera, featuring Kirsten Flagstad and Lauritz Melchior, NBC Broadcast (March 9, 1935)
4. “When You Wish Upon a Star,” Cliff Edwards (recorded 1938; released 1940)
5. “America’s Town Meeting of the Air: Should Our Ships Convoy Materials to England?” (May 8, 1941)
6. The Library of Congress Marine Corps Combat Field Recording Collection, Second Battle of Guam (July 20 – August 11, 1944)
7. “Evangeline Special” and “Love Bridge Waltz,” Iry LeJeune (1948)
8. “The Little Engine That Could,” narrated by Paul Wing (1949)
9. Leon Metcalf Collection of recordings of the First People of Western Washington State (1950-1954)
10. “Tutti Frutti,” Little Richard (1955)
11. “Smokestack Lightning,” Howlin’ Wolf (1956)
12. “Gypsy,” original cast recording (1959)
13. The Complete Village Vanguard Recordings, Bill Evans Trio (June 25, 1961)
14. “Daisy Bell (Bicycle Built for Two),” Max Mathews (1961)
15. “I Started Out As a Child,” Bill Cosby (1964)
16. “Azucar Pa Ti,” Eddie Palmieri (1965)
17. “Today!,” “Mississippi” John Hurt (1966)
18. “Silver Apples of the Moon,” Morton Subotnick (1967)
19. “Soul Folk in Action,” The Staple Singers (1968)
20. “The Band,” The Band (1969)
21. “Coal Miner’s Daughter,” Loretta Lynn (1970)
22. “Red Headed Stranger,” Willie Nelson (1975)
23. “Horses,” Patti Smith (1975)
24. “Radio Free Europe,” R.E.M. (1981)
25. “Dear Mama,” Tupac Shakur (1995)

This Day in Willie Nelson History: “Georgia on My Mind” #1 Country Chart (June 10, 1978)

Sunday, June 10th, 2018

On June 10, 1978 Willie Nelson’s remording of Hoagy Carmichael’s “Georgia On My Mind” tops the Billboard country chart.

Top Ten Country Music Protest Songs: Willie Nelson, “Promiseland” #1

Monday, June 4th, 2018

www.TasteofCountry.com

READ ARTICLE HERE

No. 10: Brad Paisley

No. 9: Steve Earle

No. 8: Dolly Parton

No. 7: Dixie Chicks

No. 6: Garth Brooks

No. 5: Kacey Musgraves

No. 4: Mary Chapin Carpenter

No. 3: Alan Jackson

No. 2: Loretta Lynn

No. 1: Willie Nelson

Willie Nelson and Kurt Nilsen, “Lost Highway”

Saturday, June 2nd, 2018

At Langesund, Norway. June 2010.

Willie Nelson presented with award, in honor of Kur;s as Kurt’s album, which featured a duet with Willie had sold 90,000 copies in Norway.

Willie Nelson receives fifth level black belt, in Austin (May 28, 2014)

Monday, May 28th, 2018

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Willie Nelson featured in new Country Music Hall of Fame and Museum’s new exhibit, “Outlaws and Armadillos: Country’s Roaring ‘70s”

Thursday, May 17th, 2018

www.Tennesseean.com
by:  Juli Thanki

“Outlaws and Armadillos: Country’s Roaring ’70s”
Country Music Hall of Fame and Museum
(222 5th Ave. S)
Nashville

May 25, 2018 – Feb. 14, 2021. 

General admission tickets ($25.95 for adults, $23.95 for seniors and students, $22.95 for military personnel and $15.95 for youths 6-12 years old) can be purchased online at the museum box office or online at countrymusichalloffame.org. Admission is free for children five years old and younger and museum members.

Information about upcoming exhibit-related programs can be found on the museum website

On May 25, the museum will celebrate its newest exhibition with a sold-out concert in the museum’s CMA Theater. The super-sized lineup, led by musical directors Shooter Jennings and Dave Cobb, features Joe Ely, Jessi Colter, Bobby Bare, Billy Joe Shaver, Kimmie Rhodes and Delbert McClinton, Michael Martin Murphey, Gary P. Nunn, Tanya Tucker and Bobby Earl Smith, several of whom have artifacts in the exhibit. They’ll be joined by Jason Isbell, Jack Ingram, Ashley Monroe, Jamey Johnson, Amanda Shires, Jason Boland and Colter Wall, a new generation of musical renegades who, decades from now, might be featured in a museum display of their own.

One of the most vibrant and creative eras in country music history began with a fire at a pig farm.

In December 1970, the 400-acre spread in Ridgetop, Tenn., belonged to Willie Nelson, a singer and songwriter who had found more success as the latter than the former during the years he spent rattling around Nashville. After the blaze destroyed his house, Nelson returned to his native Texas.

The fire and Nelson’s relocation serve as the beginning of the story told in the Country Music Hall of Fame and Museum’s new exhibit, “Outlaws and Armadillos: Country’s Roaring ‘70s,” which opens Friday, May 25, and is scheduled to run until February 2021. The exhibit focuses on “Nashville and Austin, the blossoming of those music scenes, what was happening in each city and the interaction between them,” said exhibit co-curator Michael Gray.

Austin had a thriving creative scene, with artists and musicians making their mark all over town. There, Nelson grew his hair long, traded his turtlenecks for T-shirts and found a community of like-minded musicians. At venues like Armadillo World Headquarters and the Broken Spoke, audiences comprised equally of hippies and cowboys grooved to the progressive country sounds of Nelson, the Sir Douglas Quintet and Jerry Jeff Walker, to name just a few.

“In Nashville, there was a system for a lot of sessions where people like Nelson and Waylon Jennings would go into the studio with company producers and it was almost like they had to take a passenger seat in their own car,” said Peter Cooper, who co-curated the exhibit. “They weren’t able to make creative decisions about what musicians would and would not play on the records, or how the records would sound. They chafed at that.” When artists like Jennings, Nelson, Bobby Bare and Kris Kristofferson fought to gain creative control, Cooper added, it “opened up Nashville’s recording system in a really interesting way.”

While some previous depictions of Austin and Nashville have pitted the two music-heavy towns against one another, museum CEO Kyle Young describes the interaction as a “cultural exchange.”

“Tom T. Hall was coming down to Willie’s Fourth of July Picnic and taking his shirt off and saying how it was country music’s Woodstock. Waylon and Willie were in Nashville studios a lot, as were Michael Murphey and Kinky Friedman,” said Cooper. “It’s a little bit like what was happening at the Armadillo, where people that think they may not be on the same side of things wind up finding out they were playing for the same team.”

“Outlaws and Armadillos” features more film than any of the museum’s previous exhibit thanks to co-curator Eric Geadelmann, an Austin-based filmmaker who has spent the last several years working on a documentary about the outlaw movement. “Based on the narrative we’re telling, we ordered up eight short films (from Geadelmann), six to eight minutes each … These shorts are going to be a centerpiece of the exhibition,” said museum Young. The films include exclusive performance footage and interviews, some of which were conducted with artists, such as Guy Clark, who’ve since died.

That’s not the only thing that may surprise visitors.

Yes, there’s the usual museum fare: stage wear, awards and instruments galore. But there’s also the blade that inspired Clark’s masterpiece “The Randall Knife,” a set of Ringling Bros. coveralls worn by Joe Ely when he left music to join the circus, and a copper moonshine still — parts of it covered in the same green oxidization that blankets the Statue of Liberty — that was used by singer-songwriter Tom T. Hall and the Rev. Will D. Campbell, a self-described “bootleg preacher” and important figure of the Civil Rights Movement who also served as pastor to several country artists.

“Will Campbell was part of our family for years,” Hall told The Tennessean after Campbell’s death in 2013. “He married those who were in love, tried to reconcile those with hate, buried our dead and tolerated the rest of us.”

The exhibit isn’t limited to those who stood behind the microphone, either. Several gig posters designed by Texas artists like Jim Franklin and Micael Priest are featured. One glass case includes a windbreaker that belonged to Darrell Royal, the former University of Texas Longhorns football coach who’s credited with developing the wishbone offense and introducing Willie Nelson to harmonica player Mickey Raphael. Raphael has now been an integral part of Nelson’s Family band for over 40 years, and has a diamond-encrusted ring, which is also adorned with Nelson’s tiny, gold face, to prove it. (That ring? It’s in the exhibit, too.)

By the second half of the 1970s, the outlaw movement had captured the attention of the mainstream. However, “By the time ‘Wanted! The Outlaws’ (a compilation record featuring Jennings, Nelson, Jessi Colter and Tompall Glaser) comes out in ’76 and is the first certified platinum country record, our story’s almost over,” said Gray. “We’re talking about everything that leads up to the moment when (‘outlaw’) becomes a big marketing term.”

“Outlaws and Armadillos” begins with a pig farm fire, and concludes with artwork. Artist and songwriter Susanna Clark’s rendering of the Pleiades constellation will be on display. The painting was used on the front cover of “Stardust,” Nelson’s sophisticated and sentimental album of pop standards. The 1978 release of “Stardust,” along with two other events that year — Jennings’ arrest at a Nashville recording studio for possession of cocaine (charges were later dropped) and subsequent single, “Don’t You Think This Outlaw Bit’s Done Got Out of Hand” — marks the end of the exhibit.

Read rest of article here, see more pics and videos

Thursday, May 17th, 2018

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This day in Willie Nelson history: Willie Nelson receives Honorary Doctor of Music Degree from Berklee College of Music (5/11/13)

Friday, May 11th, 2018

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www.Boston.com
www.gma.yahoo.com

by: Johanna Kaiser

Some of the most respected names in music celebrated the next generation of singers, songwriters, performers, and producers Saturday at Berklee College of Music’s commencement ceremony.

Award-winning musicians Carole King, Willie Nelson, and Annie Lennox joined 6,000 students, friends and family members at Berklee’s commencement ceremony at Agganis Arena Saturday morning to receive honorary doctorates of music.

During her commencement address, Lennox, best known as a member of the duo Eurythmics and for her solo music career, looked back on her journey to becoming a famous singer-songwriter.

“I didn’t even know that such a thing was possible,” she said, recalling her parents paying for music lessons even when it was hard to make ends meet, her first instruments, and some of her first performances.

Lennox, who has won four Grammy Awards, a Golden Globe, an Academy Award, the American Music Awards Lifetime Achievement, Billboard’s Century Award, said she hoped her story would inspire the graduates and show them the “value of unorthodoxy.”

From The Beatles to The Rolling Stones, from Marvin Gaye to Aretha Franklin, Lennox recalled the musicians of the 1960s and 1970s that inspired her and to the delight of the more than 1,050 graduating students she even belted out lines from songs some of their songs—including on by fellow honoree King.

“I realized that I had to unlearn just about everything I had been taught about music and embrace the spectacular notion that I actually was a singer-songwriter and I was going to my own thing in my own way,” she said

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Lennox, King, and Nelson for the joined students for a concert Friday night where students paid tribute the musicians and performed with Nelson and longtime collaborator Kris Kristofferson.

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“The history of music has been good, but the future is even better thanks to you folks,” Nelson told the more than 1,050 graduating students—the largest graduating class in school history–after receiving his honorary degree.

Berklee president Roger H. Brown congratulated the students on their achievements, but urged them to use their success to benefit others.

“Not only did they excel in music, but they used their music to do something good in the world,” Brown said. “I hope you students will take note of that.”

King has worked with environmental groups to support forest wilderness preservation, and Nelson co-founded Farm Aid to assist American family farmers. Lennox is an ambassador for UNAIDS, Oxfam, Amnesty International, and the British Red Cross, and has worked to prevent gender-based violence and the spread of HIV around the world.

“So let us go and work and expand that spirit of creative and harmonious community far behind the confines of our small campus,” Brown said.

Lennox, who dropped out of the Royal Academy of Music in London and worked as a waitress before forming the Eurythmics with David Stewart, reminded the graduating students, who ranged in age 19 to 57, that they could go anywhere from here.

“Wherever you think you’re heading right now, you might turn out to take a completely different route down a completely different path,” she said. “And what looks like the end might actually be the start of a brand new beginning.”

www.wcvb

www.countryweekly.com
by:  Sarah Rodman

His songs have no doubt healed many hearts over the course of his legendary career, but now it’s official: Willie Nelson is a doctor.

On Saturday, the Berklee College of Music in Boston awarded Willie an honorary doctor of music degree. He briefly addressed the graduates, telling them, “The history of music has been good, but the future is even better thanks to you folks.”

Willie got to know some of the students Friday night (May 10) when he took part in the annual commencement concert, jamming with them on his tune “Night Life” and Hank Williams’ “Jambalaya (On the Bayou),” for which he was joined by good friend Kris Kristofferson. Kris also surprised Willie on Saturday when he donned a cap and gown to help bestow the doctorate honors onstage.

In a chat on his bus before the show, Willie said he was humbled to receive the honors and tickled that the students were so well-versed in his music. “I’m naturally shocked and surprised that this whole thing is happening to begin with, and to have a bunch of young musicians that are very knowledgeable of your music and are playing it, that’s very good.”

When asked what advice he might have for the aspiring musicians, Willie said he only ever gave one piece of advice: “Don’t take my advice, do what you want to do. If it’s something that you believe in, don’t take no for an answer.”

It’s a philosophy that has served him well.

Willie Nelson statue on Willie Nelson Blvd, in Austin

Thursday, May 10th, 2018

On April 20, 2012, the city of Austin, Texas honored Willie Nelson with unveiling of statue.

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This day in Willie Nelson history: “Always on My Mind” #1 (May 8, 1982)

Tuesday, May 8th, 2018

On May 8, 1982, Willie Nelson’s “Always On My Mind” reaches #1 on the Billboard country chart.

In 1983, Willie Nelson wins Best Country Vocal Performance for ‘Always On My Mind.  The song won three times during the 25th annual Grammy awards including awards for songwriters Wayne Carson, Johnny Christopher and Mark James earn Song of the Year.

Willie Nelson’s 1993 Induction into the Country Music Hall of Fame (1980)

Friday, April 27th, 2018

Willie Nelson’s 1993 induction into the Country Music Hall of Fame. Presented by Johnny Cash (Hall of Fame 1980), Rip Torn & Kris Kristofferson (elected to the Hall in 2004).

This is the first year the CMA did not surprise the artist, as in year’s past. From 1993 to 2006 the CMA Awards did a Hall of Fame Video presentation. From 2007 to 2009, the Hall of Fame segments were reduced to melodies. Since 2010, the Hall of Fame ceremony has taken place in a Medallion Ceremony at the Country Music Hall of Fame and Museum.

Willie Nelson, 1979 CMA Entertainer of the Year

Saturday, March 24th, 2018

March 21, 1981, “Angel Flying Too Close to the Ground” #1 on Billboard Country Chart

Wednesday, March 21st, 2018

On March 21, 1981,  Willie Nelson’s song, ‘Angel Flying Too Close to the Ground” is #1 on the Billboard Country Chart.  It was a single from the 1980 movie, Honeysuckle Rose, and his seventh #1 on the country chart, as a solo artist.  The song spent 14 weeks on country chart.

This day in Willie Nelson history: “My Heroes Have Always Been Cowboys” #1 Country Charts (March 13, 1980)

Tuesday, March 13th, 2018

On March 13, 1980, Willie Nelson’s “My Heroes Have Always Been Cowboys”,  from soundtrack for The Electric Horseman movie, #1 on Country Chart.

My Heroes Have Always Been Cowboys” was recorded by Waylon Jennings on the 1976 album Wanted! The Outlaws, and further popularized in 1980 by Willie Nelson as a single on the soundtrack to The Electric Horseman. “My Heroes Have Always Been Cowboys” was written by Sharon Vaughn and Nelson’s version was his fifth number one on the country chart. The single stayed at number one for two weeks and spent a total of

Willie Nelson, “Last Man Standing” – 10 Best Country Song to Hear This Week

Friday, March 9th, 2018

www.rollingstone.com
by:  Jon Freeman

A country legend, some rising radio stars and burgeoning Americana singer-songwriters make up this week’s list of songs you need to hear right now.

Willie Nelson, “Last Man Standing”

If Willie Nelson’s twilight years are to be spent amidst constant speculation over whether he’s “Still Not Dead,” then he’s sure not going to take it lying down. “Last Man Standing,” the title track from the new record due to be released before the Red Headed Stranger’s 85th birthday in April, is yet another rumination on the country legend’s mortality, as well as the friends – Merle and Waylon, among them – who have passed away before him. Nelson approaches this grim subject with candor and a typically jaunty tone. Then again, as he once sang himself, he just might live forever. J.G.

Read entire article here. 

Thursday, March 8th, 2018

“Last Man Standing” tracklist:

Last Man Standing
Don’t Tell Noah
Bad Breath
Me And You
Something You Get Through
Ready To Roar
Heaven Is Closed
I Ain’t Got Nothin’
She Made My Day
I’ll Try To Do Better Next Time
Very Far to Crawl