Archive for the ‘Billy Joe Shaver’ Category

New Billy Joe Shaver Album! “Long in the Tooth” (order yours today)

Tuesday, July 22nd, 2014

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Follow Billy Joe Shaver on facebook.

“Long in the Tooth” is available on vinyl with gatefold jacket and download card. It also includes liner notes by Steve Earle

Pre-order at Amazon: http://smarturl.it/gpgx9k 
or Lightning Rod Records: http://smarturl.it/ek7506

Itunes has a special, too:

Pre-order Long in the Tooth @iTunesMusic and instantly receive “Hard to Be an Outlaw” single feat. Willie Nelson.

http://smarturl.it/BillyJoeShaver

 

Billy Joe Shaver is a wise man

Monday, June 16th, 2014

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Enjoy this, a recording of Willie Nelson, Billy Joe Shaver and Waylon Jennings , singing a Billy Joe Shaver song.

See Billy Joe Shaver in Jackson, MS (6/22/14)

Sunday, June 1st, 2014

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Joni Stevens Dunbar designed this cool poster for the Billy Joe Shaver show in Jackson, Mississippi on June 22nd.
“Check out my gig poster that I got to design for Billy Joe Shaver! The Honky Tonk Hero will be here in Jackson on the 22nd of June. Yall come on out and see this outlaw legend! ” — Joni Stevens Dunbar


www.RollingStone.com
By Joseph Hudak

If there are two men qualified to weigh in on what it means to be a country outlaw, they’re Billy Joe Shaver and Willie Nelson. The two Texans have always recorded music — and often lived — outside the lines. In 2007, Shaver shot a man in the face at a Texas bar, and the famously pro-green Nelson has been arrested for possession of marijuana.

The longtime friends and collaborators team up on “Hard to Be an Outlaw,” the lead-off track from Shaver’s first new album in seven years, Long in the Tooth, due August 5th. With lines about “superstars” braying about “back roads they never have been down,” “Hard to Be an Outlaw” takes an unflinching look at the state of country. “It’s not harsh enough, I don’t guess,” says Shaver, who wrote the song and enlisted Nelson to sing his share of the skewering lyrics.

The Red Headed Stranger’s most cutting line suggests today’s country music is “enough to make a renegade want to terrorize the town.” “He and I both feel the same way about that,” says Shaver. Shaver bounced rough ideas for the song off Nelson via cellphone. “We text back and forth, and we figure we’re the only ones over 70 years old that text. I’m sure that’s not right, but I know Kris won’t. Kristofferson won’t do it,” Shaver says.

“I mentioned this title to Willie and he said, ‘Man, you oughta write that.’” Nelson liked the song so much that he also recorded his own version for his upcoming album Band of Brothers, out June 17th. Another Shaver song, “The Git Go,” also appears on both Nelson’s project and Long in the Tooth. But the latter album is the only one that features a rap song.

Long in the Tooth’s title track finds Shaver spitting out words with fury. “I didn’t know it was that easy. I took a crank at it and went crazy and did it,” Shaver boasts of rapping. Shaver hopes the release of Long in the Tooth will remind listeners that great art is still being made by veterans long since struck from radio playlists. “It’s just stupidity,” he says of the lack of attention paid to older artists. “It’s like walking down a hall and seeing a Picasso and saying, ‘Damn, that thing’s old! Let’s throw it out.’ Fortunately, you can’t burn songs. You can burn pictures, but a song will live forever.”

Willie Nelson sings with Billy Joe Shaver on his new album, “Hard to Be an Outlaw”

Friday, May 23rd, 2014


www.RollingStone.com
By Joseph Hudak

If there are two men qualified to weigh in on what it means to be a country outlaw, they’re Billy Joe Shaver and Willie Nelson. The two Texans have always recorded music — and often lived — outside the lines. In 2007, Shaver shot a man in the face at a Texas bar, and the famously pro-green Nelson has been arrested for possession of marijuana.

The longtime friends and collaborators team up on “Hard to Be an Outlaw,” the lead-off track from Shaver’s first new album in seven years, Long in the Tooth, due August 5th. With lines about “superstars” braying about “back roads they never have been down,” “Hard to Be an Outlaw” takes an unflinching look at the state of country. “It’s not harsh enough, I don’t guess,” says Shaver, who wrote the song and enlisted Nelson to sing his share of the skewering lyrics.

The Red Headed Stranger’s most cutting line suggests today’s country music is “enough to make a renegade want to terrorize the town.” “He and I both feel the same way about that,” says Shaver. Shaver bounced rough ideas for the song off Nelson via cellphone. “We text back and forth, and we figure we’re the only ones over 70 years old that text. I’m sure that’s not right, but I know Kris won’t. Kristofferson won’t do it,” Shaver says.

“I mentioned this title to Willie and he said, ‘Man, you oughta write that.’” Nelson liked the song so much that he also recorded his own version for his upcoming album Band of Brothers, out June 17th. Another Shaver song, “The Git Go,” also appears on both Nelson’s project and Long in the Tooth. But the latter album is the only one that features a rap song.

Long in the Tooth’s title track finds Shaver spitting out words with fury. “I didn’t know it was that easy. I took a crank at it and went crazy and did it,” Shaver boasts of rapping. Shaver hopes the release of Long in the Tooth will remind listeners that great art is still being made by veterans long since struck from radio playlists. “It’s just stupidity,” he says of the lack of attention paid to older artists. “It’s like walking down a hall and seeing a Picasso and saying, ‘Damn, that thing’s old! Let’s throw it out.’ Fortunately, you can’t burn songs. You can burn pictures, but a song will live forever.”

Billy Joe Shaver, ‘Willie, the Wandering Gypsy and Me”

Friday, May 23rd, 2014

Billy Joe Shaver on Tour

Sunday, October 20th, 2013

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See Billy Joe Shaver in concert whenever you get the chance!

10-20-13 801 Media Center Fort Smith AR  
10-30-13 Main Street Crossing Tomball TX  
         
11-2-13 Hank’s Texas Grill McKinney TX  
11-22-13 Artwalk 2013 Alpine TX  
11-30-13 Bastrop Brewhouse Bastrop TX  
         
12-6-13 Riley’s Tavern New Braunfels TX  
         
  2014      
         
1-18 Hughes Recital Hall – Mary Hardin Baylor Belton TX  
         
2-22 Manship Theater Baton Rouge LA  
         
3-28 Back Porch of Texas Abilene TX


Happy Birthday, Billy Joe Shaver (Aug. 16)

Friday, August 16th, 2013

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by: Carol Sidoran

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Happy birthday to Billy Joe Shaver, born August 16, 1939, in Corsicana, Texas.

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Billy Joe Shaver, Knuckleheads, Kansas City, Missouri (August 12, 2011)

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Dallas Wayne and Billy Joe Shaver
www.sirius.com

Support Family Farmers! Save America! Support Farm Aid!
www.FarmAid.org

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photo: Janis Tillerson

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I took this one at Knuckleheads 8/12/11

Billy Joe Shaver, “Ragged Ole’ Truck”, (Bastrop Brewhouse, 4/27/13)

Sunday, May 12th, 2013

A bunch of us in Austin for Willie Nelson’s birthday celebration/ West Fire Fighter Fundraiser, went to hear Dallas Wayne and Billy Joe Shaver perform at the Bastrop Brewhouse, in Bastrop, TX. Billy Joe told a long story about writing this song, and then sang it. What an entertainer!

Billy Joe Shaver, Farm Aid 1990, “Georgia on a Fast Train”

Wednesday, April 17th, 2013

Support Family Farmers! Save America! Support Farm Aid!
www.FarmAid.org

Billy Joe Shaver and Eddie Shaver, “Willie, the Wandering Gypsy and Me”

Sunday, March 3rd, 2013

Free Billy Joe Shaver Concert in Houston (March 6, 2013)

Wednesday, February 27th, 2013

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www.stmarks-houston.org

The St. Mark’s  Episcopal Church in Houston invites you to a rare opportunity to hear  one of Texas’ finest musical treasures, Billy Joe Shaver, at a free concert on March 6, 2013.  The concert is part of the Church’s Lenten Concert Series “Songs of Lovin’ and Redemption.”.  Billy Joe will perform at 7:00 p.m. in their newly renovated sanctuary, located at.

” This series is our gift to the city of Houston: We want to share the gift of music with you that is profound and soulful.”

Well, Billy Joe is both.

Other artists in the series will include Sara Hickman on March 13, and Terri Hendrix on …March 20.

Get more information visit their website here.  or email Eric Hungerford at eric.hungerford@stmarks-houston.org

 
St. Mark’s Episcopal Church
3816 Bellaire Blvd
Houston, Texas 77025
713.664.3466 |
church@stmarks-houston.org

Billy Joe Shaver in Concert

Saturday, October 20th, 2012

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www.countrycalifornia.com
by C. M. Wilcox

At 73, Billy Joe Shaver is some combination of Pentecostal showman and hard-country poet, a foot-stomping, gesticulating good ol’ boy who’ll devastate you with a knowing turn of phrase as surely as he’ll get you dancing in the aisles to the bawdy, unsubtle “That’s What She Said Last Night.” His secret, Shaver will tell you, is that he writes great songs. That much is hard to argue. “You Asked Me To,” “Old Five and Dimers Like Me,” “Honky Tonk Heroes,” and “Live Forever” are country classics and live show staples.

The songs are just part of the equation, though. The other part is that the honesty in his songs is the honesty in his person and the spirit he embodies when he takes the stage. Nobody connects with an audience better simply by being a true, unapologetic version of himself than Billy Joe Shaver.

Last Friday night at the Palms Playhouse in Winters, CA, Shaver took the stage with a Walmart bag full of cold supplies on his arm. Its purpose became clear several songs in, when he complained of a nose that wouldn’t quit running and began searching himself for Kleenex or a handkerchief. No luck in the plastic bag. No luck in his pockets. In search of any solution to his problem, he ultimately settled on blowing his nose right into the coat he’d shed on his way to the mic, to the semi-disgusted amusement of concertgoers.

No, he’s not much for putting on airs. When a kindly woman in the front row presented him with a pack of Kleenex, Shaver took one out and, turning it over slowly in his hand, quipped that it ‘looks so pretty it’s a shame to get it all messed up.’ With his discarded coat still laying at his feet.

He seemed more at ease with the handkerchief offered by another fan later in the show.

Such moments of off-the-cuff charm were plentiful, with Shaver seeming a bit out of sorts but no less dedicated to putting on a great show. Even as he apologized for his condition between songs, his voice and enthusiasm never faltered. Sick or not, he was bursting with spirit and poetry. If his guitarist needs a few spare moments to retune, Shaver will sooner burst into a spontaneous a cappella rendition of “Son of Calvary” than leave the audience hanging. When he’s onstage, he’s on. Period.

Beyond the expected hits and live staples, Shaver made an unlikely showpiece of 1981 album cut “Ragged Old Truck,” which he presented with a hilarious, meandering introduction twice as long as the song itself. The backstory added greatly to the song’s reception, with the line “So before that ol’ heifer drives back in from Waco, you can bet your sweet ass I’ll be gone” getting one of the bigger laughs of the night. That this story and song appear on none of his four live albums suggests that someone should be following him around with a tape rig at all times. He’s got a few more left in him.

Shaver’s band – guitarist Jeremy Woodall, drummer Jason Lynn McKenzie, and bassist Matt Davis – proved a force to be reckoned with, morphing from ripping electric rock band to snappy country-folk ensemble and back again as the songwriter’s wide-ranging material demanded. Woodall soloed tastefully throughout, while McKenzie earned big applause with an inventive drum solo on “When the Word Was Thunderbird.”

By the time they followed “You Can’t Beat Jesus Christ” with “The Road” to end the night, two hours had passed. Shaver was still game to sign stuff at the merchandise table, but he advised folks keep their distance lest they catch his cold. Sure. Undeterred, fans swarmed in for hugs and autographs. How many opportunities do you get to catch a cold from one of America’s greatest living songwriters, anyway?


Live at Billy Bob’s Texas

Incidentally, Shaver appeared with the same band featured on his recent Live at Billy Bob’s CD/DVD set. For those who haven’t seen Shaver in person yet, or have and would like to be able to relive the experience, the set is highly recommended. If the existence of three previous live albums points to the fact that something special – and something especially worth capturing – happens when he takes the stage, Billy Bob’s might be the first to actually capture it. It’s also the only complete Shaver live album recorded this millennium, a period that has seen him rebuilding spiritually and casting himself upon the music more completely than ever. I could do without some of the talking heads between songs (DVD only), but the musical content is about as close as you’ll get to being there in the flesh for a latter-day Shaver show. An important document of an important talent, and one you’ll return to again and again.

Billy Joe Shaver has a new collection of music recorded live at Billy Bob’s Texas, and you can purchase it at Amazon here: Live at Billy Bob’s Texas

Billy Joe kindly posed for a picture with me at Willie Nelson’s 4th of July picnic in Fort Worth:

 

Billy Joe Shaver, “Willie, the Wandering Gypsy and Me”

Wednesday, September 19th, 2012

Happy Birthday, Billy Joe Shaver

Thursday, August 16th, 2012

 

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by: Carol Sidoran

Today is Billy Joe Shaver’s birthday.

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Billy Joe Shaver, Knuckleheads, Kansas City, Missouri (August 12, 2011)

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Dallas Wayne and Billy Joe Shaver
www.sirius.com

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photo: Janis Tillerson

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I took this one at Knuckleheads 8/12/11

Rolling Stone Interview, Billy Joe Shaver

Monday, July 23rd, 2012

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www.BillyJoeShaver.com

www.rollingstone.com
by Patrick Doyle

On his 2009 track “I Feel a Change Coming On,” Bob Dylan sang, “I’m listening  to Billy Joe Shaver and I’m reading James Joyce.” Dylan is one of Shaver’s many  famous fans; Willie Nelson calls him “the greatest songwriter alive today” and  Kris Kristofferson, Johnny Cash and Elvis Presley have all recorded his songs.  Shaver grew up in the Waco, Texas area, moving to Nashville in the mid-Sixties.  He wrote 10 out of the 11 songs on Waylon Jennings’ 1973 outlaw country  breakthrough, Honky Tonk Heroes, and has remained an underground hero  since then – but violence, drugs and alcohol often got in the way of his own  career. In 2007, he was charged with shooting a man in the face at a bar near  his home in Waco, Texas (he was acquitted by a jury, pleading self-defense). “I  am very sorry about the incident,” Shaver said outside  the courtroom. “Hopefully things will work out where we become friends  enough so that he gives me back my bullet.”

This week, Shaver releases Live at Billy Bobs Texas, his  first album since the trial.

You’ve had an interesting career. While you may not have become as  huge as some of your fans like Dylan, Willie Nelson, the Allman Brothers and  Johnny Cash, youve always had a rabid group of hardcore  fans.

I have a good following of people. I have kind of cornered  that simplicity thing. It’s easy for me to be simple because I haven’t gone to  college or even finished high school, so you’re not going to get any of them big  10-dollar words from me. And consequentially it’s easier for dumbasses like  myself to understand it, and of course the real smart people understand it and  they appreciate it because it’s real simple. And it says so much in so few  words. That’s what I got when I didn’t finish school and I picked up my language  from the street and from farms.

Waylon Jennings recorded a whole album of your songs,  1973s Honky Tonk Heroes, which turned out to be a  major breakthrough for him – I think its his best album. What  was that period like?

[Backstage at a gig] he let me play a song. He  said, “If I stop you now, you’re going to get that guitar out and get out of  here and I’m never going to see you again.” So I went ahead and sang, “Ain’t No  God in Mexico.” Then I sang “Honky Tonk Heroes” and “You Asked Me To.” Then he  slapped his knee and said, “You know what I gotta do?” and he went in there and  ran the [studio] musicians off and brought his own band in and recorded those  songs right away. The label fought about it, trying to stop it. Chet Atkins was  afraid it would hurt the business the way we were coming out, you know, saying  “God” and “damn” and things like that in the songs. But it just couldn’t be  stopped. It was too good. I’m pretty sure it’s the first country album that sold  a million.

Your son [guitarist Eddy Shaver] toured with you throughout the  Eighties and Nineties. He died of a drug overdose on New Years Eve 2000, but you  still played a show that night.

Yeah. I couldn’t believe it. My band  just scattered out then. It just killed them. They all just went and cried  somewhere. But I had a show booked at Poodie’s [outside of Austin, Texas].  Willie Nelson called me up and said, “The best thing to do when the horse throws  you is to get back up on it.” Willie had a good band together, and he was up  there singing and once in a while I’d sing one or two but to people there. Every  once in a while you’d see somebody who heard what happened and go crying out the  door and leave, but I stuck in there. Then I went and spent the night over at  Willie’s and we talked and talked. Every experience you’ve had, Willie’s  probably had two or three times. He knew what to say and how to treat me. He’s  really been a best friend.

After all of that, you still work in a lot of spirituality in your  live shows.

I have to. It’s getting close to my end so I’m sure it’s  getting close to everybody else’s. Not my end, but I figure that when we do  pass, we actually start the beginning of forever then. It’s easy to figure out  because you can’t destroy anything. You can’t destroy people, either, because  they go to a different form. If you’re burning something, it turns into smoke.   If you step on something, it squishes. Everything makes sense for a person  to go on to me. And of course I do believe in God, and I’m a born-again  Christian, and Jesus Christ is the one who made us all number two. And I believe  that because my grandmother told me, and she wouldn’t lie to me.

When did you become born-again?

I’ve slipped back since  then many times since, but it was when I wrote [1981's] “Old Chunk of  Coal.” I went out on the Harpeth River in Nashville. I went way up a treacherous  pathway up this cliff to jump off of it. It looked like the Devil’s tower or  something. It was cloudy, no stars or moon or anything, dark as pitch. Way up on  top that cliff was an altar – or something that looked liked one. I thought I  jumped off a cliff, to tell you the truth.

I’d already seen Jesus actually, or a vision of him shaking his head saying,  “How long you gonna do this?” It was pure white. I was really screwed up, man.  I’d taken a bunch of stuff and done a bunch of stuff and come in my house about  four in the morning and this vision was waiting on me, and then I got in my  truck and drove out there to this place. At the top of that cliff was an altar,  or something that looked like one, and I wound up with my back to the edge of  the cliff and my elbows and everything on the altar, and my boots were off of my  feet and they looked just like they were gold. It would take me forever to tell  you what really happened, but I found myself asking God to forgive me for being  such an idiot, and he helped me because he gave me that song.  I came down  that path after all that stuff, slipped my boots and came down that path singing  that first half of that song.

After people like Elvis Presley, Dylan, Willie Nelson, Johnny Cash  covered your songs, were you ever disappointed you never achieved their level of  fame and success?

Maybe for a second, but not really. I thought  about that one time, real hard. I was driving home one night and heard this song  and it was so good I pulled over to the side of the road and thought, “I might  as well shoot myself for not writing that song.” And after a while, I realized I  had written it. It was someone strange singing it, but turned out to be a hit.  If I hadn’t gone down this road I went down, I wouldn’t be able to write the  kinds of songs I’m writing now even. I think I’m writing just as good as I ever  did.

It’s been five years since your last record. Is there any  update?

I’ve got it ready. I just haven’t had any  offers from any record companies or anything like that, so I guess I might do it  myself. Might as well.  My guitar player, Jeremy Woodall is just as good as  any of them and he can produce it. Now I’ll get on with it.

In 2010 you went on trial for shooting a man, Billy Bryant Coker, at  a bar outside Waco. You sing about it on the new song Wacko  from Waco. What is it like looking back on  the whole experience?

I feel like I’ve lost a lot of years that I  could have been writing, but I didn’t really want to be writing, I didn’t want  to get a whole bunch of bitterness into everything, I’m bitter enough as it is.  [Laughs]

What kind of toll did that trial take on you?

A pretty  big toll. I had to be careful what I said, and I’ve had to walk away from places  where I should have punched somebody in the mouth and I didn’t and I just had to  walk away from a lot of things. I couldn’t be John Wayne anymore. But now I’m  kind of easing back into it [Laughs]

Can you shed some light about what happened outside the bar, Papa  Joes Saloon, in 2007?

Actually, that song “Wacko  from Waco” pretty much tells it. He fired on me before I fired on him. That  never even came up in the trial. But you can go back and listen in the script  and tell it, because there’s people inside, every one of them thought it was  firecrackers. You need more than one shot, and I only shot once, just a little  old .22 and that was it.  He had some other kind of gun. I don’t know what  it was, but he shot at me three times, and I thought, “Well I better do  something.”

At the trial, the state made the case that you were actually provoked  because the man you shot was stirring his drink with a knife in a menacing  way.

Well that’s all they had to work with. They couldn’t find the  gun, so it was just as well doing that. He knew I was innocent.

The night you were acquitted, you drove three hours and played a  show.

Well I don’t miss a show. There’s no business like show  business. Eddy wouldn’t miss a show for nothing. We played the night my mother  died.

A lot of your records are out of print. Do you think  youll ever find a way to reissue them?

Well, I  don’t know, the Capricorn Records stuff I doubt will ever be released since  [label co-founder] Phil Walden passed. I went ahead and rerecorded a bunch of  songs that were on records. Sometimes you’ll see songs on records of mine that  have been recorded three or four times on my records – that’s because every  place I play, the record company goes out of business, and then I just go do the  same songs again to make sure they got out. They’re kind of coming back a little  bit now.