Archive for the ‘Bobbie Nelson’ Category

Bobbie Nelson and Paul English (Laughlin, Nevada) (March 29, 2014)

Sunday, March 30th, 2014

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Thanks to Lane and Katrina, from Flagstaff, for sharing their photo of Paul English and Bobbie Nelson at the Willie Nelson and Family show in Laughlin, Nevada.

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And here’s Lane and Katrina with Bobbie and Paul, in Nevada.

Bobbie Nelson and Tom Conway, in Austin

Saturday, March 15th, 2014

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“Bobbie Nelson & I on the bus heading to Austin for tonight’s gig.  Such a sweet woman!” — Tom Conway

Willie Nelson, Bobbie Nelson, Paul English

Saturday, March 8th, 2014

Lots of great pictures of Willie Nelson and Family at www.WillieNelson.com

Bobbie Nelson

Wednesday, March 5th, 2014


(Photo by Todd V. Wolfson)
by Michael Corcoran

She had done whatever it took to raise three sons alone after their father died in an automobile accident in 1961. She demonstrated organs for Hammond, taught at J.R. Reed Music on Congress Avenue and at night played elegant solo piano at local lounges and restaurants.

But what Bobbie Nelson really hungered for, especially after her boys had grown up and moved out by the early 1970s, was to play again with her brother Willie. The pair had forged an undeniable musical bond since she was 6 and Willie was 4 and their grandparents showed them the chords to “The Great Speckled Bird.”

Then one day in early 1973, Bobbie got a call from Willie, summoning her to New York to play piano on his gospel album “The Troublemaker.” Willie had just signed a deal with Atlantic Records that gave him the creative control, including choice of session players, that had been denied him in Nashville.

So at age 42, empty-nester Bobbie Nelson took her very first airplane flight and embarked on a glorious musical journey that is still en route. Willie and “Sister Bobbie,” as she’s known in the extended Nelson family, have been musical partners for an incredible 70 years.

“There’s just no way to explain how lucky I am to have a good musician in the family,” Willie Nelson said last week from the tour bus he shares with his sister. “Whenever I’ve needed a piano player, I’ve had Sister Bobbie right there.”

While Brother Willie has become a major music icon, as instantly recognizable as anyone on the planet, Sister Bobbie has happily remained in the shadow, except for the one spotlight turn — usually “Down Yonder” from “Red-Headed Stranger” she gets at each Willie Nelson and the Family concert. “I’ve always been very shy,” said Bobbie. “I sang a little when we were kids, mostly in church. But Willie had such a beautiful voice. I’d always tell him, ‘you sing, Willie, and I’ll play the piano.’ ”

This week, 76-year-old Bobbie stepped out of the background with her first solo album, “Audiobiography,” titled so because it’s the story of her life through the songs she’s played. “I’ve always expressed myself best through music,” she said recently at the Pedernales recording studio owned by her son Freddy Fletcher. “I remember when I got my first piano. I thought, ‘I’ll never be lonely again.’ ”

Not that there weren’t painfully trying times in the devout Christian’s life. She lost two of her three sons, Michael to leukemia and Randy in a car crash, in a six-month period in 1989. “Me and my three boys grew up together, and we had so much fun … and then to lose two of your three babies, well, it’s something you never get over,” Bobbie said. “It taught me to never take life for granted.” Another reminder came in March, when Bobbie underwent heart surgery to insert a pacemaker.

“I’ve never been so happy as this past April 15,” Bobbie said with a smile as radiant as Willie’s. “That’s when I flew to L.A. and joined up with the band. It’s just the most wonderful therapy in the world to play with Willie.” She said that sometimes when she’s away from Willie for more than a couple weeks, she gets a cold and feels worn down.

“Audiobiography” contains 10 piano instrumentals, bookended by a pair of Willie Nelson originals. It’s just Willie and Bobbie on those two new tunes, just like on their tour bus, where Bobbie slides a keyboard from the bottom of an adjoining bunk and Willie pulls out a guitar whenever inspiration hits. Even after two and a half hours on stage, the brother and sister — whose ages add to 150 — will often play gospel standards or work out new songs on the Honeysuckle Rose IV bus as it hurtles through the deep darkness between gigs.

It will also be just Willie and Bobbie on “The Ellen DeGeneres Show” Tuesday and “The Tonight Show” Wednesday, as the younger brother has pledged to promote his sister’s album however he can. “It’s long overdue,” Willie said. “Whenever our band plays, Sister Bobbie is the best musician on the stage.”

Bobbie Lee, born on the first day of 1931, and Willie Hugh, born April 30, 1933, were children of the Depression. Their biological parents were a pair of married teenagers who had recently moved from Arkansas to Abbott, a farming community about 70 miles south of Dallas. But Bobbie and Willie were raised by their paternal grandparents, whom they called Mama and Daddy.

“Daddy Nelson was the sweetest person I’ve ever known,” Bobbie said. “He had the most gorgeous tenor voice.” A proficient player of stringed instruments, Daddy Nelson taught Willie how to play guitar, while Mama Nelson, who lived to be in her 90s, showed Bobbie how to play piano. “It was just so amazing to us that I could play one part and Willie could play another and together we had a song. We’d look at each other and our eyes would light up.”

After Daddy Nelson died when Willie was 7 and Bobbie was 9, the brother and sister took to tunes, both spiritual and secular, to soothe their sorrow. “Playing music made us realize that there was something bigger out there, something more than human life,” she said.

They played together for hours every day, and on Sundays they played and sang at the Abbott Methodist Church (which Willie bought in July 2006 when he heard prospective buyers had planned to move it to another town). Bobbie, who could read music at age 6, also played at other churches in the area. When she was 16, she met 21-year-old ex-GI Bud Fletcher at a revival at Vaughn Methodist Church, near Hillsboro. The couple married a few months later, while Bobbie was a senior at Abbott High. “I’d kiss my husband goodbye every morning then get on the school bus,” she recalled.

Seeing so much talent in his new bride and the brother she called “Hughtie,” Fletcher organized a western swing dance band around them” Bud Fletcher and the Texans. A non-musician in the beginning, Fletcher took on the role of emcee, adding a Bob Willsian “Ah-HA” to hot solos, introducing band members and pumping up the crowd. He eventually learned to play bass fiddle and then the drums.

“Bud was one of those outgoing guys who could talk to anyone,” Bobbie said. “And he was a fabulous dancer.”

Bobbie became pregnant with Randy when she was 19; by age 23 she had three sons and was still playing in her husband’s band. But too many nights in a roadhouse were wearing Fletcher down. “Bud was a great person and we loved each other very much, but he was having a rough time,” she said. “That’s why, to this day, I hate alcohol. I’m so glad Willie doesn’t drink anymore.”

The young parents of three small boys also had very little money. In 1955, Bud’s parents went to court to get custody of Randy, Michael and Freddy and won. “Bud’s father was the road commissioner of Hill County and had a lot of influence,” Bobbie said. “They tried to portray me as unfit because I played honky tonk piano. It just broke my heart.”

Bobbie said she had a nervous breakdown after losing her children.

“The Fletchers hated the Nelsons,” said Freddy Fletcher. “They looked down on musicians and blamed my mother for getting my father involved, when in reality it was his idea to start a band.”

After she gave up the nightlife, took bookkeeping courses and got a job with the Hammond organ company in Fort Worth, Bobbie got her sons back after a year with their grandparents. She later divorced Fletcher and remarried, but that union ended in divorce after a few years, as did her third and final marriage in the late 1960s.

While Bobbie’s life revolved around her three sons, Willie had hit the jackpot as a Nashville songwriter. In 1961, three of his compositions were big country hits: “Hello Walls” by Faron Young, “Crazy” by Patsy Cline and “Funny How Time Slips Away” by Billy Walker.

“I was just so proud of him,” Bobbie said. “People got tired of hearing me say ‘my brother Willie wrote that one’ whenever one of his songs came on the radio.”

It was Bobbie, not Willie, who moved to Austin first. She came down from Fort Worth in 1965 to demonstrate a Hammond organ for the El Chico restaurant set to open at the spanking new Hancock Center. Impressed by her interpretations of such standards as “Stardust” and “Laura,” as well as her boogie-woogie and swing numbers, the owners offered Bobbie a job playing nightly. She later opened the Chariot Inn in North Austin and played regularly at the Lakeway Inn.

“When Willie called me (in 1973) to come to New York, I was ready,” Bobbie said. “I was always playing the piano, using music to survive, so I never got rusty.”

Although Willie and producer Arif Mardin had blocked out five days at Atlantic studio, Bobbie would be needed only the first day, when “The Troublemaker” was knocked out in ten hours. The next day, Willie was back with his band to record what would become “Shotgun Willie.” Bobbie had planned to do some shopping and then head home to Austin. “They must’ve missed me,” Bobbie said, “because when I stopped by the studio the next day, Willie asked me to stick around and play the piano some more.” Sister Bobbie has been with the Family ever since.

Willie said there’s an instinctive connection between him and his sister that he doesn’t feel with any other musician. “She knows what I’m going to do even before I do sometimes,” he said with a laugh.

In 1976, Willie bought Bobbie an $85,000 Bosendorfer grand piano like the one she played on “Red Headed Stranger.” But when IRS agents seized Willie’s property in 1990 to help satisfy a $16.7 million tax lien, Bobbie’s piano was among the Pedernales studio contents auctioned off.

Friends of the Nelsons bought the Bosendorfer and gave it back to Bobbie. It’s the piano she plays so exquisitely on “Audiobiography” and all of Willie’s records.

The brother and sister have never had an argument, Bobbie said, even after she was awakened by police in Louisiana in September 2006 and charged, with Willie and three others, with possession of a pound and a half of marijuana and three ounces of psychedelic mushrooms. The prim and proper churchgoer has never used drugs, but since they were found on the bus she was traveling in, Bobbie was cited with the others. “All I knew was that if Willie was going to jail, they’d have to take me to jail, too,” she said. But Willie and company were issued only misdemeanor citations and sent on their way.

In the mid-70s, when “Red Headed Stranger” hit and the parties and groupies got crazy, Bobbie didn’t ride with Willie and the band but flew to gigs and stayed in hotels. But she’s traveled with Willie since 1983 and has learned to tolerate the ever-present illegal perfume.

“I think he smokes (marijuana) too much,” Bobbie said, “but that’s just because I’m worried about his health.” Willie said his sister’s physical well-being is also foremost in his mind. “We were all very concerned (in March), but she has great doctors and they caught the problem early,” he said.

If any two people deserve to live forever, they are Bobbie and Willie Nelson, who have filled the air with beautiful music and helped whomever they could. But one day, one of them will have to go on without the other, a prospect neither Willie nor Bobbie wants to face.

“Every day is so precious,” Bobbie said. “Every time I play with Willie is a gift. We are just so blessed to be still doing what we’re doing after all these years.”

In a small Texas town in the 1930s, a 6-year-old girl and her 4-year-old brother learned the power and magic of making music together. And they’ve been doing it ever since.

Bobbie Nelson

Monday, February 24th, 2014


www.willienelson.com

By Todd Money
www.goupstate.com

Getting a job working for your sibling isn’t always the easiest or most advisable career move.  Bobbie Nelson, the sister of musical legend Willie Nelson, made the most of it. Never a stranger to music herself, Bobbie had played the Texas honky-tonks with younger brother Willie when they were in their teens, in a band with Bobbie’s husband and Ira Nelson, their guitar-playing father. But when her husband died in a car accident, she was left to raise three sons on her own. That brought her to business school in Fort Worth, Texas, where she aimed to learn secretarial skills.

It was music, though, that led to her first job out of college, with the Hammond Organ Co., where she was hired for her office skills – and her ability to demonstrate the company’s organs. Before long, she was working as a piano entertainer in restaurants, eventually making her living as a pianist in Austin, Texas, and Nashville, Tennesee.

It was in the early 1970s when brother Willie, who had just signed a recording deal with Atlantic Records, asked Bobbie to join his band. Her playing mixed well with the rest of the band’s free-wheeling style on hits such as “Whiskey River” and “If You’ve Got the Money I’ve Got the Time,” and more than 35 years and countless albums and concerts later, brother and sister are still playing together.

Recently, the lesser-known Bobbie has garnered a little spotlight of her own. In 2007, at the age of 76, she released “Audiobiography,” a debut album that shows off her understated and romantic playing style on some of her favorite tunes.

Bobbie Nelson, sister of legendary singer-songwriter Willie Nelson, talks about her career, her brother and life on the road.

Question: How’s it going on the tour?

Bobbie Nelson:  This is a great tour. We’ve just done Farm Aid up in Massachusetts, and I’m in New Jersey tonight, and we do Connecticut tomorrow night, and then we do (New York’s) Radio City Music Hall the next night, so we’ll be out a couple more weeks. Everything’s going very well. I’m very grateful.

Q:  You guys still share a tour bus, from what I understand, and you’ve been playing for 35 years or so. How do you kill time on the bus?

BN:  Willie is very busy, and he has all of his office there on the bus – his computers and phones and everything – so he actually does his office thing right there on the bus, and then we have our instruments. He’s got his guitar, and I have an electric keyboard … I can pull this little keyboard out, and we can practice and play music.

Q:  Musically speaking, it seems like Willie’s always had a thing for these really super-complex chords and neat chord changes and stuff. How much of that is your doing?

BN:  You know, we listened to the radio as we were growing up and listened to all kinds of music. That was, of course, during the big-band era, as well as all the border stations and all the country music that we listened to. He actually likes all the different kinds of music, the Latin rhythms and all the different, beautiful chords. He loves a lot of the jazz things.

Q: You can tell, just in the songs he’s covered over the years, how diverse his interests are.

BN:  Yes! I love chords, too, and as you study piano, you get into all of that. … And the music we grew up with in the church – those hymns have a lot of beautiful harmony.Q:  Are you surprised that so many of these songs over the years have become classics? Do you think Willie knows a song is a classic when he comes up with it?

BN:  No, I don’t think so. ¦ When he writes, he just writes, and I don’t think he’s really ever thought, “I’m gonna write a song that’s gonna be a classic or a hit.” He’s just composing. He’s just letting go of some of his feelings and his thoughts that he’s got.Q: You came out with an album last year. How did you pick the songs that went on that?

BN:  Willie had scheduled studio time, because he had written a couple of new songs. So we were off the road during our holiday season … We were waiting for (guitar player) Jody (Payne) to get back, to get to Austin. So Willie just said, “Sister Bobbie, why don’t you just go up there and warm up that old piano?”

So I went in the studio and just started playing this beautiful piano. I just was playing some of these songs I used to play when I played by myself, and also some of the boogies and things that we played when we were kids. And they recorded it. I didn’t know they were recording me. …

(Justice Records owner) Randall Jamail, we were having lunch one day, and we were talking about it, and I said, “I’ve had people ask me why I don’t write my autobiography. And I always feel that I can do it better with music, because my life and Willie’s life have just been music.” And he said, “Well, that’s what we’ll call your album – ‘Audiobiography.’ ”

Q: Do you have any plans to put out any more music?

BN:  They’re asking me if I will record some more … maybe if we’re off during the holiday season again this year, maybe I’ll have a little time to put into that.

Q:  Obviously, growing up with Willie, you’ve got a lot of interesting stories. Is there anything that people would be surprised to find out about Willie?

BN:  I don’t know, we’ve both done a lot of interviews … Willie has always been a wonderful person. He was a fun-loving kid, and he’s a fun-loving man. We have a lot of fun, and we both have the same feelings about wanting to make Earth a better place and making a better place for our children, and just to help humanity in general.

Q:  If there’s one thing that’s been the secret to you guys’ success over the years, what would it be?

BN:  Our grandmother took us to church every Sunday, and we were at prayer meeting every Wednesday night, and choir practice once or twice a week, and Bible school. The teachings that we were taught when we were growing up – our grandmother being one of these teachers … She had a love for music, as did my grandfather – so our lives have been about music. Learning music and performing it, and always trying to improve ourselves with our talents. I think that’s what has meant more to us than anything else, is the love we feel for others and the love we feel for music and performing it.

Willie Nelson & Family (January 1, 2014) (Austin, TX)

Monday, January 6th, 2014

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It was Bobbie Nelson’s birthday, but she was the one giving to her fans, as she and Paul greeted fans, signed autographs

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It was a Happy New Year’s Eve Eve in Austin with Willie Nelson and Family (Dec. 30, 2013)

Friday, January 3rd, 2014

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It was a happy New Year’s Eve Eve in Austin last Monday.

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Happy Birthday, Bobbie Nelson (January 1st)

Thursday, January 2nd, 2014

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Happy Birthday, Bobbie Nelson!   Her brother Willie led the Austin City Live crowd to a rousing version of Happy Birthday, just after the crack of midnight on January 1, 2014.  After the show, she greeted fans from the stage.

Photo by Todd V. Wolfson

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Lukas Nelson, Bobbie Nelson

Friday, December 20th, 2013

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Willie Nelson & Family, the Golden Nugget (Dec. 10, 2013)

Thursday, December 12th, 2013

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I love when Carol Sidoran goes to a Willie Nelson & Family show because I know, whenever possible, she will take pictures and share them with the rest of us fans. And they are always great. Thanks, Carol, was fun to see you in Las Vegas.

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Willie Nelson & Family at the Golden Nugget, Las Vegas (12/10/13) (The Whole Fam-Damily’s Back!)

Wednesday, December 11th, 2013

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photo: Janis Tillerson

This might be the best Willie Nelson & Family Concert I have ever seen. I know, I know, I say that every time I am lucky enough to get to see my favorite band, but last night in Vegas was remarkable.

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Lukas Nelson and Promise of the Real performed before Willie, and Lukas joined the band for their set.

This was the band’s first show back after an accident last month involving one of the band’s tour busses, which seriously injured band and crew members. Initial reports were so frightening, but, fortunately, the injuries, while painful and serious, were not life threatening. So thank God, or whomever you thank when you are feeling gratitude, give thanks that everyone survived the accident, has been released from the hospital, and after a short recovery period, have all been cleared by doctors to go back on the road!  Great news for us fans. Every body was happy to see the crew and band on the stage, doing what they usually do.

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Janis from Texas took this picture. I took the others on the page, but these really good ones are from Janis! Thank you.

And last night’s show at the Golden Nugget Casino in Las Vegas, was their first show back after the accident. The show marked the return of Mickey Raphael, as well, who had taken a short break from the road for personal reasons, and returned last night. It was touching, watching the band come on stage for the show, hugging, greeting each other. I mean, they always get along, I’m just sentimental, but gosh darn it, the Fam-Damily is back, and it felt right, that’s all

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photo:  Janis Tillerson

The show was so much fun. Willie was on fire, he was amazing, his guitar playing was amazing, so fresh and so fast, it seemed like the band had to scramble to keep up with him on the fast tunes. But then he spent so much time on the slow tunes, the ballads, all our favors, stretching them out, it was like hearing them for the first time again. Other times, he was playing was so sparse and the guitar playing took a back seat to his voice. He puts on such an amazing show, and every one is different.

And it was the kind of night where he would do things like, sometimes he says, “big finish”, and the band knows, I guess, to wrap up the song. But last night a couple times he said, ‘Big Finish”, and then he would wrap around into the song again, one more time. It was so much fun to see how he keeps the band on their toes. He makes it fresh for himself, and that keeps it fresh for the band. Last night fans shouted out requests, and he played them. Someone wanted to hear “Just Breathe”, so he called Lukas up and said he had a request. Someone asked for ‘It’s not supposed to be that way,’ and he said, “Okay, I’ll try to remember the words, and do that later.” Then, he sang it later, and said, “I think I got most of it right.” He really is the band leader on stage and it’s so interesting to watch the ways he communicates with everyone.

Willie spent all night acknowledging the crowd who were crazy about him. “I hear you! I do!” I love when he says that. The theater only holds a thousand people, and that is a cozy space. Willie waved and interacted with the fans like he always does, and it was pretty much a love fest. He took a note from a woman who came up, he bent over and talked to someone in the front row, he played requests that fans shouted out from the audience.

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Willie tossed a lot of bandannas, these girls caught a couple.  Everyone looks good in a Willie Nelson bandanna, and you can’t wear one and not smile.  It’s like bandanna magic, or something.  I’ve seen it hundreds, or lots of times.

It was a loud crowd. They mostly sat throughout the show, which is troubling for those of us who like to stand for the entire show, but maybe it’s a casino thing, so I tied myself to my chair, mostly. (I mean, how can you sit through On The Road Again? Right?)

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It was so great to see Paul English, who’s toe (foot?) was injured in the bus accident, and treated in a local hospital. He walked out with assistance, but it was amazing he was able to play at all after the recent accident. He played the drums, moved back and forth between the snare and percussion, with Micah. The man is a rock star.

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After the show, Willie traversed the stage several times, back and forth, signing, shaking hands. He was out there a long time, then Bobby stayed and signed, and Lukas, who always gathers a gorgeous group of young women, and several drunk men fans.

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Annie waited off stage with a jacket for Willie to put on after the show, keeping her man warm. That’s sweet.

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Monday, December 2nd, 2013

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photo:  Janis Tillerson

Saturday, November 30th, 2013

Lots of great pictures of Willie Nelson and Family at www.WillieNelson.com

Willie Nelson and Bobbie Nelson

Sunday, November 24th, 2013


(Photo by Todd V. Wolfson)

by Michael Corcoran
www.austin360.com

She had done whatever it took to raise three sons alone after their father died in an automobile accident in 1961. She demonstrated organs for Hammond, taught at J.R. Reed Music on Congress Avenue and at night played elegant solo piano at local lounges and restaurants.

But what Bobbie Nelson really hungered for, especially after her boys had grown up and moved out by the early 1970s, was to play again with her brother Willie. The pair had forged an undeniable musical bond since she was 6 and Willie was 4 and their grandparents showed them the chords to “The Great Speckled Bird.”

Then one day in early 1973, Bobbie got a call from Willie, summoning her to New York to play piano on his gospel album “The Troublemaker.” Willie had just signed a deal with Atlantic Records that gave him the creative control, including choice of session players, that had been denied him in Nashville.

So at age 42, empty-nester Bobbie Nelson took her very first airplane flight and embarked on a glorious musical journey that is still en route. Willie and “Sister Bobbie,” as she’s known in the extended Nelson family, have been musical partners for an incredible 70 years.

“There’s just no way to explain how lucky I am to have a good musician in the family,” Willie Nelson said last week from the tour bus he shares with his sister. “Whenever I’ve needed a piano player, I’ve had Sister Bobbie right there.”

While Brother Willie has become a major music icon, as instantly recognizable as anyone on the planet, Sister Bobbie has happily remained in the shadow, except for the one spotlight turn — usually “Down Yonder” from “Red-Headed Stranger” she gets at each Willie Nelson and the Family concert. “I’ve always been very shy,” said Bobbie. “I sang a little when we were kids, mostly in church. But Willie had such a beautiful voice. I’d always tell him, ‘you sing, Willie, and I’ll play the piano.’ ”

This week, 76-year-old Bobbie stepped out of the background with her first solo album, “Audiobiography,” titled so because it’s the story of her life through the songs she’s played. “I’ve always expressed myself best through music,” she said recently at the Pedernales recording studio owned by her son Freddy Fletcher. “I remember when I got my first piano. I thought, ‘I’ll never be lonely again.’ ”

Not that there weren’t painfully trying times in the devout Christian’s life. She lost two of her three sons, Michael to leukemia and Randy in a car crash, in a six-month period in 1989. “Me and my three boys grew up together, and we had so much fun … and then to lose two of your three babies, well, it’s something you never get over,” Bobbie said. “It taught me to never take life for granted.” Another reminder came in March, when Bobbie underwent heart surgery to insert a pacemaker.

“I’ve never been so happy as this past April 15,” Bobbie said with a smile as radiant as Willie’s. “That’s when I flew to L.A. and joined up with the band. It’s just the most wonderful therapy in the world to play with Willie.” She said that sometimes when she’s away from Willie for more than a couple weeks, she gets a cold and feels worn down.

“Audiobiography” contains 10 piano instrumentals, bookended by a pair of Willie Nelson originals. It’s just Willie and Bobbie on those two new tunes, just like on their tour bus, where Bobbie slides a keyboard from the bottom of an adjoining bunk and Willie pulls out a guitar whenever inspiration hits. Even after two and a half hours on stage, the brother and sister — whose ages add to 150 — will often play gospel standards or work out new songs on the Honeysuckle Rose IV bus as it hurtles through the deep darkness between gigs.

It will also be just Willie and Bobbie on “The Ellen DeGeneres Show” Tuesday and “The Tonight Show” Wednesday, as the younger brother has pledged to promote his sister’s album however he can. “It’s long overdue,” Willie said. “Whenever our band plays, Sister Bobbie is the best musician on the stage.”

Bobbie Lee, born on the first day of 1931, and Willie Hugh, born April 30, 1933, were children of the Depression. Their biological parents were a pair of married teenagers who had recently moved from Arkansas to Abbott, a farming community about 70 miles south of Dallas. But Bobbie and Willie were raised by their paternal grandparents, whom they called Mama and Daddy.

“Daddy Nelson was the sweetest person I’ve ever known,” Bobbie said. “He had the most gorgeous tenor voice.” A proficient player of stringed instruments, Daddy Nelson taught Willie how to play guitar, while Mama Nelson, who lived to be in her 90s, showed Bobbie how to play piano. “It was just so amazing to us that I could play one part and Willie could play another and together we had a song. We’d look at each other and our eyes would light up.”

After Daddy Nelson died when Willie was 7 and Bobbie was 9, the brother and sister took to tunes, both spiritual and secular, to soothe their sorrow. “Playing music made us realize that there was something bigger out there, something more than human life,” she said.

They played together for hours every day, and on Sundays they played and sang at the Abbott Methodist Church (which Willie bought in July 2006 when he heard prospective buyers had planned to move it to another town). Bobbie, who could read music at age 6, also played at other churches in the area. When she was 16, she met 21-year-old ex-GI Bud Fletcher at a revival at Vaughn Methodist Church, near Hillsboro. The couple married a few months later, while Bobbie was a senior at Abbott High. “I’d kiss my husband goodbye every morning then get on the school bus,” she recalled.

Seeing so much talent in his new bride and the brother she called “Hughtie,” Fletcher organized a western swing dance band around them” Bud Fletcher and the Texans. A non-musician in the beginning, Fletcher took on the role of emcee, adding a Bob Willsian “Ah-HA” to hot solos, introducing band members and pumping up the crowd. He eventually learned to play bass fiddle and then the drums.

“Bud was one of those outgoing guys who could talk to anyone,” Bobbie said. “And he was a fabulous dancer.”

Bobbie became pregnant with Randy when she was 19; by age 23 she had three sons and was still playing in her husband’s band. But too many nights in a roadhouse were wearing Fletcher down. “Bud was a great person and we loved each other very much, but he was having a rough time,” she said. “That’s why, to this day, I hate alcohol. I’m so glad Willie doesn’t drink anymore.”

The young parents of three small boys also had very little money. In 1955, Bud’s parents went to court to get custody of Randy, Michael and Freddy and won. “Bud’s father was the road commissioner of Hill County and had a lot of influence,” Bobbie said. “They tried to portray me as unfit because I played honky tonk piano. It just broke my heart.”

Bobbie said she had a nervous breakdown after losing her children.

“The Fletchers hated the Nelsons,” said Freddy Fletcher. “They looked down on musicians and blamed my mother for getting my father involved, when in reality it was his idea to start a band.”

After she gave up the nightlife, took bookkeeping courses and got a job with the Hammond organ company in Fort Worth, Bobbie got her sons back after a year with their grandparents. She later divorced Fletcher and remarried, but that union ended in divorce after a few years, as did her third and final marriage in the late 1960s.

While Bobbie’s life revolved around her three sons, Willie had hit the jackpot as a Nashville songwriter. In 1961, three of his compositions were big country hits: “Hello Walls” by Faron Young, “Crazy” by Patsy Cline and “Funny How Time Slips Away” by Billy Walker.

“I was just so proud of him,” Bobbie said. “People got tired of hearing me say ‘my brother Willie wrote that one’ whenever one of his songs came on the radio.”

It was Bobbie, not Willie, who moved to Austin first. She came down from Fort Worth in 1965 to demonstrate a Hammond organ for the El Chico restaurant set to open at the spanking new Hancock Center. Impressed by her interpretations of such standards as “Stardust” and “Laura,” as well as her boogie-woogie and swing numbers, the owners offered Bobbie a job playing nightly. She later opened the Chariot Inn in North Austin and played regularly at the Lakeway Inn.

“When Willie called me (in 1973) to come to New York, I was ready,” Bobbie said. “I was always playing the piano, using music to survive, so I never got rusty.”

Although Willie and producer Arif Mardin had blocked out five days at Atlantic studio, Bobbie would be needed only the first day, when “The Troublemaker” was knocked out in ten hours. The next day, Willie was back with his band to record what would become “Shotgun Willie.” Bobbie had planned to do some shopping and then head home to Austin. “They must’ve missed me,” Bobbie said, “because when I stopped by the studio the next day, Willie asked me to stick around and play the piano some more.” Sister Bobbie has been with the Family ever since.

Willie said there’s an instinctive connection between him and his sister that he doesn’t feel with any other musician. “She knows what I’m going to do even before I do sometimes,” he said with a laugh.

In 1976, Willie bought Bobbie an $85,000 Bosendorfer grand piano like the one she played on “Red Headed Stranger.” But when IRS agents seized Willie’s property in 1990 to help satisfy a $16.7 million tax lien, Bobbie’s piano was among the Pedernales studio contents auctioned off.

Friends of the Nelsons bought the Bosendorfer and gave it back to Bobbie. It’s the piano she plays so exquisitely on “Audiobiography” and all of Willie’s records.

The brother and sister have never had an argument, Bobbie said, even after she was awakened by police in Louisiana in September 2006 and charged, with Willie and three others, with possession of a pound and a half of marijuana and three ounces of psychedelic mushrooms. The prim and proper churchgoer has never used drugs, but since they were found on the bus she was traveling in, Bobbie was cited with the others. “All I knew was that if Willie was going to jail, they’d have to take me to jail, too,” she said. But Willie and company were issued only misdemeanor citations and sent on their way.

In the mid-70s, when “Red Headed Stranger” hit and the parties and groupies got crazy, Bobbie didn’t ride with Willie and the band but flew to gigs and stayed in hotels. But she’s traveled with Willie since 1983 and has learned to tolerate the ever-present illegal perfume.

“I think he smokes (marijuana) too much,” Bobbie said, “but that’s just because I’m worried about his health.” Willie said his sister’s physical well-being is also foremost in his mind. “We were all very concerned (in March), but she has great doctors and they caught the problem early,” he said.

If any two people deserve to live forever, they are Bobbie and Willie Nelson, who have filled the air with beautiful music and helped whomever they could. But one day, one of them will have to go on without the other, a prospect neither Willie nor Bobbie wants to face.

“Every day is so precious,” Bobbie said. “Every time I play with Willie is a gift. We are just so blessed to be still doing what we’re doing after all these years.”

In a small Texas town in the 1930s, a 6-year-old girl and her 4-year-old brother learned the power and magic of making music together. And they’ve been doing it ever since.

 

WIllie Nelson & Family, Bolivia, NC (10/21/2013)

Wednesday, October 23rd, 2013

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Thank you so much to Mike Cowal for sharing photos he took at Monday night’s Willie Nelson & Family show in Bolivia, NC.

“I have loved Willie since the first time I saw him in 1972.  I heard the family band for the 12th time Monday night and they get better with age. Willie and Paula sing a beautiful ‘Have you Ever Seen the Rain.’ Amy and Paula crack up singing along to ‘Roll Me Up and Smoke Me When I Die’. Bobbie appreciated the roses i gave her.”

– Mike Cowal

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I love this one of Sister Bobbie, with roses that Mike gave her.

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