Archive for the ‘Crew’ Category

L. G. and Wendy

Monday, November 14th, 2016

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L.G. and Wendy Strout Gorman

 

Happy birthday Kenny Koepke! Happy birthday Tony Sizemore!

Wednesday, September 28th, 2016

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Budrock took this picture of Kenny.  I don’t think I’ve ever seen him sitting down before.

Happy birthday to Willie Nelson and Family members Kenny Koepke and Tony Sizemore.  We get to see Kenny on stage before shows,  getting  ready for the shows.  Tony Sizemore, drives the bus and we never see him.  Thanks, guys, for all your hard work, so we fans can enjoy seeing Willie Nelson & Family.

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Tony during his spare time, supporting his candidate for president.

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Thanks to Kevin Smith for sharing this cool photo of Kenny with Budrock.

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Tony has driven or Willie Nelson and Family for going on 30 years.

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Budrock Prewitt and Kenny Koepke

Sunday, June 26th, 2016

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Thanks to Kevin Smith for sharing this cool crew photo.

Tunin’ Tom Hawkins

Thursday, June 9th, 2016

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Tunin’ Tom Hawkins, in NYC

“‘The Office’ today for Flaco and Budrock. Wilmington, NC.”

Tuesday, May 24th, 2016

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Thanks to Margie Lemons for sharing photo of hubby Flaco, getting ready for tonight’s Willie Nelson & Family Show

Happy happy birthday Tunin’ Tom Hawkins

Wednesday, May 4th, 2016

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Best wishes to Tunin’ Tom Hawkins, who celebrates a birthday today.
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photo:  Randy Turner

Thanks for keeping things in tune.

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And thanks to John Selman, for this behind the scenes photo of  Tom preparing Trigger for an appearance on the David Letterman show.

Kevin Smith took this picture of Tom tuning Neil Young’s piano at Farm Aid.

World’s Most Famous Armadillo: Ol’ Dillo

Saturday, March 26th, 2016

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He crews with Willie Nelson & Family , he hangs out with rock stars and he’s got his own face book page. The girls love him.  The stuff of legends — he was mysteriously kidnapped a few years back in San Francisco, and then returned, just as mysteriously.  Some say his captors couldn’t handle him and brought him back, others say Ol’ Dillo staged the whole thing to get a few days off from work.  Regardless, his legend and fame grew.   Everyone wants a picture with him.

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Ol’ Dillo always has the best seat at Willie Nelson & Family shows — atop the console of monitor engineer Aaron Foye.

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Happy happy birthday, Aaron Foye

Thursday, December 17th, 2015

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Best wishes to Aaron, monitor engineer for Willie Nelson & Family.
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Willie Nelson and Family (photos by Neil Leifer)

Wednesday, October 14th, 2015

Willie Nelson and Family

Portrait of Willie Nelson and Family during photo shoot at the Golden Nugget Hotel.
Las Vegas, Nevada 8/1978
(Image # 1151 )

http://neilleifer.com

Willie Nelson

Contact: sales@neilleifer.com | 888-802-3354

Tunin’ Tom, tuning Neil Young’s piano at Farm Aid 2015 (Chicago)

Monday, September 21st, 2015

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Tunin’ Tom, a/k/a  Thomas Hawkins, has been tuning Bobbie Nelson’s piano for years, and here he is tuning Neil Young’s piano before the Farm Aid concert in Chicago on 9/19/15.

Thanks to Kevin Smith, Willie Nelson’s bass player, for sharing this photo of his fellow Willie Nelson & Family Member, Tunin Tom.

“So that 5,000 people can listen to Willie, and it sounds like he’s playing on their front porch,” — Bobby Lemons

Saturday, September 5th, 2015

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“One night an old man walked up behind me and looked at my mixing station,” begins Lemons. “He asked, ‘Why do you need all this stuff for Willie Nelson?’ I told him, ‘So that 5,000 people can listen to Willie, and it sounds like he’s playing on their front porch.’ He just nodded and walked away.”

www.fohonline.com
by:  Frank Hammel

AUSTIN, Texas — Bobby Lemons, FOH engineer for Willie Nelson, credits PreSonus’ ADL 700 for help him bring the music to Nelson’s fans.

More details from PreSonus (www.presonus.com):

If you’re a live-sound engineer who can handle the lifestyle, you might wish you had Bobby Lemons’ gig handling front-of-house for Willie Nelson. Nelson and his Family Band tour almost constantly, and Lemons loves it. But as hard as he works, he says he is doing his job right if you don’t realize he’s there. Indeed, that’s the biggest reason Lemons uses the PreSonus ADL 700 tube channel strip.

“One night an old man walked up behind me and looked at my mixing station,” begins Lemons. “He asked, ‘Why do you need all this stuff for Willie Nelson?’ I told him, ‘So that 5,000 people can listen to Willie, and it sounds like he’s playing on their front porch.’ He just nodded and walked away. That’s when I realized that I’m trying to be invisible. The same with the equipment, and that’s where the ADL 700 comes in. It’s like a rhythm guitar: You don’t notice it’s there until you take it out—but then you notice.”

Lemons got his start as a banjo player in a bluegrass band. He owned the PA and quickly figured out he could make more money renting out the system when the band wasn’t working than he made as a player. “It was easily as much fun mixing the shows,” he muses. “I grew up with electronics; I was one of those kids who wanted a soldering iron for my tenth birthday, not a baseball glove. So after college, I got more PA gear and started mixing around Austin, and I got to know everybody. I did a show with Willie Nelson and Guy Clark before they were big, and I eventually hooked up with B.W. Stevenson, who was a hell of a singer.”

Later, Lemons became tour manager and front-of-house engineer for Jerry Jeff Walker. “We were the opening act for a lot of artists, and we all toured together, so everyone in Austin knew me,” recalls Lemons. “Willie had some dates, and his regular engineer was out doing the Commodores, so they called me. I lived right down the road. We went out for 3 days, and that turned into 12 days; then Willie asked, ‘Can we keep this guy?’ I’ve been with him ever since.”

Lemons could use any processing he wants on Nelson’s voice, and he has tried other solutions, but now he sticks with the ADL 700. “Willie has an incredible voice, with amazing control,” Lemons observes. “It’s a little bit peaky, and he wanders a bit with it, and I was looking for something that was unobtrusive—something transparent—but that also gave me choices. The ADL 700 turned out to be a great solution, and it still is.”

Nelson trusts Lemons to make the decisions about the mix, mic selection, and vocal processing. “Once you get a feel for what he wants, then he trusts you to do it,” Lemons explains. “Trust is the whole game. If you don’t have the confidence of the artist, no matter how technically good you are, it won’t work.” Part of that trust comes from Lemons’ deep respect for Nelson’s ears and preferences. “Willie listens to a lot of show recordings, and anytime I come up with something different, I’ll sit with him, and we’ll listen to recordings together. When I started using the ADL 700, he heard a difference, and he liked what he heard.”

The ADL 700’s FET compressor is a particular favorite. “I’m using more compression than it sounds like,” Lemons reveals. “I’ll put 7 or 8 dB of compression on Willie’s voice. With a lot of compressors, that would not be musical, but the ADL 700 compressor is still transparent. Any compressor can do a couple of dB without being noticeable but if you can get 5 or 7 dB without it being noticeable, then it’s great.”

Although Lemons would rather not use EQ, he generally does use the ADL 700’s semi-parametric EQ on Nelson’s voice. “As much as I like the big console, I prefer to keep the input strip on Willie’s mic neutral and use the EQ on the ADL 700,” he explains. “With the ADL 700, I can reach over and turn the knob just an eighth of a turn, and I notice a big difference.” He also takes advantage of the ability to swap the order of the compressor and EQ. “The ADL compression is so smooth, I generally use it ahead of the EQ,” he says, “but sometimes I use the EQ first. It depends on how much EQ I’m using.”

Lemons repeatedly emphasizes that his job, and that of his gear, is to be invisible. “If Willie is tired or doesn’t feel well, the ADL’s input gain can help a bit, but I make no music here,” he insists. “If the band is on top of it, I can hardly screw it up, and if it’s not happening onstage, there’s nothing I can do to make it happen. I’m a delivery system, and I try to make the sound as clean as possible; I don’t even use reverb. If nobody notices that I’m here, so the focus stays on Willie, then I’ve won. The ADL 700 fits that philosophy perfectly.”

For more information about the PreSonus ADL 700, please visit www.presonus.com/products/ADL-700.

Hear Willie Nelson and the ADL 700 in person. For tour dates, visit http://willienelson.com/tour.

 

Three wild and crazy guys: Willie Nelson’s Band and Crew

Monday, August 24th, 2015

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Thanks to Budrock “The Illuminator” Prewitt for sending along this photo of him and bassist Kevin Smith and Sound Engineer Bobby Flaco Lemon.  They work so hard, and still have time to have fun and take a goofy picture!

David Anderson at Willie Nelson’s Picnic

Friday, July 17th, 2015

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David Anderson, long time tour manager and Willie Nelson & Family member, has been off the road for some personal time, and everyone was happy to see him on the 4th of July in Austin. Ray Wiley Hubbard greated David with a big smile and a big hug.

Welcome Alex Blagg

Saturday, June 20th, 2015

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“Introducing Alex Blagg. What started out as a temporary Lighting Directory job during Budrock’s injury absence and recovery has turned into a permanent position as Stage Manager. Welcome Alex. Thanks for your help and Attention”

“Greetings from Missoula”

Wednesday, June 17th, 2015

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Thanks, Budrock, for the postcard shot from the show in Missoula, Montana.

Willie Nelson and Family are back on the road again.