Archive for the ‘This Day in Willie Nelson History’ Category

Baylor University President Cancels Willie Nelson Concert (8/21/88)

Tuesday, August 21st, 2018

August 21, 1988

HOUSTON:  Singer Willie Nelson says he is very upset that Baylor University president Herbert Reynolds will not let him play a benefit concert at the school’s new events center in Waco.

“They do really make me mad when they tell me I can’t play in Waco. Waco’s my hometown.  It gets my red Irish hair up, “Nelson told a Houston newspaper Friday from his hotel in Beverly Hills, California.  “Some pressure was applied, or maybe the guy felt sanctimonious, like his hallowed hall was too good for me to play in.”

Nelson, a country singer and movie star who is no red-headed stranger to trouble, said his concert promoter, Tom Gresham, was told by Reynolds that the benefit concert was canceled this week because of protests that Nelson’s concerts have drawn from police groups.

His concerts in Rhode Island were picketed last month by police who objected to Nelson’s benefit last year for an American Indian convicted of killing a federal officer.

Reynolds said little about why he canceled the show, which was to raise money for the legal fund of some of the citizens of Leroy.  More than 300 people in the small Central Texas town are fighting to recover part of the savings they lost last year when state authorities closed the uninsured Leroy Bank.

To keep the Leroy benefit alive, Nelson has made arrangements to move the concert to the Heart O’ Texas Coliseum, a county owned arena.

Nelson said he became involved when his barber in Abbott, where Nelson grew up, introduced him to a preacher in nearby Leroy, who explained the town’s problem.

Reynolds said only that Nelson had not done what he could to “strengthen the moral fiber of our nation.”

But Nelson said that if Reynolds did not like something he had done, he should not take it out on the people of Leroy.

Nelson said plans for the concert called for 80 percent of the proceeds to go to the Leroy Bank Depositor’s Association and 20 percent for Baylor’s new Ferrell Special Events Center.  Nelson attended Baylor for two semesters in 1954.

Willie Nelson Interview in Vanity Fair (August 20, 2009)

Monday, August 20th, 2018

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www.VanityFair.com
by: Eric Spitznagel

Willie Nelson is one of those rare American icons that you’re just not allowed to dislike. He doesn’t have to be your favorite artist. You don’t even need to be able to name any of his songs—he’s got well over 2,000 of them, and off the top of my head I can only recall “On the Road Again”. But saying you don’t care for Willie Nelson is like saying that Elvis Presley was overrated, or that Abraham Lincoln gets too much press, or shrugging off the Bill of Rights as overrated claptrap. No, sorry, that’s just not okay. Loving Willie Nelson, like paying taxes and pretending to have an opinion about politics, is just part of being a citizen of the United States. Nobody’s asking you to memorize the lyrics to “My Heroes Have Always Been Cowboys” or “Good Hearted Woman”, but if you happen to hear one of those songs on the radio and it doesn’t bring a tear to your eye, you’ve shamed yourself and your country. Why not just spit on the flag while you’re at all, ya fucking commie?

I called Willie Nelson to talk about his latest album, American Classic, a collection of standards (his third since 1978’s megahit Stardust) that comes out next Tuesday, August 25th. It took me almost a month to track down the 76-year-old singer—actually, if you include my entire history of trying and failing to interview Nelson, it’s been at least two years. “We just can’t find him,” his PR rep has repeatedly told me. Given Willie’s age and propensity for smoking immense amounts of cannabis, that’s actually pretty remarkable. One doesn’t usually encounter senior citizens who are quite so wily and elusive. But that’s why Willie Nelson is a legend.

Eric Spitznagel: During your almost 50-year career, you’ve dabbled in a diverse array of musical styles. You’ve done country, pop, gospel, rock, jazz, and even reggae. Is there a genre that you wouldn’t touch with a ten-foot pole? Can we expect a Willie hip-hop record any time soon?

Willie Nelson: (Laughs.) Well, you know, I try to do what I think I can do. I’m not sure that doing a rap record would be the best idea I ever had. I like to stick with music I know I can play. I love classical, but I don’t think I could ever play it. I’m just not qualified.

You’ve never been tempted to pick up a French horn?

Oh, I’ve thought about it. But it never ends well. The only time I ever picked up a horn, nothing came out the other end. I was disappointed at the time, because I kinda thought I could play anything. But I guess that isn’t true.

You re-recorded “Always On My Mind” for American Classic, which was originally a huge hit for you in 1982. Is that what happens when you’ve been in the business this long? “Aw crap, I did that one in the 80s? Why didn’t anybody fucking tell me?!”

(Laughs.) That’s possible. In fact, I suggested to my producer that maybe I’d done that song enough. But Barbra Streisand had talked about maybe wanting to do “Always On My Mind” with me for the album, so that’s the reason we recorded it, just on the outside chance she’d do it. But then she wasn’t available, and we just had the version I did by myself. I honestly would’ve left it off the album, because I thought I already did a pretty good take on that twenty-seven years ago.

You also recorded “Baby it’s Cold Outside” with Norah Jones. I’m not sure how closely you’ve listened to the lyrics, but I’m pretty sure that song is about date rape.

Yeah. That’s what I liked about it. (Laughs.) It’s about this guy who’s finally found what he needs from this gal and he’s just going for it.

You’re kidding, right?

Oh, I don’t know. You think it’s about rape? I’ve been listening to that song for a long time and I never picked up on that. The song’s older than you and me put together, probably.

Those lyrics are kinda difficult to interpret any other way. When a song begins with a woman pleading “the answer is no” while trying to get out of a dude’s apartment, it seems pretty inevitable that their date ends with a police report.

(Laughs.) A lot depends on how you sing it. You could make any song sound creepy if you wanted. It’s all about the inflection. At least the lyrics aren’t too obvious.

I guess that’s true. It could be so much worse. (Sings.) “You’re hurting my arm/ Baby’s it’s cold outside.”

Yeah, yeah. That’s when you know something is really wrong. (sings.) “My leg’s turning blue/ Baby’s it cold outside.”

You’ve been touring with Bob Dylan this summer. What’s it like backstage? Is it all giggles and pillow fights?

Honestly, no, it’s not that exciting. I open the show, so I usually get to the stadium first. I go on at 6:10, play for about hour and then get out of the way so that John Mellencamp can come on. Then Bob Dylan finishes it up. By the time Bob goes onstage, I’m a couple hundred miles down the road.

So the two of you haven’t had a chance yet to sit down with a one-hitter and share war stories?

Nope, not yet. There’ll hopefully be time for that later. And I think it’ll take more than a one-hitter. (Laughs.)

How have you resisted walking over to Bob and ripping that god-awful mustache off his face?

Bob has a mustache? I didn’t notice.

It’s just horrible. It’s like a cross between Vincent Price and a 14-year-old boy trying to grow facial hair. I love the man’s music, but somebody has to shave that thing.

Well, I’ve never been one to carry around a razor. (Laughs.) So I think he’s safe with me.

You sold the rights to “Family Bible,” one of your first songs, for just $50 and it went on to become a gospel classic. In hindsight, do you feel cheated?

No, no, not at all. I needed the $50 real bad. If the same thing happened today and I needed $50, I’d sell another one.

Do you have any songs lying around that you’d be willing to sell to us for $50?

I’d have to see the money first.

You’re shockingly prolific. It seems like you’re releasing a new record every few months. In the time it’s taken to do this interview, have you composed another album worth of songs in your head?

(Laughs.) Yeah, I sure have. And I’ve already sent it to you. Check your email. I sent you mp3s of some rough cuts.

Wow. Thank you, Willie. And you’re not even going to charge us for this one?

Naw, that one’s for free. It’s not really my best work.

As a country music legend, can you do something to stop the mullet?

(Laughs.) I can try if you want, if you think it’s worthwhile. I’ll try to write a song that’ll make it happen.

Would you? Just rewrite “Mamas Don’t Let Your Babies Grow Up To Be Cowboys,” but make it about mullets.

(Laughs.) So it’s “Mamas Don’t Let Your Babies Grow Up To Grow Mullets?”

Hey, you’re the artist. I’m just trying to push you in the right direction.

I’ll see what I can do.

You did a song in 2006 called “Cowboys Are Frequently, Secretly Fond of Each Other,” in which you claimed that “Inside every cowboy there’s a lady who’d love to slip out.” Is your inner lady a redhead too?

Um. (Long pause.) I’m not sure I know exactly what you’re talking about.

I don’t think I could be any clearer. Does the female Willie Nelson have a fire crotch? Does the red-headed stranger have a red snatch patch?

Well c’mon, I gotta have some secrets. (Laughs.) I’ll tell ya, though, I don’t cross-dress a lot. And my voice is kinda lower than most, so I don’t think I could get away with that. I don’t have anything against anybody. I’m not prejudiced in any way that I can think of. That’s just not the guy I am.

You once claimed that marijuana is better than sex. You’ve either been having terrible sex or smoking some really, really, really incredible weed. Which is it?

I don’t think I ever said that marijuana is better than sex. If I did, I must’ve been really fucked up. But no, I don’t think I ever said that. Marijuana is a nice high, but that’s about all you can say about it.

You got stoned on the roof of the White House in 1978. Not that we’d ever try it, but if we happen to be in the White House and we happen to have a fat Austin torpedo on us, how do we get up to the roof?

(Laughs.) Oh god, it’s been too many years. It’s kinda hard to tell you on the phone. I’ll send you a map.

How’d you even find your way up there the first time? Did you just make a lucky guess?

The fella that I was with knew his way around, so I didn’t ask any questions. I just followed him.

Now that there’s a Democrat back in the White House, it’s probably safe to light up again. Have you gotten the call from Obama yet?

Not yet, but I’m expecting it any day. (Laughs.) Next time I see him, I’m gonna ask if there’s a new way up to the roof that I should know about.

You’ve got your very own flavor of Ben & Jerry’s ice cream. What’s the THC content on that?

It’s high. I’ll just say that. It’s very, very high. It’s the equivalent of eight pounds of Oaxacan.

Holy Christ.

Yeah, you need to be careful with this stuff. It’s a lot. One bowl at a time.

Bruce Robison wrote a song called “What Would Willie Do?” Given your history, don’t you think it’d make more sense to ask, “What Would Willie Not Do?”

I think so, yeah. (Laughs.)

Not everybody’s liver is as durable as yours.

It’s funny you said that. There was a guy who worked for me named Poodie Locke. He was my road manager for 35 years, and he died just a few weeks ago. I hated to lose him. There’s a picture on my ice box of Poodie I’m looking at it right now, and it says “What Would Poodie Do?” I crossed off “What Would” and wrote in “What Didn’t“. (Laughs.) But I guess that applies for me too, doesn’t it?

That’s an excellent question. What haven’t you done yet? Hand-gliding? Gator rasslin’? Hunting men for sport?

Well I don’t know. I’ve tried to do as much as I can, but every day has something new. That’s how I like it. I’m always surprised to find out that there’s still so much left to do. I may have to wait till tomorrow to see what it is, but I know there’s some things out there I haven’t done.

So you’re telling us you haven’t tasted the sweet nectar of human flesh?

(Laughs.) Can’t say that I have.

Despite your hard-living, you seem as healthy as ever. What’s your secret?

Well, here’s the thing. For a long, long time, I had to spend my days trying to recuperate and recover from all the bad stuff I did at night. I’d wake up in the morning and think, “Well, how much fun did I have last night?” Because I had to spend the entire day trying to make up for it. After awhile, I just got tired of it, and I just quit abusing myself so much at night. It made my days easier.

I’ve heard that you enjoy jogging. How did you discover that? And were you being chased at the time?

(Laughs.) You’d think so, wouldn’t you? But no, I’ve always been a big jogger. I like to run and ride my bike and swim. I’m also into martial arts. I’ve always been an athlete, ever since I was a boy. So it’s not unusual that I’m still doing it. Despite my reputation, I really do enjoy things that are good for me.

You recently earned a black belt in Taekwondo. Under what circumstance would Willie Nelson kick somebody’s ass?

Probably under no circumstances. A guy who really knows martial arts doesn’t have to kick anybody’s ass. He knows when to just get out of the way.

You have a reputation for carrying guns in public. Are you packing right now?

No, no, I don’t carry guns anymore. It’s not necessary. I don’t know if anybody else in my group does. There might be one or two guys, like some of the security guys, but I don’t know. I never really ask. But not me, I have no use for a gun anymore.

I find that vaguely depressing. The guy with the nickname “Shotgun Willie” doesn’t have an arsenal of firearms strapped to his hip? What about your guitar? Isn’t it named Trigger?

Well yeah, but Trigger was a horse. Trigger was Roy Rogers’s horse.

So your guitar can’t also be used as a weapon? I was hoping it was a James Bond kinda thing. If the audience starts getting mouthy, you could just mow ’em down.

(Laughs.) No, I’m afraid not. Trigger is just my horse. It’s not a weapon at all.

In the mid-60s, you briefly gave up music for pig farming. Do you still keep a few pigs around the house for inspiration?

Oh yes. You know there’s nothing prettier than a pig. Have you ever seen an ugly pig?

I can’t say that I have.

I guarantee you’ve never seen an ugly pig or an ugly bulldog. There’s just something about them that just turns me on. (Laughs.) I’ve got pigs all over the house.

Do you take your pigs on tour with you?

Absolutely. I’m always on tour, so I never get rid of them. I just keep pigs in the back of the tour bus. Have you ever heard of pigs in a blanket? Well, you ain’t ever seen nothing like these pigs. (Laughs.)

You wrote a book called The Facts of Life and Other Dirty Jokes. What’s the dirtiest joke you’ve ever heard?

Hmm. (Long pause.) See, my idea of a really great dirty joke isn’t something you can share with everybody. You gotta watch yourself.

Come on, you can tell us. We won’t judge you.

Well, one of my favorites goes something like this…. A kid asks his mama, “How come you’re white and I’m black?” And she says, “Honey, from what I can remember of the party, you’re lucky you don’t bark.”

(Laughs.) Wow. That is good. But you’re right, probably not for everybody.

You gotta be careful. Not everybody can appreciate a funny goddamn joke.

In the 1979 comedy Electric Horseman, you said, “I’m gonna get myself a bottle of tequila and one of those Keno girls who can suck the chrome off a trailer hitch.” Thirty years later, are those still words to live by?

(Laughs.) Well, there are a few things these days that I don’t crave as much anymore. I can get along without Tequila. And it’s hard to find chrome trailer hitches these days.

(Long pause. We both burst into laughter.)

I think I hear what you’re saying. If given the chance, you wouldn’t turn down some private time with a Keno girl?

(Laughs.) Ooooh the Keno girls, I do love ’em. I’ll sing ’em a song

Willie Nelson & Family Show in Atlantic City (8/16/15)

Thursday, August 16th, 2018

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Willie Nelson and Family
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August 16, 2015
Festival Park

This Day in Willie Nelson History: Patsy Cline records, ‘Crazy’ (8/15/1961)

Wednesday, August 15th, 2018

On August 15, 1961, Patsy Cline recorded Willie Nelson’s song, ‘Crazy’ for Decca Records. She introduced the song at the Grand Ole Opery on October 14th of that year, and received three standing ovations for the song. Decca released “Crazy” on October 16th, 1961, an dit became a #2 country music hit and a #9 pop music hit.

Willie Nelson: King of Country Music (Newsweek 8/14/1978)

Tuesday, August 14th, 2018

Newsweek
August 14, 1978
King of Country Music: Willie Nelson
by Pete Axthelm

His rough, red-bearded face has been lined by years of tequila nights and Bloody Mary mornings, but the clear eyes sparkle as if each song, each cheer and each success is happening to Willie Nelson for the very first time. Surrounded by a merry band of pickers and pranksters, he travels the hard miles and one-night stands; but like the cowboys he celebrates in songs, Nelson can seem pensive and alone in the wildest of crowds. Willie has always carried himself with a kind of fierce innocense, defying those who would corrupt or label him. And now, to his whimsical delight, it is all paying off. At 45, the old outlaw has become music’s “in” phenomenon. The night life, Willie Nelson'[s life, has become a good life indeed.

Twenty years after he wrote “The Night Life” and other country classics — only to have them recorded by others because his own haunting, unusual voice was deemed unsuitable by record executives — Willie is now singing not only his own hits but ones that he didn’t even write himself. His new “Stardust” album, an evocative country-blues treatment of ten old standards, has topped the country charts for two months — after supplanting a wonderful No. 1 album that Willie did with his outlaw friend Waylon Jennings. His Western epic, “Red Headed Stranger,” remains on the charts three years after it smashed all the old rules about what a country musical album was supposed to be. With his hard-edged poetry and intensely personal blend of country, rock and gospel sounds, Willie has crossed over to the pop charts and reached out to enbrace a widening audience of good old boys, young rockers and almost anyone else who can see beyond narrow categories onto a brand of music that sometimes seems very close to magic.

“The nice thing about what’s happening now,” says Nelson, “is that I’m doing pretty much what I’ve been trying to do for 25 years. During a lot of those years, I wondered if anybody out there was listening. But now, the word seems to have gotten around about me.”

The message began to get out about 1973, when Nelson threw a Fourth of July picnic in Dripping Springs, Texas, and 50,000 of his friends showed up. Soon he was being hailed as a great synthesizer who could bring together rock groups and country stars, as well as hippie and red neck fans. Nelson’s music is described in catchall phrases like progressive country and redneck rock. But when ever the trend spotters thought they had him pinned down, Willie slipped away.

Just when people began to call him an avant-garde poet, this country genious turned back to old-time melodies like “Blue Eyes Crying in the Rain” and “Georgia (On My Mind) — and merely became more popular than ever.

Despite such apparent contradictions. Nelson is not really an elusive person. To know him, the trick is to keep listening. “I’ve come as close to keeping a real diary as anybody,” he says. “I just disguised it as a bunch of songs.”

My front tracks are bound for a cold water well
And my back tracks are covered with snow
And sometimes it’s heaven,
And sometimes it’s hell
And sometimes I don’t even know

Nelson sings of not only highs and lows but the confused moments in between. In the wreckage of his first marriage, he stared at the walls of a Nashville garage, while the rain hit the lone window like tears. The result was the ode “Hello Walls,” with the conclusion: “We must all pull together/Or else I’ll lose my mind/Cause I’ve got a feeling she’ll be gone a long, long time.”

Many of Nelson’s early songs dealt with pain and loss, but must were different from traditionally sudsy Nashville fare. Like a Greek dramatist, Willie sought wisdom through suffering and often it arrived in the form of brilliant insights like those in his thematic album about divorce, “Phases and Stages.” A later album, “Red Headed Stranger,” highlighted the stern frontier morality that can transform melodrama into something remarkably akin to tragedy.

Willie isn’t writing much these days. After all the early years of playing in Texas honky-honks behind chicken-wire fences put up to keep the drunks from hurling bottles at the band, he is reveling in the huge crowds that turn out during his tours. Unlike many performers, most notably the reclusive Jennings, Willie loves audiences — and his obvious enthusiasum infuses his concerts with tremendous energy. “I get restless when I don’t pay,” he says. “If I had a choice, I’d play four hours a night, seven nights a week. The playing is the fun, the writing is the work. To write, reflects the present state of Willie’s heaven-and-hell existence: “Life don’t owe me a living,” the song goes, “But a Lear and limo will do.”

Out in the land of Learjets and limousines, Nelson is a hot property. United Artists is planning a motion picture called, “The Songwriter,” inspired by Willie and written by his good friend, novelist-screenwriter Edwin (Bud) Shrake. Universal is planning a Western based on “Red Headed Stranger,” and there are long-range plans for a book and a movie about Nelson’s life. Willie will write the movie sound A Beverly Hills bartender put it in less Hollywood terms: “He’s the most interesting thing I’ve seen out here since the right-hand turn on red.”

This day in Willie Nelson history: Farm Aid XXVI (Kansas City, MO) (August 13, 2011)

Monday, August 13th, 2018

by SharonOnTheMove

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I took this one; such a sweet look

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I took this photo

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photo: Mary Francis Andrews

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photo: Mary Francis Andrews

Willie Nelson & Family in Springfield, IL (August 12, 2014)

Sunday, August 12th, 2018
  • Willie Nelson performs Tuesday at Sangamon Auditorium.

    www.sj-r.com

    Country music legend Willie Nelson is 81 years old and probably more active than people half his age.

    Last year, Nelson was scheduled to perform at Sangamon Auditorium, but that show was postponed after Nelson wasn’t feeling well after the most recent Farm Aid fundraising concert. That postponed show was rescheduled for Tuesday at the auditorium at the University of Illinois Springfield (see accompanying information for details).

    That may have been the only thing that slowed down the singer who made “On the Road Again,” “Whiskey River,” “Always On My Mind” and many, many other big hits.

    Since the last time Nelson was scheduled to perform in Springfield:

    He released his first album of mostly new material that he wrote himself since 1996. “Band of Brothers” features nine new Nelson-composed songs.

    He was inducted in the Austin City Limits Hall of Fame as part of its inaugural class – and was inducted by friend and recent Academy Award winner, actor Matthew McConaughey.

    “There would be no Austin City Limits without Willie Nelson,” McConaughey said.

    Nelson was the first Austin City Limits performer in 1974 on what is now the longest-running television music program in the U.S. It airs on PBS.

    Fellow country icons Emmylou Harris and Lyle Lovett joined the “Red Headed Stranger” on stage for a string of hits including “On the Road Again” and “Roll Me Up and Smoke Me When I Die.”

    “It means a lot. It’s Austin City Limits and Austin — the music capital of the world,” Nelson said on his bus before the show.

    Blues rockers Buddy Guy and Kenny Wayne Shepherd ended the night by joining Nelson on stage for a blistering rendition of “Texas Flood.”

    Austin, Texas, had previously celebrated Nelson with a street named after him, and an 8-foot bronze likeness.

    And shortly after the Austin City Limits honor, Nelson received his fifth-degree black belt in the martial art of Gong Kwon Yu Sul.

    Nelson didn’t show off his chops but Grand Master Sam Um assured a packed room that the “Red Headed Stranger” could hold his own against anyone. As is typically the case wherever Nelson goes, other celebrities were close: this time Austin resident Lance Armstrong tiptoed past parents of other students to see his fellow Texan honored.

    “Honestly, I was surprised to be getting this degree,” Nelson said on his bus before the ceremony. “I don’t know what else is out there. I never thought about anything beyond second-degree black belt.”

    The singer gives martial arts a lot of credit for his clean bill of health. Although off stage he’s more famously known for more mellow interests — like smoking pot — Nelson said he stays physical whenever possible. He’s also a runner and avid bike rider.

    “I’m pretty healthy at 81. I think a lot of it has to do with the exercise that you do,” Nelson said. “I think martial arts is one of the best exercises you can do. Mentally, spiritually, physically, everything. I’m sure that’s helped.”

    When Nelson initially showed up to his studio, Um said he worried about the musician’s heart because of his age. Then the instructor got a glimpse of his lifestyle over the next 20 years.“He has more stamina than I do,” Um said.

    Nelson donated many of his platinum records, manuscripts and creative documents to the University of Texas.  UT’s Dolph Briscoe Center for American History on Thursday announced Nelson’s gift.  The Willie Nelson Collection in Austin will be the focus of an upcoming exhibit. UT officials say the collection includes letters and photos from fellow musicians including Dolly Parton, Johnny Cash, Kris Kristofferson, Merle Haggard and Lionel Richie. The items also pay tribute to Nelson’s fans and their gifts and notes to him over the years.

This day in Willie Nelson history: “Honeymoon in Vegas” soundtrack released (8/11/1992)

Saturday, August 11th, 2018

On August 11, 1992, Epic Records released the soundtrack to “Honeymoon in Vegas”. In addition to Willie Nelson’s recording of “Blue Hawaii”, the album features remakes of Elvis Presley songs by Trisha Yearwood, Billy Joel, Travis Tritt, Ricky Van Shelton, Bono, Dwight Yoakam, Amy Grant and Vince Gill, among others.


Honeymoon in Vegas

Track List

1. All Shook Up – Billy Joel
2. Wear My Ring Around Your Neck – Ricky Van Shelton
3. Love Me Tender – Amy Grant
4. Burning Love – Travis Tritt
5. Heartbreak Hotel – Billy Joel
6. Are You Lonesome Tonight? – Bryan Ferry
7. Suspicious Minds – Dwight Yoakam
8. (You’re The) Devil in Disguise – Trisha Yearwood
9. Hound Dog – Jeff Beck, Jed Leiber
10. That’s All Right – Vince Gill
11. Jailhouse Rock – John Mellencamp
12. Blue Hawaii – Willie Nelson
13. Can’t Help Falling in Love – Bono

Willie Nelson & Family @Outside Lands Music Fest (August 11, 2013)

Saturday, August 11th, 2018

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Thank you James Franks, for the poster picture.

Willie Nelson @ Red Rocks, with Dwight Yoakam (August 6, 1999)

Monday, August 6th, 2018

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This day in Willie Nelson History, “One for the Road” (with Leon Russell) certified Gold (August 2, 1979)

Thursday, August 2nd, 2018

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On August 2, 1979, “One For The Road,” a duet album featuring Willie Nelson & Leon Russell, goes gold.

Willie Nelson & Family in Concert in Denver (July 30, 2016)

Monday, July 30th, 2018

Willie Nelson & Family performing at Fiddler’s Green Amphitheatre on July 30th, 2016. Photos by Tina Hagerling, heyreverb.com.

Willie Nelson and BB King, Chastain Park, Georgia (July 27, 2008)

Friday, July 27th, 2018

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Willie Nelson & Family Live in Concert (July 26, 2018)

Thursday, July 26th, 2018

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This day in Willie Nelson history: Willie Nelson and Family perform in support of Patch Adams Teaching Center (July 24, 2010)

Tuesday, July 24th, 2018

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Thanks to Dee, from Virginia, for sharing pictures she took at last year’s show.

On July 24, 2010, Willie Nelson and family performed at the Charlottesville Pavilion to raise money for the construction of the Patch Adams Teaching Center.  The show helped raise funds for Patch Adams Gesundheit! Institute – a home-based free hospital.

Dr. Adams, who says he wants to put the “care” in healthcare,  was on hand and enjoying the show.

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For information about Patch Adams, all his good works, and information on Gesundheit! Institute, and how you can show your support: www.patchadams.org.

About Patch Adams & Gesundheit!

Patch Adams, MD, is a physician, performer, international speaker, social activist, and founder and director of the Gesundheit! Institute, Arlington, Va. The institute has provided free medical care to thousands of patients since it began in 1971. He has devoted 35 years to changing the U.S. Health care delivery system. An internationally known speaker on wellness, joy, humor, love, and health care and the healthcare system, Adams believes that love, laughter, joy, and creativity are an integral part of a context for the healing process.

The Gesundheit! Institute started a home-based free hospital. In 1980, Gesundheit! bought a 317-acre farm in Pocahontas County, West Virginia. Adams plans to build a 40-bed rural community hospital on the property, based on his model for healthcare delivery–compassionate care provided free, integrating all the healing arts. Joyful service is a vital part of this model.

www.patchadams.org