Cyndi Lauper was one of the many artists who gathered in Washington DC last week to honor Willie Nelson, when he was presented with the Library of Congress Gershwin Prize.
With a tip of the hat to George and Ira Gershwin, who the Prize is named after, Willie an Cyndi sang, “Let’s Call the Whole Thing Off.” When Willie introduced Cyndi and called her out to the stage, Willie announced that they had recorded the song for a new album coming out early next year to honor the Gershwin brothers, “Summertime.”
Janis Tillerson took all these great photos for us all to enjoy.
An impressive collection of John Lennon’s fans and peers will gather to celebrate what would have been the singer-songwriter’s 75th birthday this year with a star-studded tribute concert. Willie Nelson, Aerosmith’s Stevem Tyler, the Killers’ Brandon Flowers, Sheryl Crow and Eric Church will all perform at New York City’s Theater at Madison Square Garden on December 5th to honor the former Beatle in a program titled Imagine: John Lennon 75th Birthday Concert. The show will be broadcast on AMC on December 19th at 9 p.m. EST.
Other performers include Peter Frampton, Kris Kristofferson, Tom Morello, Aloe Blacc, Juanes, Train’s Pat Monahan, Chris Stapleton and the Roots. The show’s producers will announce more performers prior to the concert.
“It’s beautiful to see so many wonderful and talented musicians come together for this special show to celebrate John’s birthday,” Yoko Ono said in a statement. “John’s art continues to give hope, light and happiness to generations of people everywhere. His belief that each of us can change the world continues to inspire the human race to believe in themselves, and his influence is everlasting in everyone’s hearts as we all share in the possibilities and power of music.”
The event’s musical directors are Rolling Stones producer Don Was, who also worked on the TV tribute The Night That Changed America: A Grammy Salute to the Beatles, and Michael Jackson keyboardist Greg Phillinganes, who worked on Stevie Wonder: Songs in the Key of Life: An All-Star Grammy Salute. Gregg Gelfand, who directed the Beatles special Was participated in, will helm the celebration.
Tickets to the event go on sale on November 17th via Ticketmaster. A portion of the proceeds will benefit Robin Hood, a New York–based organization fighting poverty.
AC: Willie Nelson sings on the album and I understand there’s an interesting story on how that happened.
CC: It was funny. Don and me had cut all the basic tracks and after we had done “Troubled Waters,” I said, “Wouldn’t it be cool if we could get Willie to sing on this thing.” I could just hear him singing it. Don said he thought he could make it happen. So we got with Willie and he said he’d love to. He loved the song. So I flew to Austin and at the time my daughter lived there, so I was hanging around with her waiting for Willie to say he wanted to get together and record.
All of sudden, I get a call and someone’s saying I had to get the track to Nashville because he’s in Nashville and ready to record. I was like, “But I’m in Texas” [laughs]. Lo and behold, we got it to him and he laid down his guitar and vocals. We had it done by the end of the day.
After opening John Mellencamp’s most recent tour, Carlene Carter brings her one-woman show to the Cactus Cafe on Sunday. She’s promoting last year’s Carter Girl, which celebrates country music’s first family. Mother Maybelle Carter (1909-1978) was her grandmother and June Carter Cash (1929-2003) her mother.
Austin Chronicle: The show you’re doing now is just you singing Carter Family songs and telling stories. Is that right?
Carlene Carter: Yeah, I play guitar, autoharp, and piano. I’m lucky because my husband Joe Breen comes up and sings some of the duets from Carter Girl with me. The show’s about the songs and my relationship to the songs.
AC: I was wondering why you don’t have a band with you.
CC: I just wanted to be able to tell my stories and not have the weight of a band – not that a band can always be a weight. The nicest thing about this music is it really comes across as just the song and my relationship to the song. By doing this, I made myself a better musician. I challenged myself to carry on the style of guitar that my grandmother did, the Carter scratch. In doing that, I discovered I could do this show. It’s a lot of fun.
I just got off the road opening for John Mellencamp and I was pretty chuffed that I could open for a Rock & Roll Hall of Famer as an acoustic act by myself. Working with Mellencamp, I made new fans, people that may have never heard of me. They may have heard I was related to the Carter Family or Johnny Cash somehow, but what they got was pure Carlene. Very much in the spirit of the Carter Family, I’d just go out and do what makes people happy. I really enjoyed the process of playing by myself and I’m going to continue to do it for a while. It really does prove my theory that it’s all about the songs.
[Producer] Don Was really brought that out in the making of the record. It was the first time I ever made a record where the band played with me, instead of me playing with the band. You know what I mean? There were times when I tried to follow myself and I thought surely Greg Liesz or Blake Mills could play this guitar part and they’d go, “No, we’re playing with you.” I was like oh my god. It was a bit of pressure.
AC: I saw that Mellencamp is going to Australia in January. Are you going too?
CC: We’re actually making a duet record together starting in December, so I’m writing for that. It’s different, because I’ve never really sat down and tried to write duets. That’s going to be a fun challenge. And yes, it’ll be my first trip to Australia, so I’m really excited about that.
AC: Something that caught my eye while reading what others have written about Carter Girl was many viewed it as some sort of burden – something that you had to do. How would you describe the making of the album?
CC: It wasn’t a burden. It was an honor to make this album. I was told when I was growing up, “When we’re gone, it’s going to be up to you to carry this music on.” That started the first time I picked up an instrument.
For many years, I never thought about doing this record because they were very much alive and out there carrying on the music. After my mother passed, in 2003, I needed some time to process the grieving part of it. I wanted it to be a celebration, not part of the grieving process. I wanted it to be joyful in the singing of the songs. I wanted to honor them and do a good job. And keep it to something I knew they would be proud of. I had that constantly in my head, but it wasn’t a heavy burden.
The other thing about making the record was there are songs on there that people have never heard. I didn’t want it to be just a bunch of Carter Family songs. I wanted it to mean something to me. If it means something to me, then it’ll mean something to someone else.
Kris [Kristofferson] was in the studio with me and he was so creative. The harmonies he came up with were different than what I would have come up with, so it made it really interesting. I just adore him. I think I was 12 when I first met him. We got to hang out for a day and that was like being with family for me.
Loretta Lynn’s new album will be released in March 2016, her first in 11 years. Willie Nelson records with her on, “Lay Me Down.”
“Full Circle” track listing:
Whispering Sea (Introduction)
Who’s Gonna Miss Me?
Black Jack David
Everybody Wants To Go To Heaven
Always On My Mind
Wine Into Water
In The Pines
Band Of Gold
I Never Will Marry
Everything It Takes (featuring Elvis Costello)
Lay Me Down (featuring Willie Nelson)
Happy birthday to Roy Rogers, born November 5, 1911, as Leonard Slye in Cincinnati, Ohio. As Roy Rogers, he becomes a silver-screen cowboy, joining the Country Music Hall of Fame as a solo star and as a member of The Sons Of The Pioneers.
Willie Nelson, Roy Rogers, “When I reach the end of Rodeo Road (set my pony free)”