Archive for the ‘Movies, Videos, DVDs’ Category

Concert Celebrating John Lennon’s 75th Birthday available

Thursday, January 31st, 2019

This day in Willie Nelson history: “The Big Bounce” released (January 30, 2004)

Wednesday, January 30th, 2019

for tgif 1/30/04 photo from movieweb.combigbounce

On January 30, 2004, the movie “The Big Bounce”, opened.


Thank you, Mark, from Willie Nelson’s Museum and General Store, (, for finding this gem, a still from the movie, “The Big Bounce” released in 2004, also starring Owen Wilson, Gary Sinese, Morgan Freeman, Charlie Sheen, Bebe Neuwirth, Harry Dean Stanton, Gregory Sporleder, Steve Jones, Director: George Armitage


Surfer Dude on DVD December 30, 2008

Sunday, December 30th, 2018

Surfer Dude,  the movie starring Matthew McConaughey, Woody Harrelson and Willie Nelson, will be released on DVD and on Blu-ray Disc on December 30.

Extras features will include a commentary track, behind-the-scenes footage, deleted scenes and webisodes, whatever those are.

Surfer Dude on Blu-ray will carry a suggested retail price of $34.98.

Willie Nelson in “Angels Sing”

Monday, December 24th, 2018


Already a holiday movie favorite!

Angels Sing starring Harry Connick, Jr., Willie Nelson and Connie Britton available in stores December 2. (CNW Group/Entertainment One)

“Angels Sing”, starring Harry Connick, Jr., Willie Nelson and Connie Britton now available on DVD.

This day in Willie Nelson history: ‘Electric Horseman’ (December 21, 1979)

Friday, December 21st, 2018

On December 21, 1979, Willie Nelson made his film debut with the opening of “The Electric Horseman,” also starring Robert Redford and Jane Fonda. It includes Nelson’s hits “My Heroes Have Always Been Cowboys” and “Midnight Rider”

Willie Nelson and Dyan Cannon, “Loving You Is Easier”

Friday, November 23rd, 2018

This day in Willie Nelson history: “Where the Hell’s that Gold?” (November 13, 1988)

Tuesday, November 13th, 2018

He makes his living robbing banks.
She makes hers banking on robbers.

Release date: 13 November 1988

Willie Nelson stars with Jack Elam, and Delta Burke in this move about two outlaws on the run after stealing and hiding a large amount of gold.  The two find themselves travelling through 1895 Mexico on a train full of dynamite as rebels, Apache Indians, Wells Fargo agents, and Federal troops trail them. When they are captured by the Mexican authorities, they scheme to keep their ill-gotten riches with the help of a madam and her prostitutes. Willie Nelson, Jack Elam, Delta Burke star in this rowdy western.

“Waiting for the Miracle to Come”, with Willie Nelson, by Lian Lunson at Austin Film Festival TONIGHT

Monday, October 29th, 2018

Willie Nelson’s new film, “Waiting for the Miracle to Come” at Austin Film Festival (Oct. 27, 2018)

Sunday, October 28th, 2018

all photos:  Janis Tillerson

Thank you so much to dear Janis Tillerson from Texas for her great photos from the showing at the Austin Film Festival of the movie, “Waiting for the Miracle to Come” yesterday.  The movie was filmed at Willie Nelson’s Luck, Texas western town/movie set on his ranch outside of Austin, and it’s fun to see his ranch as a big part of the movie.

“Waiting for the Miracle to Come” was written and directed by Australian filmmaker Lian Lunson and stars Willie Nelson and Charlotte Rampling.


The film will be shown again on Monday, October 29th, at:  For tickets to Monday’s showing:

Monday October 29, 2018 7:00pm – 8:30pm Galaxy Highland screen 7 6700 Middle Fiskville Rd, Austin, TX 78752

The film has a website and FaceBook page where you can keep up on news of the film.


“Waiting for the Miracle to Come”

Sunday, October 28th, 2018

Willie Nelson, “Waiting for the Miracle to Come” (premieres at Austin Film Festival TOMORROW)

Friday, October 26th, 2018
by:  Joe Leydon

More than three years after filming at various locations in and near Austin — including the preserved set of the fictional western town Luck on Willie Nelson’s ranch in Spicewood, Texas — Waiting for the Miracle to Come will have its long-awaited premiere Saturday and Monday, Oct. 27 and 29, at the Austin Film Festival.

The fanciful drama is the first dramatic feature written and directed by acclaimed documentarian Lian Lunson (Leonard Cohen: I’m Your Man, Willie Nelson: Down Home), and lists German director Wim Wenders (Paris, Texas) and Irish rocker Bono (who wrote a song for the soundtrack) as executive producers. And if that’s not enough to pique your interest, consider this: Willie Nelson stars in Waiting for the Miracle to Come opposite no less a notable than Charlotte Rampling, the celebrated British actress whose lengthy resume includes such outstanding films as Georgy Girl (1966), The Damned (1969), Zardoz (1974), The Verdict (1982), I’ll Sleep When I’m Dead (2003), and 45 Years (the 2015 drama for which she received an Oscar nomination as Best Actress).

And you know that song written by Bono? Nelson sings it during the film.

What’s it all about? According to the official synopsis: “Following the death of her father, aspiring trapeze artist Adeline Winter (Sophie Lowe) discovers a cryptic letter he once wrote directing her to a goldmine in a remote California desert. Upon arriving in a mysterious town, she finds herself at the gates of ‘The Beautiful Place,’ a house occupied by retired vaudeville stars Jimmy and Dixie Riggs (Nelson and Rampling). As she gets to know this mysteriously eccentric couple, Adeline discovers that her father’s posthumous words were directing her to a reward far more valuable than gold.”

Lunson says she wrote her script especially for Nelson, because “his presence and stillness as an actor is unlike anyone else’s. And growing up, I always wanted to be Charlotte Rampling, So bringing these two icons together on screen is a dream come true for me.”

During my brief conversation with Rampling on her final evening of filming in Spicewood, the actress praised Lunson for the audacious inventiveness of her casting choice. “It took someone with imagination, really, to think that we could be a couple — could be believable as a couple,” Rampling said. “And in fact, I think we are, you know? It’s really worked. There’s something special that happened. And that’s only when a director feels that this could happen between two people, do you know what I mean?

“That’s how directors are clever. The way they cast is really so important, because if you don’t have that chemistry, you can’t act it. You know, if you don’t actually, really feel that you’re connected to somebody, it’s difficult to act it. I mean, it’s always difficult to come across as connected to someone. But when it works, audiences feel very quickly that something’s truthful and real.”

The entire production of Waiting for the Miracle to Come was “a lovely experience,” Rampling said. “I had some truly beautiful scenes. I loved expressing Dixie’s fragility, I loved the singing — and I loved doing things with Willie because he’s such a special person, you know? He’s not an actor, so he’s very instinctive. He’s very natural. And in a way, this film was about that, too. There’s something very organic about this film.”

Willie Nelson offered his own take on Waiting for the Miracle to Come when we talked at the close of his own last day of filming.

Cowboys & Indians: OK, the last time we chatted a couple years back, you indicated that you didn’t really think much of yourself as an actor. Have you decided to change that appraisal?

Willie Nelson: [Laughs] No, no. My opinion hasn’t changed.

C&I: I’ve been on the set only a couple days, but it looked to me like you were really doing some good work out there.

Nelson: Yeah, I fooled you. Fooled you again.

C&I: You’ve worked with several outstanding directors, including Sydney Pollack, Michael Mann and Barry Levinson. What do you think is the most important lesson you were ever taught as an actor?

Nelson: To find your spot where you’re supposed to stand and remember your lines. If you do that you can’t go far wrong.

C&I: Anything else?

Nelson: I heard somebody say one time, “Don’t ever let them catch you acting.” I think that’s pretty good advice. If you can act without looking like you’re acting, maybe you’re doing something. Slim Pickens, I did a movie with him one time. And he told somebody in the press or something: “Willie Nelson plays himself better than anybody could.” That’s about it.

C&I: Director Lian Lunson says she wrote Waiting for the Miracle to Come with you specifically in mind.

Nelson: That’s always flattering when something like that happens. But it’s still a challenge to make sure that they didn’t make a mistake thinking you could do something maybe you couldn’t do. This movie has been pretty easy really, for my part. I know the crews work from sunup to sundown many days, but it’s been relatively easy for me because I live right up the street here.

C&I: No long commutes?

Nelson: No, I just drive down the hill and do my lines and go back. It’s a perfect way to do a movie for me.

C&I: I have to admit that when I first heard you were co-starring in a movie with Charlotte Rampling, I thought, well, that’s certainly offbeat casting. But now that I’ve seen the two of you doing a few scenes together, I find myself thinking: “Of course! Why didn’t someone think of this before?”

Nelson: Yeah, I guess that’s where Lian comes in. She can think of those things. Like, “Well, if I put these together, it’ll be a good mix and they’ll work out something.” She’s good at that.

C&I: How would you describe the experience of acting opposite Charlotte Rampling?

Nelson: It’s always a pleasure to be working with a professional you know and have known for years. She is a professional, so you didn’t expect anything less from her. She was fantastic and that was what we expected.

 C&I: What was the most difficult part of playing your character, Jimmy Riggs? What was the toughest nut for you to crack?

 Nelson: [Looking at his feet] These bleeping shoes.

C&I: Are they really that bad?

Nelson: They’re uncomfortable [Laughs] No, they’re not that bad. It’s just something to bitch about. Just kidding. As I said, I can’t play anybody but myself. So this was an easy role to play, really.

C&I: Finally, what was the most enjoyable part of making this movie? Besides the short commute?

Nelson: Working with people like Charlotte, Lian, and [co-star] Sophie Lowe. And this whole crew — these guys are great. It’s always nice when you see something working. As Leanne said, we’re waiting for a miracle. And we’re seeing them every day out here.


Willie Nelson & Kris Kristofferson, “Songwriter” official movie trailer

Wednesday, October 24th, 2018

“Waiting for the Miracle to Come” Movie premiere at Austin Film Festival (Oct. 27, Oct 29)

Tuesday, October 23rd, 2018

“Waiting for the Miracle to Come” was written and directed by Australian filmmaker Lian Lunson and stars Willie Nelson and Charlotte Rampling. It will be screened at the Austin Film Fest on Sat. October 27 and Monday October 29.

On Saturday, October 27th, the film will be screened at the State Theater in Austin and then again on Monday, October 29th at the Galaxy Highland Screen. To get tickets:

Saturday October 27, 2018 3:00pm – 4:30pm
State Theatre 719 Congress Ave, Austin, TX 78701

Monday October 29, 2018 7:00pm – 8:30pm Galaxy Highland screen 7 6700 Middle Fiskville Rd, Austin, TX 78752

Congratulations, A Star is Born

Wednesday, October 17th, 2018

Sunday, October 14th, 2018

photo:  Neil Preston
by:  Sandra Gonzalez

(CNN)Something major has happened in Lukas Nelson’s life, and he’s elated.
“I couldn’t be better,” he says over the phone, with an enthusiasm that displays how true his statement is. “Honestly, the last minute has been especially great. The last, last minute of my life has been just fantastic. So it’s just incredible.”

He declines to share more about those very important, very exciting-seeming 60 seconds of his life when prompted. He says he’s not at liberty to say more, out of respect for the privacy of his friends.
But Nelson has had a lot to be thrilled about these days.
Ever since Bradley Cooper saw Nelson and his band, Promise of the Real, performing with Neil Young at 2016’s Desert Trip, Nelson has been in a whirlwind of good fortune. The latest chapter being last week’s release of “A Star Is Born,” a film for which Nelson helped write songs and coached Cooper, who plays a grizzled rock star named Jackson Maine in the film. (Nelson and his band appear as Maine’s band, too.)

Nelson was there as Cooper went through different “iterations” of his character, eventually landing on the wounded showman who ended up on screen. There’s a little bit of Neil Young in Jackson Maine, and a little bit of Nelson. (“I think he took a few mannerisms from me, frankly,” he says, almost trying to not sound vain.)

Rave early reviews for “A Star Is Born” — accompanied by a trail of Oscar buzz — helped propel the film to an impressive opening weekend and its soundtrack, on which Nelson has credits for songs like “Out of Time” and “Music to My Eyes,” is a chart-topper.

“That was like the highlight of my life at that point,” Nelson says of being singled out by Cooper from an all-star lineup at what he lovingly refers to as “Oldchella.” “And then, you know, another sort of highlight was born from that.”

Read rest off article here.