Archive for the ‘Photographs’ Category
Thank you Janis Tillerson, from Texas, for sharing your great photos from the Willie Nelson & Family Show last Friday night (a week ago already? wow). I love when Janis goes to a WN&F show! Her photos are the best.
Billy English and Kevin Smith
Mickey Raphael was there, too.
On the first time he met Willie Nelson: “It was through [producer] Daniel Lanois. I just happened to be outside when Willie and Emmylou were together for a show, I asked to take a picture, and that was it.” — Danny Clinch
by: Andy Langer
Danny Clinch is in the trust business. Take two accomplished photographers, give ‘em the same equipment, access, and time, and the one who’s established the trust of his subject wins every time. Clinch’s reputation, his X factor, is rooted in a calm temperament, the self-awareness to know it’s about them, not him, and an innate ability to read non-verbal cues. As Springsteen suggests, shooting with Clinch isn’t so much a ballet, but a loose, free-flowing conversation — a collaboration. And if you’re Springsteen — or Eddie Vedder, Dave Grohl, or Neil Young — at this point, you’re only collaborating with people you trust, people who themselves have something to say. And for folks who don’t love the process, Danny Clinch shoots have a habit of not feeling at all like shoots. He’s notoriously spontaneous. He’ll say, “This’ll work.” Or maybe just, “Let’s go see what’s over there?” Watching him work over the years, I’ve seen it happen again and again: Clinch will get what he needs and the response will be “Man, that didn’t feel like a photo shoot. What a great hang. We’re done already?”
Danny Clinch’s best images, collected in the new 296-page coffee-table retrospective Danny Clinch: Still Moving (Abrams Books, out September 23), represent the work of a real documentarian. He has a way of putting himself, and by extension us, in the right place at the right time. Still Moving very effectively tells the story of modern music history. But from Willie Nelson to Tupac, Tony Bennett to Beyonce, his best photos don’t just tell a story, but also tell you something you didn’t know about the subject. Mostly the way they look when they’re not “performing,” when they’re relaxed a little, guard at half-mast, or sometimes, all the way down. “Soul” is an overused word, but damned if that’s not what Danny Clinch has made a name documenting. And because of it, many of Danny Clinch’s pictures have become the images you associate with those musicians when you hear their names. Still Moving is full of those images. We asked Clinch to tell us the stories behind ten of them, which you can see exclusively here:
“I shot the video for ‘You Don’t Know Me.’ Willie doesn’t mind having his photo taken, he just doesn’t like doing photo shoots. If you’re around with a camera, he doesn’t really have a problem with it. But if he has to stand and pose, he doesn’t love that process. It’s why I suspect I get to photograph him so often. They know I’ll hang around and get it without annoying him. At the shoot, we were on the bus and Willie needed to fix his braids a little. I looked down the corridor of the bus, the hallway, to the back of the bus and saw him sitting in his bedroom fixing his braids. I just slid down there really quickly, got the shot, and backed off. If you look closely, you can see Trigger, his guitar, in the corner. And of course, his reflection. And in the back, there’s this leather kind of doctor’s bag that says Spirit on it. It’s great when you look at a photograph and see a little story. To me, this one does that.” — Danny Clinch
See rest of Esquire article, and more pictures and stories about Bruce Springsteen, Tim and Faith McGraw, Black Keys, Grace Potter, and more: