Archive for the ‘Songs’ Category

Whiskey River: the story behind the song

Tuesday, March 9th, 2010

by David Scarlett
Country Weekley

Johnny Bush’s career as a solo artist was taking off in the early ’70s when he came to a disc jockey convention in Nashville to sign a deal with RCA records.  That’s where the Texas native met RCA executive Jerry Bradley, who planted the seed for “Whiskey River,” a song that would blossom into one of the best-loved — and most recorded — in all of country music.

At the time, Johnny had already experienced sucess with a series of hits including, “You Gave Me a Mountain” and “My CUp Runneth Over.”  Still, Jerry wanted him to write a very special song.

Johnny picks up the story.

“Jerry told me, ‘Johnny, what we’ve got to do now is, you’ve gotta write a hit.’   And I said, ‘Jerry, with all the songwriters in Nashville — Harlan Howard, Willie Nelson, Hank Cochran, Bill Anderson and people like that we can draw from — you want me to write the song?.”

But Jerry knew Johnny had a hit in him, and put the ball back in Johnny’s court.

“On my way back to Texas from Nashville,”  continues Johnny, “I was on my tour bus and when I woke up in Texarkana, I had the idea about ‘Whiskey River.’  And by the time I got home, I had it written.”

Johnny’s recording of the song went on to becoem a Top 15 hit, but his longtime Texas buddy, Willie Nelson, recorded it and made it a huge hit in 1978 — and his signature tune.  In fact, Willie has recorded the song over twenty times.

And it’s a good thing.  The royalty checks from the song helped sustain Johnny through some lean years that resulted from a rare vocal disorder.

“I’d jsut released ‘Whiskey River’ and it was climbing the charts when it struck,” he recalls.   As a result, Johnny’s career took a serious downturn and it would be years before his vocal problem was correctly diagnosed and treated.  Now he’s got a new album, Green Snake, and is back working as many dates as he wants to.

But ‘Whiskey River’ and his pal, Willie, were always there for him.  Willie even joined Trick Pony in recording the tune for the group’s upcoming album.

“I just hope it makes the cut,” says Johnny modestly.  “You know a lot of time songs are recorded that never make it onto the album.”

Don’t worry Johnny.  It’ll be there.

– David Scarlett

Words and Music

Tuesday, March 9th, 2010

This haunting tune, transcribed from Across the Borderline, showcases some of Willie Nelson’s dynamic lead work on his nylon-string guitar.  He opens the song with a somewhat Spanish sounding melody, harmonicized in thirds, followed by some bluesy blending.  The solo break restates the original solo but with a few variations, the most notable of which is his Django-esque use of tremolo picking.

Matthew Houck/ Phosphorescent sing Willie Nelson’s, “It’s Not Supposed to Be That Way”

Monday, March 8th, 2010

Thanks so much to  www.freqcontrol.com for sending me this video of Matthew Houck/ Phosphorescent singing Willie Nelson’s ‘It’s Not Supposed to be That Way.”  Wow.   (It’s the third song; scroll down).

“We were so fortunate to have Phosphorescent in to the freqControl sessions to film/record three of their songs, and one Willie Nelson cover song. You can check it out at http://www.freqcontrol.com.

Hope you enjoy it!”

Last year Matthew Houck/Phosphorescent, from Brooklyn, NY, recorded an album of Willie Nelson songs (ones he’s written; ones he’s sung), titled “To Willie.”  It’s a beautiful collection of songs, and includes the one that Matthew sings here, “It’s not supposed to be that way.” 

You know, I buy every Willie Nelson cover album that comes along, even that Lullaby One that came out a couple years ago.   And I usually listen to them once, and that’s about it.  Except for this album by  Matthew Houck, ‘To Willie,’  which he released last year.  I listen to it a lot.   He really does treat Willie’s songs with respect;  I think it’s because he is a big Willie Nelson fan, and loves Willie’s music.  And you can hear it in this album. 

Last week or so, Matthew posted on his MySpace blog that his new album will be released in May.  I know I’m not the only one looking forward to it.  But in the meantime, if you haven’t heard, ‘To Willie,’ you can listen to cuts and download songs at www.myspace.com/phosphorescent.

Phosphorescent are touring with Gray, and just recently got back from Europe and are beginning their U.S. Tour.  For tour information, visit www.DeadOceans.com.

Paste Magazine named ‘To Willie’ their favorite Americana Album of 2009.  

By Noah W. Bailey
Paste Magazine
Year in Review
 
We spent 2009 sorting through piles of folk and Americana releases, revising this list in our heads till the bitter end and failing repeatedly to understand the hype behind the Avett Brothers in the process. While a year of listening brought no shortage of pleasant surprises, our hands-down favorite release of the year was still an album of classic Willie Nelson tunes. Go figure.

Phosphorescent To Willie (Dead Oceans)

It’s rare that a tribute album approaches the quality of the source material, rarer still when the source is Willie Nelson. Phosphorescent’s Matthew Houck proves himself a master stylist on To Willie, however, probing the depths of the Red Headed Stranger’s catalogue and breathing new life into classic songs like “Walkin’” and “The Party’s Over.” In the case of “Reasons to Quit” and Houck’s beautiful space-gospel treatment of “Can I Sleep in Your Arms,” it’s safe to say he even one-upped the originals. No wonder Willie himself invited the band to play Farm Aid and join him for a little puff-puff-pass on the Honeysuckle Rose.

Farm Aid heroes (2009)

Congratulations T Bone Burnett, and Ryan Bingham: Oscar for Best Song!

Sunday, March 7th, 2010


T-Bone Burnett and Ryan Bingham won the oscar tonight for  best song, ‘The Weary Kind,” theme song from “Crazyheart” movie.

Willie Nelson’s hand-written song “Crazy” (1961) in Library of Congress

Sunday, March 7th, 2010

www.loc.gov

The Library of Congress and the Country Music Association (CMA) announced a day-long program for the CMA Board of Directors at the nation’s library, including a comprehensive tour of the historic Jefferson Building, an extensive orientation to the Library’s music, sound recording, and folk collections focusing on Country Music, and a concert in the Coolidge Auditorium.

Country Music and its roots are well-represented in the Library’s music collections, including rare gems such as “The Wreck of the Old ‘97″ sung by Fred Lewey and recorded by Robert W. Gordon in Concord, North Carolina (1925); the first recording of “Tom Dooley” sung by Frank Proffitt in Beech Mountain, North Carolina (1940); copyright deposits of handwritten lead sheets by Country Music greats before they became famous, such as “I Fall to Pieces” by Hank Cochran and Harlan Howard (1960), “Crazy” by Willie Nelson (1961), “Okie from Muskogee” by Merle Haggard and Roy Edward Burris (1969), and “You’re Lookin’ at Country” by Loretta Lynn (1970); the Louisiana Hayride collection, and much more.

The purpose is both to build on the Library’s already unparalleled collections of sound recordings, moving image, and printed music collections with a more robust presence of the Country Music genre, and to further the Library’s goal of maximizing access and awareness of its collections to music scholars and music lovers around the world. The day’s activities are designed to lay the groundwork for future joint efforts that may include the acquisition and preservation of Country Music collections, online presentations, and educational outreach.

“The genre of Country Music could not be better suited to the Library’s mission of acquiring, preserving, and providing access to America’s culture and stories,” said Librarian of Congress James H. Billington.

“Country Music is a record of American history and America’s stories.  I cannot think of a more appropriate collaboration than to expand the presence of Country Music and its reflection of the American experience to the global users of this historic and unrivaled collection,” said Steve Moore, Chairman of the CMA Board of Directors.

http://www.mi2n.com/press.php3?press_nb=127974

(more…)

It’s feel good Friday! Willie Nelson, ‘Shoeshine Man’

Friday, March 5th, 2010

Please don’t talk about me, when I’m gone

Monday, March 1st, 2010

Track listing

  1. “December Day”
  2. “Moonlight Becomes You” 
  3. “Afraid” 
  4. “The Heart of a Clown” 
  5. “Please Don’t Talk About Me When I’m Gone”
  6. “Everywhere You Go” 
  7. “Have I Stayed Away Too Long?” 
  8. “Sentimental Journey” 
  9. “The World Is Waiting for the Sunrise”
  10. “You’ll Never Know” 
  11. “I’ll Keep on Loving You” 
  12. “You Just Can’t Play a Sad Song on a Banjo”
  13. “You Always Hurt the One You Love”
  14. “Someday (You’ll Want Me to Want You)”
  15. “In God’s Eyes”

Willie Nelson, Toby Keith: Whiskey for my Men (Beer for my horses)

Sunday, February 28th, 2010

This Day in Willie Nelson History: Grammy for Best Country Male Vocal Performance (2/23/1983)

Tuesday, February 23rd, 2010

 

 Willie Nelson takes Best Country Male Vocal Performance, at the 25th annual Grammy Awards Show in Los Angeles, for his recording of  ’Always on my Mind’.

Songwriters Wayne Carson, Johnny Christopher and Mark James earn a grammy for Song of the Year and the song also takes the grammy for Best Country Song.

Friday Night Fun! Willie Nelson: Shoeshine Man

Friday, February 12th, 2010

Willie Nelson, Diana Krall, Elvis Costello sing ‘Crazy’

Thursday, February 11th, 2010

This has got to be one of the most beautiful renditions of this song.

This day in Willie Nelson History: Willie Nelson records Blue Eyes Crying in the Rain

Tuesday, February 9th, 2010

On this day in1975, Willie Nelson recorded ”Blue Eyes Crying In The Rain” at Autumn Sound Studios in Garland, Texas. 

Willie Nelson on Rock Band

Tuesday, February 2nd, 2010

Harmonix and MTV Games today announced what Rock Band fans can look forward to next week: a six pack of songs from country greats including Kenny Chesney, Willie Nelson, and Rascal Flatts.

The songs listed below will be available on Xbox 360 and Wii on February 2 and PS3 on February 4. Each track will set you back US$ 1.99 / GB£ .99 / 160 MS Points / 200 Wii Points. Here’s the track list:

  • Kenny Chesney – “She Thinks My Tractor’s Sexy”
  • Montgomery Gentry – “Gone”
  • Rascal Flatts – “Me and My Gang”
  • Sara Evans – “Suds in the Bucket”
  • Trace Adkins – “Swing”
  • Willie Nelson – “On the Road Again” 

All the tracks above can also be downloaded in one go via the Going Country Pack 03 for US$ 9.99/ GB£ 4.99/ € 7.99/ 800 MS Points. Wii owners will have to download each track one by one.

http://www.qj.net/qjnet/xbox-360/next-week-on-rock-band-willie-nelson-rascal-flatrts-more-country-tracks.html

we made it to the weekend; let’s celebrate and watch Willie Nelson’s ‘Shoe Shine man video’

Saturday, January 16th, 2010

old worn out saddles

Friday, January 15th, 2010

One of many bumper stickers from Carl’s Corner, Texas.  (Thanks, Janis!)