First aired: 6/7/2002
Their friendship has grown since their first meeting. Crow, raised in a musical household in Missouri, reveres Nelson as the “king of phrasing” and “the voice that was the soundtrack to my childhood.” Nelson regards Crow as a worthy musical colleague, an inheritor of his musical “outlaw” spirit and a fit audience for his dirty jokes.
Nelson played an electric guitar throughout the night instead of his battered classical acoustic, dubbed “Trigger.” (Crow said her instruments have no names, but she might refer to them as “my little money makers.”) “My guitar,” Nelson explained, “is on the way to Amsterdam [for a European tour]. I am following soon behind.”
The singers each took care to match the other’s vocal phrasing, casting sidelong glances at each other throughout their performance. Of “Let It Be Me,” Nelson proclaimed the duo “happy to be resurrecting a great song.” He toyed with the familiar phrasing and seemed to challenge Crow to do the same. “It wasn’t perfect, but it was tasty,” she said after the first take.
03. City of New Orleans
04. Let It Be Me
05. It’s So Easy
06. You Remain
08. Every Day Is A Winding Road
I made a video of it, and it’s about worn out; it’s so enjoyable to watch. Here, they sing, ‘City of New Orleans.’