photo: Scott Newton
www.pgs.org
Austin City Limits announces a new season premiering October 6 with an an epic hour featuring innovative art-rock performer St. Vincent. ACL, officially the longest-running music program in television history, has provided viewers with a front-row seat to the best in performance for over 40 years, and continues its legendary run showcasing more stars, innovators and highly-anticipated debuts. The series airs weekly on PBS stations nationwide and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast.
Austin City Limits returns to PBS on Saturday, October 6 at 9pm ET/8pm CT (check local listings) beginning Season 44 with the promise of another year of musical trailblazers and vanguards. This season features—among many—the amazing St. Vincent, in a visually and sonically stunning hour, and songwriting legend John Prine—making his eighth ACL appearance —showcasing his acclaimed new release and gems from his catalogue.
Lukas Nelson & Promise of the Real on November 10th
The great Willie Nelson has been a mainstay of Austin City Limits since the 1974 pilot – indeed, many of us think of him as ACL’s patron saint. It was inevitable that some of Willie’s kids would follow in his footsteps, not only in music, but onto our storied stage. Lukas Nelson is not merely a chip off the old block, however. With his band Promise of the Real, the 28-year old singer, songwriter and guitar-slinger has regularly backed Neil Young and built his own legacy over the course of a decade with five albums and a handful of EPs. Nelson the younger recorded his debut ACL episode in support of his and POTR’s acclaimed 2017 eponymous album, which formed the heart of the show that we streamed live around the world.
“You ever watch that show Rick & Morty?” said Nelson as he strapped on his guitar. “I wrote a song after watching it and I want you to hear it.” With that, he and the five-piece Promise of the Real (plus special guest Micah Nelson, Lukas’ brother) launched into the unrecorded song “Entirely Different Stars,” a psychedelic anthem that included plenty of fireworks from Nelson and steel guitarist Jesse Siebenberg and a coda redolent of Nelson’s native Hawaii. The frisky country rocker “Die Alone” revved the engines back up, while “Fool Me Once” took the same tack with a choogling tempo and sardonic lyrics. Nelson and company visited the other side of the law with “Runnin’ Shine,” with the scion really showing off his vocal resemblance to the father. “Caroline” showed an affectionate debt to the Texas singer/songwriter tradition, while “Lil Girl” incorporated reggae into the band’s rocking Americana.
“Four Letter Word” married clever wordplay with an expanded Nelson guitar solo, including a quick snippet of the Beatles’ “I Want You (She’s So Heavy).” The band brought the rock back for “Something Real,” including more six-string magic. Then the Real quit the stage, leaving the Austin-born Nelson alone with an acoustic guitar for the crowd-pleasing “Just Outside of Austin,” a song destined to be a mainstay in his set for decades. Nelson underscored the Austin connection by soulfully covering Willie’s “Angel Flying Too Close to the Ground,” garnering an audience reaction as loud ‘n’ proud as that for “Austin.” Nelson then sang Neil Young’s “Heart of Gold,” paying tribute to his sometime employer, for whom he and the rest of Promise of the Real have provided backup for the last few years. He wasn’t done with other folks’ tunes yet, though, as he then went into Tom Petty’s “Breakdown,” connecting his father’s distinctive vocal style with the late classic rocker’s.
P of the R returned to the stage for “Forget About Georgia,” a melancholy country song that bespeaks driving all night and thinking too much about the love left behind. Nelson left heartbreak behind for the skanking kiss-off “Find Yourself,” which became an enthusiastic crowd singalong. A faithful cover, complete with a cappella intro, of Paul Simon’s “Diamonds On the Soles of Her Shoes” was a surprise, giving bassist Corey McCormick and percussionist Tato Melgar chances to show their stuff. The spotlight then turned to steel guitarist Jesse Siebenberg, who provided an extended intro to “Set Me Down On a Cloud,” returning the band to the kind of elegiac anthemry with which they began. Nelson reclaimed his acoustic guitar for the gentle ballad “Turn Off the News,” before sending the appreciative audience into the night with the Southern rock singalong “The Awakening.” It was a great show, and we can’t wait for you to see it when it airs in ACL’s forty-fourth, only on your local PBS station.