Willie Nelson and Wynton Marsalis, Hollywood Bowl, LA

www.LATimes.com
by Don Heckman
July 11, 2008
Wynton Marsalis describes the big jazz band as “the American orchestra.” It’s an intriguing and, in many ways, definitive identification of the instrumental collective that has been a foundation ensemble of American jazz and popular music for more than 80 years. Like the classical orchestra, it is an ensemble that has served as the expressive musical vehicle for a particular culture — in this case, American rather than European. The performance by Marsalis’ 15-piece Lincoln Center Jazz Orchestra at the Hollywood Bowl on Wednesday night was a dynamic, living color display of the multifaceted meaning of his description.

The most unpredictable expression of American orchestra versatility arrived with the appearance of Willie Nelson. In an unexpected example of serendipity, the cancellation of Natalie Cole’s performance opened the way for a live presentation of the musical encounter between Marsalis and Nelson chronicled on their just-released CD, “Two Men With the Blues.”

That’s an unlikely pairing, and its success was largely based upon the integration of Nelson into the flawless backing of various Lincoln Center orchestra ensembles. In five songs from the album, reaching from the irresistible blues of “My Bucket’s Got a Hole In It” and “Caldonia” to the sophistication of “Stardust,” Nelson’s timeless, beyond-style vocals were framed by a series of evocative combinations, from the full orchestra to a New Orleans-style small band. The set’s peak was Marsalis’ Louis Armstrong-inspired solo on “Stardust.”

The musically diverse evening opened with a busy set by virtuosic young pianist Eldar Djangirov, who offered his best playing in those passages that allowed some imaginative lyricism to sneak past his flying fingers.

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