Archive for the ‘Awards and Honors’ Category

Willie Nelson Day in Texas, (July 4, 1975)

Monday, July 5th, 2021

S. R. No. 687

SENATE RESOLUTION

WHEREAS, The Senate is today honored with a visit from a great Texan whose music is loved by millions of Americans; and

WHEREAS,Mr. Willie Nelson was born at Abbott, Texas, in 1933, was brought up in Abbott by his grandparents, and after high school he enlisted in the Air Force; and

WHEREAS, His career as a musical performer began when, at the age of 10, he played the rhythm guitar in a Bohemian polka band in the town of West, Texas; and

WHEREAS, During most of the 1950’s, Willie supported his family by selling vacuum cleaners, encyclopedias, and Bibles, by making saddles, or by working as a radio disc jockey, an then would spend his evenings writing and performing his songs; and

WHEREAS, He was the promoter for many North Central Texas appearances of the late, great Bob Wills and his Texas Playboys in the middle 1950’s; and

WHEREAS, In 1960, Willie and his family moved to Nashville, Tennessee, then considered to be the headquarters for American country and western music, and the next year, Mr. Faron Young’s recording of Willie’s “Hello Walls” was the No. 1 song in the nation for 12 consecutive weeks; and

WHEREAS, Since then, Willie has recorded 25 record albums and has written hundreds of songs, including such American standards as “Funny How Time Slips Away,” “Crazy,” “The Nightlife,” “Pretty Paper,” “The Party’s Over,” “Good Hearted Woman,” and “Pretend I Never Happened; and

WHEREAS, In 1970, he returned to his native Texas and since then has lived in or around Austin; and

WHEREAS, He was elected and inducted into the prestigious Nashville Songwriters Hall of Fame in 1973; and

WHEREAS, Since his return to Texas five years ago, Willie Nelson has become a folk hero to a whole new generation of music lovers, and as a result of the inspiration and encouragement he has provided to numerous young musicians, Austin is now nationally recognized for its music,  and the music industry has become a major part of Austin’s culture and economy; and

WHEREAS, This year, “Willie Nelson’s Third Annual 4th of July Picnic,” a day-long outdoor music concert, will be held on Liberty Hill, Texas; now, therefore, be it

RESOLVED, That the Senate of the 64th Legislature of the State of Texas hereby extend to Willie Nelson it’s appreciation for the enjoyment he and his music have brought to all Texans in the past, and it’s congratulations for his professional success and for the deserved high esteem in which he is held by millions of Americans; and, be it further

RESOLVED, That the date of July 4, 1975, in conjunction with “Willie Nelson’s Third Annual 4th of July Picnic,” be declared Willie Nelson Day in Texas in honor of this great Texan, and that a copy of this REsolution be prepared for this distinguished musician as a token of esteem from the Senate of Texas.

Clower, Doggett, McKnight, Adams, Aikin, Andujar, Braecklein, Brooks, CLower,  Creighton, Doggett, Farabee, Gammmage, Hance, Harrington, Harris, Jones, Kothmann, Lombardino, Longoria, Mauzy, McKinnon, McKnight, Meier, Mengden, Moore, Ogg, Patman, Santiesteban, Schwartz, Sherman, Snelson, Traeger, Williams

“Red Headed Stranger” inducted to Library of Congress National Recording Registry (6/23/2010)

Wednesday, June 23rd, 2021

www.Billboard.com
by Ann Donahue

Recordings by Tupac Shakur, Willie Nelson, R.E.M. and the 1959 original cast album of “Gypsy” are among the 25 eclectic inductees announced today (June 23) to the Library of Congress’s National Recording Registry.

Under the terms of 2000’s National Recording Preservation Act, the criteria for preservation by the Library of Congress are that the work be “culturally, historically, or aesthetically significant” and be at least 10 years old. Nominations were gathered from online submissions from the public and from members of the National Recording Preservation Board.

In its citation for Shakur’s “Dear Mama,” the NRPB calls the song a “moving and eloquent homage to both his own mother and all mothers struggling to maintain a family in the face of addiction, poverty and societal indifference.”

Nelson’s album “Red Headed Stranger” is cited for its “uncommon elegance,” while R.E.M.’s “Radio Free Europe” is lauded for setting “the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio’s general indifference.”

According to Librarian of Congress James H. Billington, the Library of Congress’ Packard Campus for Audio Visual Conservation in Culpeper, Va. will preserve and maintain these recordings and henceforward make them available to the American public. There are now 300 recordings in the National Recording Registry.

Inductees for the 2009 National Recording Registry are:

1. Fon der Choope (From the Wedding) – Abe Elenkrig’s Yidishe Orchestra (April 4, 1913)
2. “Canal Street Blues,” King Oliver’s Creole Jazz Band (April 5, 1923)
3. “Tristan und Isolde,” Metropolitan Opera, featuring Kirsten Flagstad and Lauritz Melchior, NBC Broadcast (March 9, 1935)
4. “When You Wish Upon a Star,” Cliff Edwards (recorded 1938; released 1940)
5. “America’s Town Meeting of the Air: Should Our Ships Convoy Materials to England?” (May 8, 1941)
6. The Library of Congress Marine Corps Combat Field Recording Collection, Second Battle of Guam (July 20 – August 11, 1944)
7. “Evangeline Special” and “Love Bridge Waltz,” Iry LeJeune (1948)
8. “The Little Engine That Could,” narrated by Paul Wing (1949)
9. Leon Metcalf Collection of recordings of the First People of Western Washington State (1950-1954)
10. “Tutti Frutti,” Little Richard (1955)
11. “Smokestack Lightning,” Howlin’ Wolf (1956)
12. “Gypsy,” original cast recording (1959)
13. The Complete Village Vanguard Recordings, Bill Evans Trio (June 25, 1961)
14. “Daisy Bell (Bicycle Built for Two),” Max Mathews (1961)
15. “I Started Out As a Child,” Bill Cosby (1964)
16. “Azucar Pa Ti,” Eddie Palmieri (1965)
17. “Today!,” “Mississippi” John Hurt (1966)
18. “Silver Apples of the Moon,” Morton Subotnick (1967)
19. “Soul Folk in Action,” The Staple Singers (1968)
20. “The Band,” The Band (1969)
21. “Coal Miner’s Daughter,” Loretta Lynn (1970)
22. “Red Headed Stranger,” Willie Nelson (1975)
23. “Horses,” Patti Smith (1975)
24. “Radio Free Europe,” R.E.M. (1981)
25. “Dear Mama,” Tupac Shakur (1995)

Willie Nelson receives American FFA Degree

Sunday, June 13th, 2021

Willie Nelson wins CMA award, “Always on My Mind”

Tuesday, May 25th, 2021

This day in Willie Nelson History: Austin City Limits Hall of Fame (April 26, 2014)

Monday, April 26th, 2021
aclhoff The first Austin City Limits Hall of Fame induction ceremony took place April 26, 2014. The Austin City Limits Hall of Fame is located at The Moody Theater and consists of a photo gallery, timeline/anthology mural and an interactive online library of Austin City Limits content. It’s hard to imagine now, but there was a time when Willie Nelson was not an American icon. In the early ‘70s, Nelson was best-known for writing hits for other people. The Abbott, Texas native had a successful career as a Nashville songwriter (“Crazy,” “Hello Walls,” “Night Life,” etc.) but had not yet achieved recognition under his own name. In 1974 all that would change. With the release of 1973’s Shotgun Willie and 1974’s Phases and Stages, two imaginative and successful LPs, the stage was set for his career to take off. Then on October 17, 1974, Willie and his Family band entered Studio 6A to record the pilot for Austin City Limits. Broadcast as part of the national pledge drive in March 1975, the show was one of the top programs on PBS that year, securing a future for ACL as a series. Willie has appeared on the show 16 times, with six headlining slots (most recently in 2009), seven songwriters specials and three guest appearances with Johnny Rodriguez, Roger Miller and Asleep at the Wheel. Not only is he the artist who launched Austin City Limits, he’s also one of our most frequent – and favorite – guests.

Willie Nelson’s new album, “That’s Life,” #1 on Billboard Jazz Album chart

Thursday, March 11th, 2021

www.Billboard.com
by: Keith Caulfield

Willie Nelson’s new Frank Sinatra-inspired album “That’s Life’ opens at number one on Billboard’s Jazz Albums Chart. It’s is third leader on the list. The set also bows atop the Traditional Jazz Album’s tally – his fourth there. (On both charts, Sinatra is number two.)

Read entire article here.

Willie Nelson, Kris Kristofferson, Fred Foster honored by Leadership Music

Wednesday, March 10th, 2021

“In 2010, Kris Kristofferson, Willie Nelson and Monument Records founder Fred Foster were honored by Leadership Music. Vince Gill hosted the show. Lyle Lovett sang a Kristofferson song. I presented Kris with the award. Guy showed up and surprised all of us. He came close to dying just a couple of months before this and none of us could believe he got in the car and drove himself downtown. I love this picture. L-R: Vince, Guy, me, Kris, Fred, Willie, Lyle. Shawn Camp is not in this picture but he was there as the band leader and it was his birthday.” — Tamara Saviano

Willie Nelson receives Key to Lake Charles, Louisiana (March 2, 2016)

Tuesday, March 2nd, 2021
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On March 2, 2016, before his concert at the Rosa Hart Theater, in Lake Charles, Louisiana, Willie Nelson was presented with the Key to the City by Lake Charles Mayor Randy Roach.

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rosaheart

Willie Nelson’s First Grammy (February 28, 1976)

Sunday, February 28th, 2021

When Willie Nelson recorded his concept album Red Headed Stranger in Garland, Texas, in 1975, he insisted on simplicity for the tracks.  But according to the books Willie, by Michael Bane, that simplicity proved a bit too much for the studio musicians and his record label.

As Willie recorded the song, “Blue Eyes Crying in the Rain,” he stopped the session, played through the tune with just guitar and vocal and asked the band to play only what was necessary.  Several of the musicians, realizing that they basically had nothing to do, voluntarily got up and left the session.

Willie remembers that his record label was also not exactly receptive to the bare-bones product.  “They expected more Shotgun Willie, something more tempo,” he says in the book. But the label released the album along with the sing, “Blue Eyes Crying in the Rain,” which surprisingly started climbing the charts.  It became Willie’s first No. 1 hit in October of 1975.

“Blue Eyes Crying in the Rain,” was also responsible for another Willie milestone.  On Feb. 28, 1976, Willie picked up his first Grammy award, winning the honor for Best Country Vocal Performance, Male.

Willie Nelson keynote speaker at SXSW 2021

Friday, February 5th, 2021

Willie Nelson – American Music Awards (Blue Eyes Crying in the Rain) (1/31/1977)

Sunday, January 31st, 2021

On January 31, 1977, Willie Nelson was presented with an American Music Award for Favorite Country Single for “Blue Eyes Crying in the Rain

This day in Willie Nelson History: American Music Awards (January 25, 1982)

Monday, January 25th, 2021

“Wanted the Outlaws” goes double platinum (January 21, 1985)

Thursday, January 21st, 2021

in Willie Nelson history: “Wanted the Outlaws” goes douple platinum (January 21, 1985)

on January 21, 1985: “Wanted: The Outlaws,” featuring Willie Nelson, Waylon Jennings, Jessi Colter and Tompall Glaser, certifies double-platinum, along with the “Waylon & Willie” album.

In 1976, the album was the first country album to receive the new platinum certification, signifying one million units shipped.

wanted
  1. My Heroes Have Always
  1. My Heroes Have Always Been Cowboys (Waylon)
  2. Honky Tonk Heroes (Waylon)
  3. I’m Looking for Blue Eyes (Jessi)
  4. Suspicious Minds (Waylon and Jessi)
  5. Good Hearted Woman (Waylon and Willie)
  6. Heaven or Hell (Waylon and Willie
  7. Me and Paul (Willie)
  8. Yesterday’s Wine (Willie
  9. T for Texas (Tompall)
  10. Put Another Log on the Fire (Tompall)

It’s unfortunate that there still has to be a sampler, or primer, or golden book of some of the best singers working anywhere, but apparently not everyone has gotten the message yet. Maybe this album can introduce you to some people you would have liked to have known sooner but just didn’t have the opportunity to meet.

These are some special people, very special. They’ve been waiting in the wings for years, too many years, to assume their proper places in the structure of American Music. When it became apparent to them that their proper places were perhaps being unduly delayed becasue of certain resentments harbored against them because of their real and imagined unconventionality, they — by God — decided to take matters into their own hands. There resulted a rather difficult period of figurative doors being smashed and general confusion and namecalling in Nashville. When the smoke cleared and the fallout returned to earth, there was effected a major shift in country music. “Progressive Country” (for want of a better term) was on the map, and was here for good. And these are the people responsibile for that. Call them outlaws, call them innovators, call them revolutionaries, call them what you will. They’re just some damned find people who are also some of the most gifted songwriters and singers anywhere.

They are musical rebels, in one sense, in that they challenged the accepted way of doing things. Like all pioneers, they were criticized for that but time has vindicated them.

Tompall Glaser was one of the first in Nashville to chart his own musical course and it was lonely for him for years but now he is beginning to receive the recognition due him.

Waylon Jennings, as the most visible of the progressive country pack, has been quietly fighting for years in his own way for acceptance. Both he and Jessi Colter (who, coincidentally is also known as Mrs. Waylon Jennings) were authentically ahead of thier time. Now, the times have caught up with them.

That streak of rugged individualism that is the unifying bond for these musical outlaws is nowhere more evident than in Willie Nelson’s life and times. Unquestionably one of the finest songwriters who ever lived, Willie was known for years only to other writers and to a slowly growing cult of followers. All that has changed now. “Miracles appear in the strangest of places,” Willie sings in Yesterday’s Wine,” one of my favorites from his collection of remarkable songs, and that’s true. When I first started keeping track of Willie and Waylon and Jessi and Tompall, I (along with their other cult followers) felt almost responsible for them since they weren’t that well known to the public and the music industry as a whole didn’t like to acknowledge them. They didn’t wear Nudie suits and thier music didn’t confirm to the country norm of songs of divorce and alcohol and life’s other little miseries. The only thing that worried me was that I knew these people were born scrappers and really loved fighting for acceptance. What would happen to them, I wondered, when they inevitably won (as I knew they would)? Would they like so many who struggle just for the sake of the struggle, grow fat and lazy when they grew successful?

There was no need to worry. This last year each of them has gotten better, writing better, and singing with breathtaking confidence.

They’re the cutting edge of a brand of American music that I find the most satisfying development in popular music in the past decade. It’s not country and it’s not country-rock, but there’s no real need to worry about labeling it. It’s just damned good music that’s true and honest and you can’t ask for more than that.

Chet Flippo
Associate Editor
Rolling Stone

This day in Willie Nelson history: “Stardust” certified quadruple-platinum (January 9, 1990)

Saturday, January 9th, 2021
On January 9th, 1990, Willie Nelson’s “Stardust” album was certified quadruple-platinum.
  1. Stardust
  2. Georgia on My Mind
  3. Blue Skies
  4. All of Me
  5. Unchained Melody
  6. September Song
  7. On the Sunny Side of the Street
  8. Moonlight in Vermont
  9. Don’t Get Around Much Anymore
  10. Someone to Watch over Me
  11. Scarlett Ribbons
  12. I Can See Clearly Now

Willie Nelson, Austin, Texas

Monday, November 30th, 2020