Archive for the ‘Last of the Breed’ Category

Last of the Breed on Rolling Stone’s ‘Top 50 of 2007’ List

Thursday, December 20th, 2007

Rolling Stone has, rightfully, included Last of the Breed on their Top 50 Albums of 2007 list.

www.rollingstone.com

#33  Willie Nelson, Merle Haggard, Ray Price, Last of the Breed (Lost Highway)

The antique glow of this collaboration — which opens with the three singers swapping lines at a vintage Bob Wills gait in “My Life’s Been a Pleasure” — is etched with the grizzly candor of old country-music soldiers who know the road behind them is longer than the stretch ahead. The harmonies are weathered, sometimes wandering, and there is an old-photo-album lyricism to the Floyd Tillman, Cindy Walker and Lefty Frizzell songs on these two CDs. But Nelson, Haggard and Price revisit them with confidence and an affection for the truths and memories they still hold. This is country music with none of the modern trimmings — no Kiss-style power chords or SUV-cowboy flash. But it is big and rich in every other way.

Willie Nelson, Last of the Breed, Bethel, NY (8/29/07)

Sunday, December 2nd, 2007

Last of the Breed Sing Roly Poly

Saturday, September 15th, 2007

[youtube:http://youtube.com/watch?v=v38Drv1bK60]

This is the Last of the Breed Tour in Milwaukee, with Willie Nelson, Ray Price, Merle Haggard, Ray Benson and Asleep at the Wheel playing ‘Roly Poly.’  Thanks to Kevin who took the video of the concert and put it on youtube for us all to enjoy! 

And I must thank Brady, from www.the9513.com/ for tweaking my blog so I can post youtube recordings, with the picture, so you can just play them, unlike before where all I could do was post the link.  Brady is so knowledgeable, and so nice, and so is twin brother Brody. They have been so helpful.  I had lost all my links on the side of my site, and they found them, somehow.  I invite you to check out their music blog at www.the9513.com  and see for yourselves how smart they are, and how much they know about music.  And you’ll have to take if from me about how nice they are, I guess.

Last of the Breed Tour, Columbia, MD (9/6/07)

Sunday, September 9th, 2007

Thanks to Kushi Tan for this pictures from the Last of the Breed Tour at the Merriweather Post Pavilion in Columbia, Maryland on 9/6/07.  He has posted more pictures, and you can see them and read his review at his blog at http://kushitan.blogspot.com

Last of the Breed (Review)

Saturday, September 8th, 2007

Chris Klimek
http://www.washingtonpost.com/

Saturday, September 8, 2007

In rock-and-roll, living past 30 used to threaten a performer’s credibility. But in country, longevity is a point of pride. Hence, “Last of the Breed,” this year’s boastfully titled album from Willie Nelson, Merle Haggard and Ray Price. At Merriweather Post Pavilion Thursday night, the trio of legends — collectively aged 225, but really, fellas, you don’t look a day over 200 — delighted fans with three hours of Texas honky-tonk served with enough brio to remind us of what we’ll have lost when they’re finally gone.Not that their departure seems imminent. Price, the senior of the pack (“I’m 81 and I ain’t quit yet!”), went on first, crooning a dignified 40-minute program of his ’50s-’70s hits, including “City Lights,” “Make the World Go Away” and “I Won’t Mention It Again.” His band, the Cherokee Cowboys, rescued these ballads from the often-syrupy arrangements of their myriad recorded versions, trading cellos for fiddles and lap steel. But the real surprise was Price’s supple-but-authoritative baritone, weirdly undimmed by age. The expressive, controlled delivery Ray practices is a dying art, and the fact that he can still do it seems miraculous. Clean living?

Well, relatively speaking: Next up, a lupine and mischievous Merle Haggard donned a fedora instead of a cowboy hat (a misdemeanor in Texas, probably, but he’s from Bakersfield, California) and lit into “Workin’ Man Blues,” scratching out single notes on his battered guitar as his longtime band, the Strangers, fell into line. On his defining “Silver Wings,” Haggard aped Willie Nelson’s vocal style; a more explicit tribute came when he sang Nelson’s new “Back to Earth,” one of the evening’s highlights.

If there was something a little uncharacteristic in the way the onetime juvenile delinquent kept doffing his hat to us, Haggard shook it off in his set’s rowdier second half, picking a fiddle and turning “Motorcycle Cowboy” into a manifesto. “Mama Tried” was a predictable triumph, but even better was a brilliantly timed walk-on by Nelson during “Okie From Muskogee” — Haggard’s immortal reflection of his dad’s anti-hippie stance, and rather at odds with Nelson’s own biodiesel-powered, IRS-taunting lifestyle. The Nelson-Haggard recitation of “Pancho & Lefty” that followed was less successful, but Haggard’s set still offered the evening’s best mix of sweetness and bristle.

Finally, Williepalooza: 75 genteel and occasionally inspiring minutes that felt more like a rehearsal than a show, lassoing in sometimes comically brief takes of all — really, all– of his warhorses. Nelson’s lower register rode into the sunset long ago, making him swallow even more lyrics than he skipped, but his songs are so sturdy they still move us. An express train of hits found him drifting frequently on autopilot, but he still had a few tricks up his hemp-lined sleeve. The excellent newish songs that closed the show, the mortality lament “Superman” and the very funny vanished-love lament “You Don’t Think I’m Funny Anymore,” had a vigor his earlier performances had barely hinted at.

Through it all, Nelson’s increasingly Dylanesque phrasing was everywhere all at once. Band, schmand; Nelson is his own timekeeper. But you know, he always has been.

Last of the Breed Tour

Friday, September 7th, 2007
  

9/7/07    York Fair, York, PA
9/8/07    Soverign Center, Reading, PA
9/9/07    Farm Aid, Randall’s Island, NY

Willie Nelson, at Bethel, NY (8/29/07)

Wednesday, September 5th, 2007

Thanks again to Carol S. of this picture she took at the conert in Bethel, NY on =8/29/07.

Last of the Last of the Breed Tour

Wednesday, September 5th, 2007

 

9/6/07    Merriweather Post Pavilion, Columbia, MD
9/7/07    York Fair, York, PA
9/8/07    Soverign Center, Reading, PA
9/9/07    Farm Aid, Randall’s Island, NY

Last of the Breed in Boston (review)(9/4/07)

Wednesday, September 5th, 2007

Willie Nelson, Merle Haggard and Ray Price knew exactly what they were doing when they dubbed their triple bill the Last of the Breed Tour. Along with a dwindling handful of others, these three are the final torchbearers in country music’s wonderful-but-dying tradition.

At last night’s packed, but shamefully not sold-out, Bank of America Pavilion show, Willie, Merle and Ray embarrassed modern country with three sets of legendary performances of timeless songs. Unlike today’s stars, who slap a banjo and a “Hell Yeah!” on an abysmal rock tune and call it country, this trio knows that great country borrows from early electric blues, ’40s swing and ’50s r & b while maintaining a twang throughout simple-but-always-memorable narratives.

The night began with a mellow set of supper club country from Price. While the octogenarian doesn’t pluck a guitar or wear a ten gallon like the outlaws he shared the stage with, he’s a renowned western crooner who was ushered into the business by former roommate Hank Williams – Sr., mind you – at the Grand Ole Opry. The Boston crowd was well aware it was seeing a legend at work and greeted the opening notes of “Release Me,” “Heartaches by the Number” and “City Lights” with knowing cheers.

A set of Haggard’s honky tonk tunes followed. The pup of the group at a youthful 74, Haggard donned his well-worn telecaster and thumped through some of his best-known songs including “I’m a Lonesome Fugitive,” “I Think I’ll Just Stay Here and Drink” and “Twinkle, Twinkle Lucky Star.” But the highlights were the singalong “Mama Tried” and “Okie From Muskogee,” featuring an unexpected Nelson, who emerged for the first time midsong. 

Still reinventing the tempo to every lyric, usually midwaythrough a line, Nelson, 74, offered a set that alone would have been worth the price of the ticket. Willie and the family ripped through greatest hits and some that will be, including live staples “Whiskey River,” “Beer for My Horses” and “On The Road Again” and gentle gems “Always on my Mind” and “Still Is Still Moving to Me.”

But it was the duets that made the night transcendent.

Nelson and Haggard gave fans a dream show with a rousing rendition of their storied duet “Pancho & Lefty.” Then they topped it when Nelson and Price traded verses and Nelson and Haggard traded licks on “I’ll Keep On Loving You.” Finally they transcended any expectation with a “Time Slips Away”/“Crazy”/“Night Life” medley, with Nelson and Haggard doubling their guitars on the melody and Price driving it home with his soaring vocals.

All at the age where this could be their final tour, or even show, none of the guys phoned it in. They all knew – as much as the fans did – that this tour will never be seen again.

jgottlieb@bostonherald.com

Willie Nelson and Last of Breed

Tuesday, September 4th, 2007


www.dcist.com

The red-headed stranger is riding back to town, on a tour titled “Last of the Breed”, which is about accurate. There were few enough of Willie Nelson’s caliber to begin with, and a lot of them are now gone. Nelson and two other living legends of country, Merle Haggard and Ray Price take the Merriweather stage. 6 p.m. gates, $40-$75.

Thursday, 9/6/07
7:30 p.m.
Merriweather Post Pavilion,
10475 Little Patuxent Pkwy.,
Columbia, MD

Last of the Breed in Essex Junction, VT (9/2/07) (Review)

Monday, September 3rd, 2007

www.burlingtonfreepress.com

After Dark: Willie Nelson, Merle Haggard and Ray Price deliver

By Matt Sutkoski
Freee Press Staff Writer

ESSEX JUNCTION — Old country stars don’t die, and they don’t fade away either.Ray Price, Merle Haggard and Willie Nelson demonstrated that much at their performance Sunday night at the Champlain Valley Fair. They showed us how some of the best of country music is done.

Each man specializes in songs about regret: Promising relationships end badly. Important things are left unsaid. Hearts break repeatedly. You find the bottom of your soul at the bottom of that last beer you drank.

Somehow, the regret sounds more authentic coming from these three old country singers, even if they wrote the songs in question decades ago when they were young. You see them on stage with their weathered faces and white hair. They’ve been around a long time. They know what they’re singing about. Call them sages, if you like.

Ray Price was first up. He walked stiffly onto the stage, yet his smooth baritone voice has not diminished a bit. Price has impeccable country credentials, but his singing recalls Frank Sinatra and Bing Crosby as much as anything else. He put his classic voice to many of his familiar hits, like “Release Me,” “Heartache By the Number” and “City Lights.”

Cities are places to hide, and Price knows they can hide pain, too. “The cabarets and honky tonks, their flashy lights invite/A broken heart to lose itself in the glow of city lights.”

Some of Price’s songs are sad, but the singer himself is undiminished. “I’m 81 years old. I ain’t tired yet,” he told a cheering crowd.

Next up was Haggard, dressed in a black suit, black fedora and sunglasses. He’s 70 years old, and sounded a bit hesitant as he opened with “Workin’ Man Blues.” But he quickly hit his stride and was in good form by the time he got to “Swinging Doors,” about a barfly whose home has those swinging doors, a barstool and a neon sign.

Haggard drew even more energy, when halfway through “Okie from Muskogee,” Willie Nelson strolled onto the stage for an assist.

The best moments of the night were some brief interludes when all three men were on stage together. Price sang Nelson’s “Crazy” (the song made famous by Patsy Cline) with Haggard on guitar. And of course Nelson and Haggard had to do their hit duet, “Pancho & Lefty,” an enigmatic song about two men whose path cross, one ends up dead in Mexico, the other flees to Ohio, and everything’s bleak. “The desert’s quiet, Cleveland’s cold and so the story ends we’re told,” Haggard and Nelson sang, sounding as good as they did when they first sang it together maybe 25 years ago.

All these dark songs by no means imply these guys didn’t want to have fun. Haggard and his excellent band The Strangers stomped their way merrily through “Take Me Back to Tulsa” and other hits. “We’re just an old beer joint band. We started playing for drunks and look at us now,” Haggard said.

Nelson, 74, had a good time, too, bringing on hits like “Beer for My Horses” and “On the Road Again.” He did a crowd-pleasing “Moonlight in Vermont.” But Nelson is the king of heartbreak. He was exquisite on “Always on My Mind” and “Blue Eyes Crying In the Rain.”

He tried some new songs, too. He did a gorgeous version of Kris Kristofferson’s “Moment of Forever,” which Nelson said will be on his next CD.

Toward the end of the show, Nelson sang a jaunty tune that went, “I try to do more than I can. I ain’t Superman.”

No you’re not, Willie. Haggard is no Superman either. Neither is Price. But Sunday night they reminded us that good country music is so much more than beer and pickup trucks.

Willie Nelson, Merle Haggard

Sunday, September 2nd, 2007

Thanks so much to Marie, for sharing this great photo she took at the Last of the Breed Concert on 8/28/07 at the PNC Bank Arts Center, Holmdel, NJ.  I am so grateful for these fans who have great cameras and know how to use them!



 

Last of the Breed Tour (catch ’em while you can)

Sunday, September 2nd, 2007

9/4/07    Bank of America Pavillion, Boston, MA
9/6/07    Merriweather Post Pavilion, Columbia, MD
9/7/07    York Fair, York, PA
9/8/07    Soverign Center, Reading, PA
9/9/07    Farm Aid, Randall’s Island, NY

See Last of the Breed Show in Vermont Tomorrow (9/2/07)

Saturday, September 1st, 2007

by Andrew Nemethy
www.timesargus.com

Imagine if the Beatles, Rolling Stones and Buddy Holly got together for a nationwide tour. Or to switch genres, Joan Baez, Peter Paul and Mary and Dylan all hit the stage together, co-mingling voices, songs and covers. How about Sinatra, Tony Bennett and Mel Torme?

That’s the kind of legends reunion concert that Vermonters are going to be treated to this Sunday at the Champlain Valley Exposition when the “Last of the Breed” tour brings Willie Nelson, Merle Haggard and Ray Price to the stage. There are still seats left as of today in the 10,000 seat outdoor venue (the forecast looks great), but there shouldn’t be: All three artists are one-of-a-kind in the country music pantheon, and together, they form far more than just the sum of their different parts. In fact, start to Google their history and you’ll find them tied together by threads that weave their lives into a singular musical tapestry, both in how they lived and how they live their music.

Nelson, Price and Haggard are all pioneers who dared to break, as well as mock, convention. Haggard and Nelson are lumped in the country “outlaw” category, as much for their ground-breaking varied musical directions as for their off-stage antics.

Willie’s well known for his romance with the evil weed and run-ins with the IRS; Haggard for his rough and tumble upbringing that led to numerous run-ins with the law and imprisonment in San Quentin, where he found himself when another legend-to-be, Johnny Cash, twanged his guitar for the inmates.

Musically, Willie’s recorded everything from gospel to jazz, and his 1975 “Red-Headed Stranger” marked a new phase with a “concept” album that followed a musical theme. His 1978 “Stardust” album saw him step into a new genre by recording old standards in his inimitable voice. Nelson has never been afraid of either causes or going against conven-tional wisdom, as evidenced by his advocacy for farmers through his Farm Aid concerts and his willingness to buck establishments both political and musical.

Haggard, at first glance, might be Willie’s antithesis, the proud pro-American “Okie from Muskogee” who released songs such as “The Fightin’ Side of Me,” and decried hippies and those who ran down the country during the Vietnam War. No less than Mr. America himself, President Ronald Reagan, gave him a pardon in 1972 when Reagan was governor of California. But Haggard declined an invitation to endorse segregationist George Wallace, and says now in interviews that “Okie” had more to do with his view of life as he got out of prison than any pro-American jingoism. Lately he has penned “America First,” a song on his “Chicago Winds” album that decries what we’re doing in Iraq, again because it’s running down our country.

Whatever his politics, Hagar’s mellow and tender baritone has been lent to many iconic songs such as “The Bottle Let Me Down,” “Mama Tried” and “Hungry Eyes,” not to mention his “Pancho and Lefty” duet with Nelson in 1984.

Price, the oldest of the three at 81 and the product of a broken home, steered clear of the law but committed many musical transgressions, at least according to the country establishment. He started by hanging out with the legendary Hank Williams and took on a similar wailing voice and yodel, and he inherited Williams’ band after Williams’ untimely death. He had an eye for talent, bringing in many upcoming singers, among them a few names everybody’s heard of: Johnny Paycheck, Roger Miller and a young fellow named, yup, Willie Nelson. (more…)

Last of the Breed, Columbia Post, MD (9/6/07)

Saturday, September 1st, 2007

Country music giants and longtime buddies Willie Nelson, Merle Haggard and Ray Price reunite for a national tour to support their recent two-disc collaboration, “Last of the Breed.” The veterans shirk contemporary country and embrace the music’s roots, lending blues-laced vocals to songs that are by turns conversational, engaging and just plain fun, as on Harlan Howard’s “Pick Me Up on Your Way Down” and Mickey Newbury’s “Sweet Memories.”

Thursday, 9/6/07
7:30 p.m.
Merriweather Post Pavilion,
10475 Little Patuxent Pkwy.,
Columbia, MD

410-715-5550 or 202-397-7328
www.ticketmaster.com Â